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Archives by month/year

Welcome to Freq in 2017

Freq has been online in various forms since April 1998; this iteration has been around as of 2010, with an archive of older material available — see below.

Please scroll down and on for the most recent reviews; see also the archives index for 1998-2009 below while there is also an A-Z index of everything posted so far.

The bulk of the record reviews 1998-2008 are in the following pages — as time allows they are being converted to the newer, searchable format:
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Julie’s Haircut – Invocation And Ritual Dance Of My Demon Twin

Rocket

Julie's Haircut - Invocation And Ritual Dance Of My Demon TwinJulie’s Haircut has been turning any preconceptions about the idea of Italian music on their heads for the best part of twenty years. I remember catching them with Sonic Boom in Bristol some ten years or so ago, and the record they released together at the time expanded minimal psychedelic guitar repetition in two different directions.

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Swantje Lichtenstein and Jono Podmore – Miss Slipper ​/ ​Lewes

Psychomat

Swantje Lichtenstein And Jono Podmore - Miss Slipper ​+ LewesSwantje Lichtenstein‘s streams of (found) consciousness are half-audible, semi-comprehensible on “Miss Slipper” and “Lewes”, rendered as if perceived in a dreamstate interior monologue bouncing between dormant ears before awakening with a start.

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Ulan Bator – Stereolith

Bureau B

Ulan Bator - StereolithAmaury Cambuzat started Ulan Bator twenty-four years ago and after eleven albums and numerous collaborations with the likes of Faust and Michael Gira, their twelfth LP finds the band stripped down to Amaury, augmented by two Italian players on bass and drums/sax.

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Sherwood And Pinch – Man vs Sofa

On-U Sound / Tectonic

Sherwood And Pinch - Man vs SofaOne of the delights of Pinch and Sherwood‘s 2015 début LP together, Late Night Endless, was the way in which the pair remixed, re-purposed and relocated choice elements from On-U Sound‘s extensive back catalogue into a freshly updated variation on a reggae-heavy dubstep theme.

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The Feelies – In Between

Bar/None

The Feelies - In BetweenForty years after forming, it is nice to welcome back The Feelies with their sixth studio album in all that time and the second since they reconvened in 2008. The band, which still contains founding members Bill Million and Glenn Mercer (who are still writing together), have not really changed their formula too much since 1978.

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His Name Is Alive – Patterns Of Light

Silver Mountain Media Group / London London

His Name Is Alive - Patterns Of LightHot on the heels of Tecuciztecatl‘s rock operatics comes this new offering from Michigan’s finest, His Name is Alive. Another guitar-fuelled fandango, this time burning up on all that particle physics hysteria of a few years back when we all thought we’d be sucked into a dark matter vortex as science glimpses the momentarily flash of the God Particle.

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The Moomins – Graeme Miller And Steve Shill’s Unreleased Soundtrack

Finders Keepers

The Moomins - Graeme Miller & Steve Shill's Unreleased SoundtrackThe opening sentence of Andy Votel‘s sleevenotes for the long awaited Moomins soundtrack is just about the most perfect phrase to describe this record, so here it is for your delectation:

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Le Ton Mité – Passé Composé Futur Conditionnel

Crammed Discs http://www.crammed.be/Imagine sitting in a bar and engaging with a tan, weathered stranger who starts showing you photographs of places you are never likely to visit; some vibrant, some serene, a group of faces here, a glorious sunset, buildings, oceans.

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Grails – Chalice Hymnal

Temporary Residence

Grails - Chalice HymnalCoalescing at the smoothed-out jazz hinterlands of dub, post-rock and psychedelic spaciousness, Grails‘ latest opus – the first for six years – finds their instrumental horizons expanded as far as their minds had ever been hitherto, drifting far out

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Conrad Schnitzler – Filmmusik 2

Bureau B

Conrad Schnitzler - Filmmusik 2Conrad Schnitzler, early member of both Tangerine Dream and Kluster, must have found both of those oppressive bands too formulaic and stifling. By 1975, he had struck out on his own, producing music for films that had yet to be released or even made.

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Now – Pleasesorrythankyou

Mottomotto

Now - PleasesorrythankyouRight from the electro-slapped rub of the opener to the insistent burn of guitar that seals the deal, this baby kicks winter grumpiness out into the far reaches like its predecessor Innard Listeningestion did. Its glinty beams and squelchy piranhas are the perfect panacea to the prevailing gloom, smoothed in plenty of harmonic warmth.

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Sleep – The Clarity

Southern Lord

Sleep - The Clarity 12"Ten minutes and ten seconds of stoner riffs that some waited some sixteen years to arrive since the last hazy wafts of Sleep‘s 1998 LP Dopesmoker faded out, “The Clarity” finds Al Cisneros and Matt Pike joined by Jason Roeder of Neurosis on drums. Originally released as a digital single in 2014, it now gets the full Southern Lord vinyl treatment

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Sula Bassana – Organ Accumulator / Disappear

Sulatron /Deep Distance

Sula Bassana - Organ Accumulator“It was an evening in summer upon the placid temperate planet Mars. Up and down green wine canals, boats as delicate as bronze flowers drifted. In the long and endless dwellings that curved like tranquil snakes across the hills, lovers lay idly whispering in cool night beds” – Ray Bradbury, The Silver Locusts

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Christine Ott – Tabu OST

Gizeh

Christine Ott - Tabu OSTBack in 1931, FW Murnau, director of the Expressionist classics Nosferatu and Faust amongst others was directing a docu-drama in the South Sea Islands about forbidden love between two young islanders. After filming and just before the preview, he died in a vehicle accident and the film, although winning an Oscar, was lost to the sands of time.

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UnicaZürn / Charles Bullen (live at Café OTO)

London 25 January 2017

UnicaZürn live January 2017Charles Bullen of This Heat fame was up first, ricocheting a rich stream of bubbling metallics from a specially adapted lap-steel contraption. A set of gamboling percussives and deep Balinese-like bounces drawn through a shanty town of effects. All very fragmented, his sparse trajectories sped off in doubling harmonics with the odd bit of accidental mobile phone surreally spluttering through.

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