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Hibushibire – Freak Out Orgasm!

Riot Season

Hibushibire - Freak Out Orgasm!With no less a space cadet than Makoto Kawabata at the production controls, it’s no surprise that Hibushibire engender fabulous furry freak riffs of a sort that Acid Mothers Temple can be heard blasting into space at any given psychedelic happening.

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Sleep – The Clarity

Southern Lord

Sleep - The Clarity 12"Ten minutes and ten seconds of stoner riffs that some waited some sixteen years to arrive since the last hazy wafts of Sleep‘s 1998 LP Dopesmoker faded out, “The Clarity” finds Al Cisneros and Matt Pike joined by Jason Roeder of Neurosis on drums. Originally released as a digital single in 2014, it now gets the full Southern Lord vinyl treatment

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Syndrome – Forever And A Day

Consouling Sounds

Syndrome - Forever And A DayPacking a lot into its two sides of vinyl (or one track on the CD edition), Forever And A Day finds Mathieu Vandekerckhove (Amenra, Kingdom and Sembler Deah) in a musical meditation on his relationship with his father, and the sculpture that he made for his son around the time of his birth. This bronze torso and head appears in close-up detail on the LP sleeve and provides a weighty entry point to the album’s shifting, slowly unfolding moods.

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Nadja – The Stone Is Not Hit By The Sun, Nor Carved With A Knife

Gizeh

Nadja - The Stone Is Not Hit By The Sun, Nor Carved With A KnifeThere’s a moment on The Stone Is Not Hit By The Sun, Nor Carved With A Knife, not long into “The Stone”, where Nadja hit their full metal mark, ramp up the drone-doom riffs hard and it becomes essential to reach for the volume knob in order to bring the levels up yet further.

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Günter Schlienz – Autumn

Zoharum

Günter Schlienz - AutumnOccasionally known as Navel, whose Ambient series of albums of last decade included Eno-referencing titles such as Music For Spaceports, Günter Schlienz has been making delicately shaded melodic drones and curling electronica since the 1990s. His latest release comes courtesy of Zoharum, and concerns itself with the theme of autumn.

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Unruly Milk – Spilaggges

Blackcat

Unruly Milk - SpilagggesA suitably rumbunctious beast, Unruly Milk‘s Spilaggges combines the eclectic guitar playing of Joe Thompson (also of Hey Colossus and Henry Blacker) with the rippling interventions of Kek (Hacker Farm and Ice Bird Spiral) to make for a neatly under-produced début album. Add in occasional vocals from Elisa Thompson and some unspecified help from Stefano Giaconne and the results are a woozy wander through a West Country psychedelic mindscape

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Taman Shud – Oracle War

Trashmouth

Taman Shud - Oracle War Sweeping in on a waft of churning organ and pounding drums, Taman Shud‘s second album Oracle War has more than a whiff of classic seventies grungy acid-frazzled rock to its fragrantly-flecked switchback riffs and tight-as-you-like chops and changes. As soon as the wall of sound starts propping up their house of the holy noise, it’s impossible not to see images of dank basements, oil-wheels turning and the air heavy with sweat, drugs and the sweet-smelling waft smoke gusting under the salad lights and strobes.

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Wolves In The Throne Room – Diadem Of 12 Stars

Artemisia

Wolves In The Throne Room - Diadem Of 12 StarsLong out of print and originally put out in 2006 by small DIY label Vendlus, then emerging on Southern Lord a year later, Diadem Of 12 Stars has now been remastered and re-released on Wolves In The Throne Room‘s own Artemisia Records.

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Niels Lyhne Løkkegaard – Sound X Sound: Music For 9 Pianos

 

Niels Lyhne Løkkegaard - Sound X Sound Music For 9 PianosNiels Lyhne Løkkegaard has been busily investigating the particular qualities that can come from quantity on his Sound X Sound series of seven 7” vinyl releases. In this third instance, he has nine pianists playing two very different pieces in a veritable fall and resurgence along the keyboard, descending and rising up from the depths with results that are on occasion remarkably similar to some of the impossible to play black MIDI tunes that were all the rage for a while.

As ever, Løkkegaard’s compositions are more about the properties of the sounds that each instrument generates rather than having a specific musical character. This is of course what some sections of the avant-garde have

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Ipek Gorgun – Aphelion

(Self-released)

Ipek Gorgun - AphelionAphelion unfolds with the chirruping scratchiness of a host of slothful machines awakening and dozing, dreaming fitfully or snoozing comfortably in the electro-acoustic bath that Ipek Gorgun has prepared for them. Listened to in a state of semi-willing wakefulness in the imminent expectation of the arrival of hypnotised, tired-out dozing that movement through a landscape can engender, Aphelion matches those moods and the state of hovering just between consciousness and collapse.

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Nisennenmondai – #N/A

On-U Sound

NisennenmondaiNisennenmondai - #N/A have turned their exploration of the extremes of guitar, bass and drum repetition into something of an artform, as well as seeming to find new and ever-inventive ways to continuously revisit and repurpose the same basic sound and tracks which first appeared on their now-classic N LP in 2013. With the superb live in the Clouds Hill studio version of N (and more) bringing the engrossing immediacy of their stage presence to both disc and video

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The Body – No One Deserves Happiness / The Body and Full Of Hell – One Day You Will Ache Like I Ache

No One Deserves Happiness Thrill Jockey

The Body - No One Deserves HappinessHere’s a concept to consider: The Body have dubbed their latest misanthropic missive No One Deserves Happiness as “the grossest pop album of all time”, and they may just be right. Roping in Chrissy Wolpert and Maralie Armstrong from the Assembly of Light Choir to provide a more melodic vocal counterpoint to Chip King‘s enthusiastically atavistic yelping, the duo also utilise a range of drum machinery to underpin their visceral grind of guitar, bass and even cello and trombone with a relentless churn of rhythm and distended groove.

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Mugstar – Magnetic Seasons

Rock Action

Mugstar - Magnetic SeasonsMugstar have been at the vanguard of the British space rock revival (though perhaps it never really ever went away) for a good decade and more now, and everything about their music can certainly be assessed in terms as broad and well-trodden as spacious, cosmic and psychedelic, and it conjures up all of the tropes — long hair, biker chic, salad lights, heavy wafts of fragrant weed smoke — that accompany that simple act of genre-assignment along the way.

Thankfully, save for the stupendously good live collaboration with Damo Suzuki on Start From Zero in 2015, Mugstar generally eschew vocals, and quite frankly work all the better for their absence. Space rock as a form doesn’t often really need or benefit from them (unless they’re

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Vainio and Vigroux – Peau Froide, Lèger Soleil / Franck Vigroux and Matthew Bourne – Radioland: Radio-Activity Revisited

Cosmo Rhythmatic

Vainio & Vigroux - Peau Froide, Lèger SoleilIt really makes a huge amount of sense for Mika Vainio and Franck Vigroux to have made Peau Froide, Lèger Soleil together, especially considering the latter’s storming Centaure 12″ of a year or so ago. There, Vigroux mashed up the hardest of beats in a welter of analogue electronics that bore easy and justifiable comparison to Vainio’s former outfit Pan Sonic; together they make a heavily textural collaboration which unfolds with a wheezing, shuffling sense of palpable heaviness and weighty atmospherics.

Replete with all manner of weighty analogue oscillator drones and the crunchiest of crunchy rhythms, the album unfolds in a gathering swarm of delayed hissing snippets, sliding bass tones, cinematic dynamics and an ever-present sense of

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OZmotic and Fennesz – AirEffect

S Object/Folk Wisdom

OZmotic and Fennesz – AirEffectInspired by Chris Marker’s fragmentary post-apocalyptic time travel film La Jetée and purporting to involve a mysterious black box dating from the Anthropocene era, AirEffect seems at once an imaginary soundtrack and the illusory object of its own investigations.

Stanislao Lesnoj‘s haunting saxophone circles SmZ‘s shuffling drums and other percussion while Christian Fennesz‘s guitar and electronics scrape and shimmer. All the time a plethora of broken, cut and pasted voices and environmental sounds ebb and flicker across the soundscape, their processed jitters and occasionally eerie whispers creeping and crawling into the listener’s perceptions in a dreamlike nagging at the unfamiliar.

The dynamics that the trio deploy are often highly effective and immersively engaging. Like tuning into overlapped, glitching

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