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	<title>Cabo San Roque &#8211; Freq (under ongoing maintenance)</title>
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		<title>Pierre Bastien and Cabo San Roque / Anna Homler, Adrian Northover, Dave Tucker &#8211; FTS003 / Pierre Bastien &#8211; Tinkle Twang&#8217;n Tootle</title>
		<link>http://freq.org.uk/reviews/pierre-bastien-and-more/</link>
					<comments>http://freq.org.uk/reviews/pierre-bastien-and-more/#respond</comments>
		
		<dc:creator><![CDATA[Freq]]></dc:creator>
		<pubDate>Sun, 21 Jul 2019 20:26:17 +0000</pubDate>
				<category><![CDATA[reviews]]></category>
		<category><![CDATA[Adrian Northover]]></category>
		<category><![CDATA[album review]]></category>
		<category><![CDATA[Anna Homler]]></category>
		<category><![CDATA[Cabo San Roque]]></category>
		<category><![CDATA[Dave Tucker]]></category>
		<category><![CDATA[Michael Rodham-Heaps]]></category>
		<category><![CDATA[Pierre Bastien]]></category>
		<guid isPermaLink="false">http://freq.org.uk/?p=21144</guid>

					<description><![CDATA[First Terrace The first side of FTS003 is a gentle amalgam of mechanical whirs and snipping conjunctives. One of Pierre Bastien’s robotic creations &#8212; a specially adapted Casio that conducts a huge sound sculpture, a Mechanical Orchestra invented by Cabo San Roque in Barcelona. The hiccuping apparatus is ever-present, delicately puckering a slow pulsing organ [&#8230;]]]></description>
										<content:encoded><![CDATA[<p><a href="https://firstterracerecords.bandcamp.com/" target="_blank" rel="noopener noreferrer"><strong>First Terrace</strong></a></p>
<p><a href="http://freq.org.uk/wp-content/uploads/FTS003.png" target="_blank" rel="noopener noreferrer"><img fetchpriority="high" decoding="async" class="alignleft wp-image-21147 size-medium" src="http://freq.org.uk/wp-content/uploads/FTS003-300x300.png" alt="FTS003" width="300" height="300" srcset="http://freq.org.uk/wp-content/uploads/FTS003-300x300.png 300w, http://freq.org.uk/wp-content/uploads/FTS003-100x100.png 100w, http://freq.org.uk/wp-content/uploads/FTS003.png 500w, http://freq.org.uk/wp-content/uploads/FTS003-400x400.png 400w, http://freq.org.uk/wp-content/uploads/FTS003-144x144.png 144w" sizes="(max-width: 300px) 100vw, 300px" /></a>The first side of <em>FTS003</em> is a gentle amalgam of mechanical whirs and snipping conjunctives. One of <a href="http://freq.org.uk/tag/pierre-bastien/"><strong>Pierre Bastien</strong></a>’s robotic creations &#8212; a specially adapted Casio that conducts a huge sound sculpture, a Mechanical Orchestra invented by <a href="http://freq.org.uk/tag/cabo-san-roque/"><strong>Cabo San Roque</strong></a> in Barcelona. The hiccuping apparatus is ever-present, delicately puckering a slow pulsing organ backdrop as this trumpet sauces its sinews.<span id="more-21144"></span></p>
<p><div class="pull-this-show" id="pull-this-show-21144-brittle" style="display:none;"></div>Loving the way it melodically pulls at the machinery, its interlocking frictions set alight by the harmonic and vice-a-versa brings to mind the lullaby quality of Icelandic band <strong>Amiina</strong> as these light patterings nibble at the composition, breaking down into <span class="pull-this-mark" id="pull-this-mark-21144-brittle">a sparse scatter of brittle bric-a-brac</span>. Abstractions divide the three distinct movements of this twenty-minute opus, and as the next blossoms amongst notching accents and tumbling tapers a dancing wire leaps, its lifeblood duelling with randomised fluctuations.</p>
<p>The third and final part is born out of a rolling mirage of kating kinesis, bubbling into a watery brook of glassy chimes, singing saws and what sounds like an underwater <strong>Dizzy Gillespsie</strong> coo(ing) in the cushioning softness of a chuting piston, its whistling branches tickled by feedback feathers and a shimmering fade.</p>
<p><div class="pull-this-show" id="pull-this-show-21144-shimmer" style="display:none;"></div>The second side dives into more improv goods, this time from a collective called <strong>Winkhaus</strong>, comprising <a href="http://freq.org.uk/tag/anna-homler/"><strong>Anna Homler</strong></a>, <a href="http://freq.org.uk/tag/adrian-northover/"><strong>Adrian Northover</strong></a> and <a href="http://freq.org.uk/tag/dave-tucker/"><strong>Dave Tucker</strong></a>, a trio who fill your ears with unusual flavours, whispering nocturnes seeded with vocal abstractions or what sounds at times like Japanese. Touches of late-night jazz intermingle in a dark and fragmentary pleasure that <span class="pull-this-mark" id="pull-this-mark-21144-shimmer">shimmers, stipples or floats out on an eerie snakeskin of sustain</span>, some of the sax work like diseased lungs struggling for breath, their raspy offsets combing the curling orbits, wrapping themselves round the toy-like stutters that compliment the first side&#8217;s tickling clockworks so perfectly.</p>
<p><iframe height="42" src="https://bandcamp.com/EmbeddedPlayer/album=3160594604/size=small/bgcol=ffffff/linkcol=0687f5/artwork=none/track=2176763042/transparent=true/" width="100%"><span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start">﻿</span><a href="http://firstterracerecords.bandcamp.com/album/fts003">FTS003 by Anna Homler / Adrian Northover / Dave Tucker</a></iframe></p>
<p><div class="pull-this-show" id="pull-this-show-21144-revisit" style="display:none;"></div>The textural closeness of &#8220;Green Steam-Curious Weather&#8221;’s wounded sporadics, its vocal wows running along a reverberating pluck of double bass or the syrupy Japanese floating round &#8220;Minaru&#8221;’s loose-strung strums, these are sounds to be absorbed by, <span class="pull-this-mark" id="pull-this-mark-21144-revisit">full of mysterious shapes you can’t help but revisit</span>.</p>
<p><em>Tinkle Twang &#8216;n Tootle</em><br />
<a href="https://marionettelabel.com/" target="_blank" rel="noopener noreferrer"><strong>Marionette</strong></a></p>
<p><em><a href="http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle.png"><img decoding="async" class="alignleft size-medium wp-image-21149" src="http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle-300x297.png" alt="Pierre Bastien - Tinkle Twang 'n Tootle" width="300" height="297" srcset="http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle-300x297.png 300w, http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle-100x100.png 100w, http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle.png 500w, http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle-400x396.png 400w, http://freq.org.uk/wp-content/uploads/Pierre-Bastien-Tinkle-Twang-n-Tootle-144x144.png 144w" sizes="(max-width: 300px) 100vw, 300px" /></a>Tinkle Twang&#8217;n Tootle</em> has Mr Bastien all to itself, and plys a <em>souk</em> of subdued rhythms, odd mechanical concoctions comprised of the half-broken and detuned as the loopage falls through in dreamy melody, &#8220;Smart Lilt Rams&#8221;&#8216; racketed reverb, chorusing trumpet and conversatory horn beeps <span class="pull-this-mark" id="pull-this-mark-21144-Frankenstein">frolicking Frankenstein-like, tumbling your ear in a jigsawing joy</span>.</p>
<p><div class="pull-this-show" id="pull-this-show-21144-Frankenstein" style="display:none;"></div>The slow glow of 1920s Congo-esque that is &#8220;Tenet&#8221; (a cheeky nod to the French <em>chanson</em> maybe), its loose-limbed knitting needle percussives skeleton(ing) a wavering flute. The forward motion contrasts between agitated sparks and smooth hound (bumble-bee) hum, the stitching evaporating in tuneful unison, dipping into the sinister weave of &#8220;Rail At A Liar&#8221;, a reverbed recoil of bendy alloy, mournful yawning in blurry spur and sluggish whistle.</p>
<p>Each track is a fresh microcosm eating away at your stress-filled cul-de-sacs, as Bastien’s imagination burns up on the blues-like tapers of &#8220;May Yam / Wedded Dew&#8221;, percussively weaseling the wind-up clank of plastic teeth. Malian-like vibes dribbling into a lovely ambient backwash of pan-piped church organ as the close mic(ed) brush of spindling arms curves out on this underwater bubble gun of ragtime melody, spookily reminiscent of &#8220;Élisa&#8221; off <strong>Jane Birkin</strong>’s <em>Arabesque</em>.</p>
<p><iframe loading="lazy" height="42" src="https://bandcamp.com/EmbeddedPlayer/album=2229209974/size=small/bgcol=ffffff/linkcol=0687f5/artwork=none/track=708836094/transparent=true/" width="100%"><span data-mce-type="bookmark" style="display: inline-block; width: 0px; overflow: hidden; line-height: 0;" class="mce_SELRES_start">﻿</span><a href="http://pierrebastienmarionette.bandcamp.com/album/tinkle-twang-n-tootle">Tinkle Twang &#8216;n Tootle by Pierre Bastien</a></iframe></p>
<p><div class="pull-this-show" id="pull-this-show-21144-burlesque" style="display:none;"></div>The lovely <a href="http://freq.org.uk/tag/pram/">Pram</a>-like xylo-folics and glinting keyboards of &#8220;Pet Step&#8221; follow, its pebbling nature blurred in frog-croak and snorting pig, while the show-boating soft melancholics of the last track, &#8220;Don&#8217;s Nod&#8221;, are <span class="pull-this-mark" id="pull-this-mark-21144-burlesque">a blown burlesque sundown that leaves a pleasing smile</span> in your head.</p>
<p><strong>-Michael Rodham-Heaps-</strong></p>
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