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The Moomins – Graeme Miller And Steve Shill’s Unreleased Soundtrack

Finders Keepers

The Moomins - Graeme Miller & Steve Shill's Unreleased SoundtrackThe opening sentence of Andy Votel‘s sleevenotes for the long awaited Moomins soundtrack is just about the most perfect phrase to describe this record, so here it is for your delectation:

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Cluster/Roedelius/Moebius/Moebius & Beerbohm roundup

Bureau B

Hamburg’s Bureau B label are doing a great job of keeping the Kosmische blowtorch alight. Treating the legacy as a living heritage, they give equal precedence to lovingly presented reissues of lost classics and brand new releases by survivors of the scene and their spiritual offspring. Alongside brand new albums by [post=”faust-something-dirty” text=”Faust”] and [post=”kreidler-tank” text=”Kreidler”], they have just unearthed a whole batch of Cluster related gems to follow up their recent Cluster & Eno reissues. What’s even better is that all these releases are available on vinyl as well as CD and download – a proper record label indeed!

Listening to Cluster’s debut album Cluster 71 is like wandering around the British Museum’s Mesopotamia room and being floored by the fact that this civilization flourished when most of the world still lived in caves. The reissue’s subtly amended title

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Melvins – The Bride Screamed Murder


The Bride Screamed Murder is superb. Not at all what I expected, but sees the Melvins in fine form. A Senile Animal (2006) and Nude With Boots (2008) saw the Melvins gelling as a tight four piece unit, with Buzz Osborne and Dale Crover playing alongside Big BusinessCoady Willis and Jared Warren. Now I love both these albums, and I would have welcomed a third helping. But we’ve all seen bands fall into formulaic ruts rehashing variations of the same album again and again until everything fresh and innovative is long gone. The Melvins have side stepped this pitfall. The Bride Screamed Murder finds them returning to a looser jam-based sound, reminiscent of their early stuff. This sounds like the renowned Melvins who will fuck up.

And then as now, when the Melvins jam

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Pan Sonic – Gravitoni

Pan Sonic‘s extirpated crackle and hiss approaches the low end of dub with a fiercely deracinated edge, not so far removed from the stepping imperative as might perhaps be assumed from its harsh extremity. This is the sound of oscillators and radio noise in decaying mutual orbits, the capture and release of tensed bass thumps and scarred metallic shards of noise describing the heat death of not only Pan Sonic (this has been announced as their swansong album) but perhaps of the universe, as exemplified by the ominous skree and drones of “Väinämöisen uni/Väinämöisen Dreams,” with final liquid drips echoing into nothingness. Likewise, the snarling buzz of “Suuntaa-Antava/Indicational” soon shrivels everything in its path, including ultimately, itself, fading in entropic dissolution to hissing, then silence – and as for “Hades,” from the slow heartbeat rhythm, suffice to

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