Pica Disk
The Monroe Doctrine is the March edition of Jazkamer‘s 2010 monthly abum series. This CD is a 30 minute track with full on noise rock free jazz improv beat hysteria. Performers are the regular four piece of Gross, Hegre, Marhaug and Drønen. Beautiful artwork by José De Diego.
To make it short, the album immediately struck me as something heavy but lovely, a full on wow-factor after just a few seconds, it knocked me way back in my seat, pushing enormous amounts of energy inside me. And it didn’t stop until the full half hour came to an end. Reviewing this CD without emotions is impossible, but I’ll try to describe some of what I heard.
It starts off with a massive wall of
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What do you get when you cross a dandified occultist comedian (Andrew O’Neill) with the jovial former frontman of Creaming Jesus (Andy Heintz, now rather splendidly decked out in purple muttonchop whiskers), the drummer (Ben Dawson) from Million Dead and another comedian, Marc Burrows, on bass, all with a penchant for brass eyewear and dressing up like their great-grandfathers at work, rest and war? The Men That Will Not Be Blamed For Nothing of course, which band of jolly good fellows proceed to plunder various and several favourite tropes of the nineteenth century through the medium of gorblimey musical hall skits, pub singalongs and hefty doses of decidedly anachronistic thrashouts which put TMTWNBBFN at the forefront of the VWBHM (the Victorian Wave of British Heavy Metal). Naturally, the album
All ‘tached up and nowhere to go, here come Eugene Hutz‘s roving raggle-taggle band of gypsy punks, like an Eastern European (via New York) Pogues, raised on Rollins and Biafra instead of Strummer and Vicious. Dressed like a variety of seafarers, circus performers and drunks, the aesthetic is clearly a grubby one as Gogol Bordello take the stage with Ultimate. And, predictably, the crowd go absolutely fucking apeshit.