It’s not clear how composed this is, but there’s bits that have the quality of being like someone’s writing harmonies (ahem) while under the influence of ketamine — it’s definitely happening, but at a pace just that smidge too slow to discern quite how it’s moving. Stephen Cornford I’m less familiar with but Daniel Bennett‘s; well, he’s always been a frighteningly meticulous musician and his attention to detail is astonishing. Here, it’s not clear whose voice is whose, so the entirely gorgeous squelch of early in “Field”, just nauseous enough to be disconcerting but never outstaying it’s welcome and is really quite lovely.
Detail is probably the thing that separates the “will this do?”‘ textural wheat from the noise chaff (NB
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