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Impuritan – Altered Statues

Distant Spore

Impuritan - Altered StatuesAfter luxuriating in the carnival like atmosphere of 2014’s full length Make It Look Like Nothing Happened and the head spinning smorgasbord of 2016’s Everything Is Magick, nobody could really second guess Impuritan‘s next move. The colours and textures employed in the previous releases made them a fantastic new discovery and I was intrigued to see what the next step would be.

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Reason Stendec – Impulsion EP

Psychomat

Reason Stendec - Impulsion EPJono Podmore (AKA Kumo, of Cyclopean and Metamono) provides the music backing up Reason Stendec‘s sonorous multilingual vocals on the Impulsion EP. Intriguingly,Stendec” was mysterious final Morse code transmission from a flight that crashed en route to Santiago in Chile in 1947

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Burnt Friedman – Dead Saints Chronicles EP

Marionette

Burnt Friedman - Dead Saints Chronicles EPWith a title that refers to a book about near-death experiences, suitably enough, Burnt Friedman‘s first release for Marionette draws upon his archive of recordings to construct a new EP of circling, abstract rhythms topped off with ghostly musical remnants.

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Jute Gyte – The Sparrow

Blue Tapes and X-Ray Records

Jute Gyte - The SparrowMetal isn’t a particularly progressive genre, in a lot of ways; for all the fluff that people throw at it, musicologically speaking, it’s rarely divested itself of fairly conventional tonalities, regular 4/4s, flattened out timbres and limited melodies. I appreciate that’s kind of “the thing” that makes metal and as someone who doesn’t really like metal it’s unfair for me to tar it with that brush

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Midnight Riders / Speng Bond / Steve Knight / Tippa Lee – Outta Road / Dem A Fraud

Red Robin / Jahtari

Red Robin 1Continuing the longstanding reggae tradition of producers cutting basic rhythms and then letting different singers and deejays work their vocal ways into the mix, New Zealand-based duo Naram and Art laid down the core tracks for this first EP

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Sleep – The Clarity

Southern Lord

Sleep - The Clarity 12"Ten minutes and ten seconds of stoner riffs that some waited some sixteen years to arrive since the last hazy wafts of Sleep‘s 1998 LP Dopesmoker faded out, “The Clarity” finds Al Cisneros and Matt Pike joined by Jason Roeder of Neurosis on drums. Originally released as a digital single in 2014, it now gets the full Southern Lord vinyl treatment

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Bangladeafy – Narcopaloma

Nefarious Industries

Bangladeafy - NarcopalomaSo the main reason I picked up this record for review is because I think that it’s the responsibility of the writer to pick up things for spurious reasons. The reason I will never review, or listen to, Jaga Jazzist is because the name is terrible. Bangladeafy is an awesome name.

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Cocteau Twins – Tiny Dynamine/Echoes in a Shallow Bay

4AD

Cocteau Twins - Tiny DynamineNobody ever sounded like the Cocteau Twins, a band so startlingly original that they spurred a lot of imitators; they took the jangle of indie to a whole different level, an otherworldly soak that no doubt inspiring the shoegrazery verve that would follow in their wake. By 1985 they already had three albums under their belts, but their sound was still evolving to ever-more luscious territories, concocting a few catchy (unintentional) hits along the way; amazing realised pearls such as “Pearly-Dewdrops’ Drops” and “Spangle Maker”.

Now Tiny Dynamine and Echoes in a Shallow Bay were two EPs originally released two weeks apart from each other (each a companion piece for the other) that attempted to follow in that “Spangle Maker” vein but ended up more subtle, atmospheric — dare I say experimental affairs in comparison. An output

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SOMEC – Source of Uncertainty

Haunter

SOMEC - Source of UncertaintySource of Uncertainty is one of those records which pushes the boundaries of expectation quite a bit further than a cursory glance at the list of influences might suggest. So maybe there is techno, electro, Detroit and Berlin-style electronic music in here, and certainly a sense of experiment that is worthy of the term; but Giovanni Napoli’s second Haunter Records release as SOMEC follows on the heels of his delightfully titled Arbitrary Function Generator cassette in a dazzling splash of often highly abstracted tweaks, trills, rhythms and bleeps which are very much their own thing.

This is music to become lost in while following SOMEC’s lead via unfamiliar paths, a road less travelled along the wires of controlled voltages and modulated

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Now – Innard Listeningestion

mottomotto

Now - Innard ListeningestionThere’s a certain mild krautishness nurturing in those Kinder Egg diode flashes, a light-hearted flush of danceability that’s swimming in the real and the synthetic in equal amounts. Oddly punctured textures and filtered sequins that seem to bubble-burst plenty of satisfied grins, a childlike tinkering perfectly matching the lurid orange vinyl and crayoned graphics of its package.

Innard Listeningestion by Now

“Innards” starts the ball rolling, its super-cute measures amok with squelching Paddington Bear galoshes bouncing off cling film-coated puddles. A curl-e-whirling of vocals, light and airly remainders to a tinselated rhythmic goodness, popsicles dream-feeding soft cushioned contours and jangling xylo-tonics of a catchy number that’ll haunt you with its fancy footwork. “Listening Forward To It” adds an increase in tempo, the beat toothpasted

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Ekoplekz – Influkz EP

More Than Human

Ekoplekz - Influkz EPBoard a hovercraft to ride the autobahn of yr dreams on this lovely fissure from Ekoplekz, via the good sonic alchemists at More Than Human Records.

2014 has been a big year for Bristol’s Nick Edwards, following two of his highest-profile — and highest production value — releases on the braindance juggernaut Planet Mu. Mike Paradinas, AKA µ-Ziq, worked head-to-head with Edwards in sequencing the material, then presenting the material with a nice lustrous sheen of a mastering job and coating each in saliva-inducing artwork. It was Ekoplekz at his glossiest and most accessible, although the sounds in the grooves were still signature.

On the Influkz EP it seems that Ekoplekz is getting back to his roots; back to the

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K-X-P – The History Of Techno

Öm

K-X-P - The History Of TechnoIt may seem ambitious to propose a histoy of techno in only four parts on one 12” single, but if there’s anyone who can do so, it’ll be the two drummers, bassist and one-man soul sonic force of K-X-P — Timo Kaukolampi (of Op:l Bastards), Tomi Lepannen (also of Circle and Pharaoh Overlord, among many others), Tuomo Puranen, also of of Op:l Bastards, and Anssi Nykänen. K-X-P are Finland’s première exponents of the current wave of drummers mixing up with synthesists (see also Zombie Zombie, Gum Takes Tooth, Temperatures and Jakob Skøtt for starters) taking trance music to some pretty far-out, analogue-worshipping places; and their dedication to the endless groove, the timeless Öm (which they reflect in the name of

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Franck Vigroux – Centaure

Cosmo Rhythmatic

Franck Vigroux – CentaureWith “2024” blasting straight down to business like Pan Sonic at their grittiest and crunchiest, Centaure finds Franck Vigroux a very long way away from his guitar extrapolations and explorations (such as the recently-released Ciment). Instead, he’s got electronic beats to flay and some serious noise to bring on three tracks and a remix which will effectively sandpaper any soundsystem they grace and most likely render any nearby dancefloors well and truly scourged, quite probably in a biblical sense.

“Vesuve” could easily give Atari Teenage Riot some aggro, though as it’s (brutally) instrumental, the nihilistic attitude can be content to be implied and delivered through the force of the chunky rhythms rather than needing to be screamed in situationist slogans,

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Scott Haggart/Lary Seven/Felix Kubin – 1:17

Gagarin

Scott Haggart/Lary Seven/Felix Kubin – 1:17Recorded live in New York in November 2009, 1:17 is one of those glorious conceptual pieces in which the premise – in this case, the use and re-use of a 0.7 millisecond snippet of sound originating from a Diskono collective concert in 2000, itself transformed gradually over the years into a one minute seventeen second blast of noise – is almost entirely irrelevant to the appreciation of the results as realised here.

It is amusing to report, however, that for this performance, Scott Haggart played and manipulated his original Diskono 12” of 1:17 on the decks, while Lary Seven did things with a custom leather glove, a wine bottle and a reel-to-reel tape machine; Felix Kubin was both at the controls and dropping samples

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Moss – Carmilla / Spectral Visions

Stone Tapes

Moss - Carmilla/Spectral VisionsThe Dark Is Rising

When it comes to art that is inspired by the horror genre, it can fall into two camps:

1. Art that references horror tropes and classic works of that genre, or. 2. Art that seeks to recreate the sensation of watching, reading, or listening to those works.

With Carmilla (Marcilla)/Spectral Visions, from purveyors of classic British doom, Moss, the band goes more for the former, setting classic Gothic Victoriana to crushing, distorted guitar riffs and monolithic drumming. If Moss’ masterpiece Cthonic Rites was the sound of crawling through a darkened thicket to arrive at some blasted hilltop surrounded by sacrificial megaliths, this EP might be seen as a filmic version of the same events. While it might not be

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