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Peaches/Pink Grease (live)

The Astoria, London 18 April 2004

First up, Pink Grease. I’ve been holding off on reviewing these buggers until I could manage the supreme effort of will that is not being so drunk while watching them that I couldn’t tell whether they were wonderful, or really shit. Happily, I can tell you it’s the former, although they are very, very silly indeed. They look fantastic, like they’re out of a cartoon, or like they should be the backing band in Mike Allred‘s classic comic Red Rocket 7. There’s a guy who looks like one of the Hair Bear Bunch on bass who handles most of the audience interaction, a guy with a really clunky wood-burning analogue soundrack which he twiddles with intently like a mad scientist, and a guy who looks like Bruce Foxton by way of Dexy’s Midnight Runners

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The Locust/Beecher/Ephel Duath (live)

The Garage, London 9 April 2004

It’s good to know Thrash is alive and well and kicking up a stir, and tonight The Garage is graced with a queue down the street and eventually with a venue full of The Kids, Heavy Metal or otherwise, almost visibly churning with excitement at the prospect of a night of speedy percussion and throaty vocals. Ephel Duath provide more of the former than the latter, springing with vigorous post-Primus jazzcore energy. Their sound is taut and polished, ripping out the sixpence-turns at the point where virtuosity and gleeful noise interesct. Whatever they do – and it’s a phenomenon of the style, not really a fault per se – everything sounds progged up and hence more than a little noodly: but the saving grace is that one song is over quickly and another begun

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Einstürzende Neubauten (live)

The Forum, London 3 April 2004

If one thing in life is true, it that people get older, bands get mellower – the noise and sound and fury of an Industrial youth flows into a neatly-tailored sartorial elegance and a penchant for slower numbers. Or so it is with Einstürzende Neubauten; perhaps it was always there, as such things happen with people as with music. A friend recently observed upon hearing the track “Silence Is Sexy” for the first time, that it was Marks And Spencers music – that is, middle aged, perhaps a bit boring: a contribution to the pension fund. It seems somewhat appropriate then that the merchandise stall tonight is selling what are effectively EN-logo’ed cardigans – smart, stylish black affairs, but comfortable enough to go with a matching set of slippers – and yes, this reviewer

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