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Carter Tutti Void (live at The Oslo Club)

Carter Tutti Void live at the Oslo Club September 2014London 16 September 2014

Mounting the stage with a promise of a different set to the previous night’s show at the same venue, Nik Void, Chris Carter and Cosey Fanni Tutti settle quickly into place behind a compact selection of effects boxes, mixers and other instruments. As the gig gets underway, the backdrop lit up by the slowly-cycling op-art imagery familiar from their début album projected overhead, the first audible and visual surprise is that Carter is flanked on either side by Void and Tutti, and they’re playing guitars. Certainly, both Factory Floor and CarterTutti have both always used the instrument, but it’s a striking image at odds with the sounds which the trio are generating. The electronic beat is strong, clear and

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Chris Carter – Moonlight


This will play out. This will be roundly buggered, sliced and diced and shat out all over the lightflashes and discofloors of your local sleaze pit. It’s good music for dancing girls, car chases, hedge-trimming, car-jumping. Chris Carter has the Abba fixations, of course, but the Devil’s in the disco. The Neurotic Drum Band remix (reimagining) maybe slows the beat down a little to create something that feels vaguely reminiscent of Spacemen 3’s “Big City;” a disco slur, narcotized but just danceable, if you’re prepared to shamble and wave. It’s not Italo; only partly Homoerotic. The press release tells you it’s “ultra cosmic-a-fying it for an ultra-headtrip psychedelic spaceflight!” but it feels a little earthier than that, Northern even; the sound of a Rugby or Widnes disco-bar with a headful of research chemicals (their twinkly names encoded into the music) and

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Archived reviews: C

Mira Calix – One On One Label: Warp Format: CD,2LP

This record rocks, thats the simple way to put it. Other record labels must hate the way Warp casually goes about releasing albums that are just so damn good. One on One is the debut album of South African Chantal Passamonte, AKA Mira Calix, recorded in the seclusion of relatively icy Sheffield where she goes about her musical business as occasional in-house DJ for Warp.

OK, why is this album so good? Go buy it, thats the simple answer. Trying to describe what One on One sounds like is an exercise in futility. Each track would have to be broken down in turn. Mira Calix has a distinct style, but thats not to say each track is a variation on the same theme. Few electronic records have this much diversity; each track launches out into a new direction.As

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