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Dead Voices On Air – The Bowles Given/MzMz LalaLa (20th anniversary collaborative 7″ singles)


To celebrate 20 years of Dead Voices On Air, Mark Spybey is in the process of releasing a series of 7″ singles in cahoots with a variety of friends and accomplices. The first appears under the name MzMz LalaLa, and consists of Spybey and Simon Fisher Turner.

Together, the two sides of the 7″ offer glimpses of passing soundscapes in almost haiku form, so (seemingly) brief is their span – seemingly, as the A-side is in fact a shade of five minutes in length. “For Peace” features piano becoming progressively cut up and disrupted by snippets of words and sounds of warfare and/or crisis snatched from the headlines, and the rippling beats which slot briefly into place chug in with a confident swagger. But nothing is let to hold in place for long, as the wind-whipped recordings from the

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Damo Suzuki’s Network/Rothko (live at The Scala)

London 21 March 2001

In tow with the usual Krautrock London posse I arrived at The Scala just in time to hear lots of talk about how a lot of people have not been here since it was a infamous cinema. Though I never saw it in its glory, the building is still impressive with its loads of marble and Art Deco swirly tiles not quite lost in the stripped-pine modern re-structure. Other talk in the grand foyer was about the nearly embarrassing quantity of people here to see the magnificent performers on hand. It was true, there was a significant lack of bodies present considering the even to be, but nevermind, the Scala is a big venue, and most crowds might seem small inside it.

RothkoThe nights music began with Rothko, a suprise to me and a pleasant one to say the least. The bass

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Michael Rother & Dieter Moebius/Dead Voices On Air (live)

The Underworld, London 28th January 2000

Dead Voices On Air are conducting a bit of an experiment on the London leg of their tour, starting off loud, noisy and danceable and trailing down into ambient passages of extended mood workouts. Mark Spybey and Darren Phillips man the keyboards, sequencers, samplers, digital technology; Darryl Neudorf is behind a bare drumkit (complete with fluffy liner on one drum). So they kick off into a post-Industrial Dance groove, and instantly several key signifiers make links to everyone from Coil (arpeggiating keyboard weirdnesses, atmosphere), Psychic TV (the stripped analogue beats, the moments of ecstatic upness) and of course fellow Vancouverians and fellow-travellers Download (that digital Techno-noise, the earnest need for cathartic harshness). Largely instrumental, the only moment of vocal outpouring comes during a heavy-skanking Techno Dub, when the words “I hate who you are” become the mantra of the minute and the atmosphere becomes

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