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JK Flesh – Posthuman

3by3

Back in the days when an internet café was a big deal, and a cool, hip, happening place where awesome kids did 72-hour Starcraft sessions and didn’t die (note- these days are actually largely fictional, much like the days immortalised in the movie Tron, when running an amusement arcade was essentially EXACTLY THE SAME AS BEING A ROCK STAR, but I still remember them with fondness), rather than just a place you went to to print out booked train tickets on your lunch break, there was one round the corner from me. In a car park. It had flats attached to it, and in my head it always looked like the sort of place hip, happening, cool Starcraft-playing kids would live and plot virtual bank heists

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Guitar Wolf/Atomic Suplex/Los Pepes (live at The Garage)

The Garage, London 3 June 2012

Image copyright 2012 by Emerson TanImage copyright 2012 by Emerson Tan“I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.”

Patti Smith

As Patti said “Everybody says it’s finished … art’s finished, rock and roll is dead, God is dead. Fuck that!” As Neil Young said, “rock’n’roll will never die”. And as Guitar Wolf says, “BABY BABY BABY!!! ROCK AND ROLL!!!”

But I’m getting ahead of myself. It’s the Queen’s jubilee, a date more significant to most of us

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Earth – Angels Of Darkness, Demons Of Light II

Southern Lord

It’s long been traditional for “psychedelic, stoner, trippy, headfuck or whatever you want to call it” music, for the most part, to deal in Space. From Sun Ra to Chrome Hoof, from Sunn0))) to Hawkwind, the imagery’s been of space travel, or the void, or Heavenly light. And to be honest, Earth have also dealt in this, their monolithic and lazy-but-intense pace conjuring up visions of the planet rotating in that void. But even as their music becomes more palatable, more “mainstream”, if that’s even a thing, they’ve chosen to go underground in the most archaeological sense of the word.

The clues have been there, of course. From the very name of the band (which

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White Hills – Frying On This Rock

Thrill Jockey

Let’s talk about SPACE, baby, let’s talk about you and me. As Salt’n’Pepa didn’t actually sing, but should have done. Let’s talk about all the BIG things and the LOUD things. Yeah. And like that.

Space is many things to many people. To Lovecraft, for example, it was a constant source of terror. But then, so were most things. Poor guy. To Douglas Adams, it was full of all manner of potential wonder, but its chief characteristic was that it was HUGE. To Hawkwind and Michael Moorcock, it’s too many things to list here (at least without essentially just plagiarising), but we’ll go with DEEP. And to Sun Ra, it was the plaice. Though that may

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The Men That Will Not Be Blamed For Nothing – This May Be The Reason Why The Men That Will Not Be Blamed For Nothing Cannot Be Killed By Conventional Weapons

Leather Apron

MELVYN BRAGG – Good morning. Today on In Our Time we’re going to be looking at the Steampunk era, a time which often seems to be shrouded in a fog- or possibly even a smog, ha ha, of mystery. With me today is Dr Deuteronemu 90210, emeritus professor of Musical Archaeology at the Institute of Awesome. Dr 90210, it wasn’t all that long ago. Why is so little known about the period?

DR 90210– Well, what we have to remember is that a lot of the primary evidence was destroyed during the Martian Invasion of the late 19th Century-

MELVYN- Ah yes, the War Of The Worlds.

DR 90210- Yes, that’s right. It’s important that we remember just how much damage those fighting machines caused- as a result we’ve lost a lot of remarkable inventions. Indeed, in many ways technology

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Trent Reznor & Atticus Ross – The Girl With The Dragon Tattoo OST

The Null Corporation/Mute

Reznor and Ross may have seemed a weird choice to score The Social Network, essentially a movie about courtrooms and codings; almost as weird a choice as Fincher was to direct it. But that worked out OK, didn’t it? So it’s no surprise that when reunited with Fincher, but this time on a movie about sex, violence and serial killing, the result is one of the best soundtracks of recent years.

As anyone who’s seen the film will surely attest, from now on ALL films, regardless of subject, should open with a gobsmackingly slick goth James Bond title sequence over which plays an industrial cover of a classic rock track. Come on. You know it makes sense. Here they’re joined by Karen O of the Yeah Yeah Yeahs, who also provided another of 2011’s most awesome vocal performances on

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SunnO)))(+Nurse With Wound) – øøVoid/The Iron Soul of Nothing

Southern Lord/Ideologic Organ (Editions Mego)

Not long ago, in the relatively balmy days of early December, I found myself, as is my usual daily routine, strolling through the local cemetery, Abney Park, all overgrown and witch-haunted, broken angels and grasping stone hands. And that’s on a normal day. But this particular afternoon the region was visited by the harbinger of truly apocalyptic weather. About an hour earlier than was reasonable (and certainly earlier than would be considered polite by any civilised climatic system) the sun went dark, the wind picked up, and darkness descended across the land. The veil of the Temple may even have been rent in two, but I was nowhere near the bloody Temple, what with being on the other side of the world and all, so I couldn’t really tell you with any degree of accuracy whether that

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Feersum Ennjin – Feersum Ennjin

Dissociated Press

I was originally going to try to write this review in the narrative voice of that Bascule dude from Iain M Banks‘ masterful science fiction novel of nearly the same name, but had a bit of a think about it and decided that a) I really couldn’t be arsed to do all that translating of my own stuff and b) nobody else would be arsed to read it. Which would have been a shame, because this album’s rather good and I’d like you to know why.

Feersum Ennjin is the eponymous first full-length album of Tool founder and onetime bassist Paul D’Amour, also of Lusk and Replicants. Since Tool cast such a bloody great shadow over all things prog-metal, industrial and awesome, let’s get the Tool stuff out of the way right at the start. There are things about this

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Throbbing Gristle – Heathen Earth

Industrial

OK, having not been born until 1971, I was a bit late to the Throbbing Gristle party. By the time I discovered them in the late 80s, they were long defunct, the mission having terminated several years before. So when they did reform, I was cock-a-hoop (do people still say “cock-a-hoop” anymore?), and by the same token I was greatly saddened by last year’s tragic death of Peter “Sleazy” Christopherson. But my first memory of Throbbing Gristle’s actual music (as opposed to the legendary tales of their live shows, imagined lifestyles, ideologies and controversies) was the album Heathen Earth. Sitting around a home-made dreamachine at my mum’s house (it took us fucking AGES to find a record player that would still go at the right speed, even back then) listening to it with eyes closed and wondering why we hadn’t all

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Klaus Kinski – Skelington Horse

Ankst

Klaus Kinski is a scary man. As scary as Herzog. And also a vampire. I think. (That one was a documentary, right? RIGHT?)

You know that guy, right? Opera house in the jungle? Crazy Conquistador dude?

Not him.

THIS Klaus Kinski is an equally scary proposition, but in a very different way. This Klaus Kinski is a band, only they’re more like a handful of rotting horse entrails being shoved into your face (I mean that in a good way… kinda…). They’re like being waterboarded with hot piss while being yelled at by one of the “clients” from Hostel. (Probably the one with the blowtorch who takes that chick’s eye out, but it could equally be the creepy dude from the train). They’re like being beaten up by psychopaths during the best punk gig you ever saw, and you can still

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Earth – Angels Of Darkness, Demons Of Light

Southern Lord

Earth – Angels Of Darkness, Demons Of LightHey kids, welcome to another exciting edition of “Fuck Yeah Science”, with me, your host, Dr Deuteronemu 90210, here to show you that not only is science a thing, it’s also a FUN thing! Now, if you’d like to start your educational CD (or whatever you youngsters are listening to music on these days), Angels Of Darkness, Demons Of Light, you can listen along to it as an accompaniment to the lesson.

Everyone playing the album? Great. Then let’s begin.

First, let’s take a look at PHYSICS. Physics is a particularly awesome science, dealing, as it does, with many things, the most relevant to today’s lesson being the parts about how much stuff weighs, and how it moves.

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The Legendary Pink Dots – Seconds Late for the Brighton Line

ROIR The Legendary Pink Dots – Seconds Late for the Brighton LineLike many of the best things in life, the Legendary Pink Dots are a mystery. At least, it’s a mystery how come they’re still so criminally obscure, when not only have they been releasing awesome music for a good thirty years now, they also have tunes and a fanbase who tend to verge on the obsessively evangelical side of things. They straddle genres like a post-modernist doing the MC Hammer dance over an ADD sufferer’s iPod, with everything from industrial to pop, from jazz to space rock, from folk to dub being dragged into Edward Ka-Spel and co’s music factory, later to emerge from the crystal chimneys as beautifully majestic music.

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The Men That Will Not Be Blamed For Nothing – A Very Steampunk Xmas EP

Leather Apron

A Very Steampunk XmasNews having recently reached my ears of a troupe of performing “Gentleman Ne’er-do-wells” giving themselves the grandiose name of The Men That Will Not Be Blamed For Nothing, who have of late been Turning a fair few Heads, chiefly among the lower orders and the varied Forms of Scientists, Slatterns and Scum of London’s East End, I despatched a young Boy, who had been lurking around my Table for scraps of Food, to the local Market, armed with a shiny sixpence, with which to purchase their latest Offering and, of course, whose Change he could keep for himself, to do with as he will, it being nearly Christmas and the seed of Christian Charity having been planted in my manly Bosom. On his return, I set up my new Steam-Powered Musical Performance Contrivance, and retired to the

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Foetus – Hide

Ectopic Ents

Foetus – HideOrchestras. I wanna talk about orchestras, the poor maligned things that they are. Once mighty engines of bombast and glory, capable of simultaneously breaking your heart and conquering the world, like smooth-talking dictators of sound. People rioted at the opening performance of The Rite Of Spring. Hitler had a successful second career as one of those guys who concentrates rather too much on the bits of Richard Wagner that most of his fans try to gloss over in favour of the fact that he was a damn good composer. Even Tom and Jerry understood the majesty of an orchestra, although they expressed their understanding of said majesty through the unorthodox means of hideous inter-species cartoon violence.

Nowadays opera is in decline, and your average Joe has been priced out of the classical performance, unless it’s in the really

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Until The Light Takes Us

Until The Light Takes Us - DVD coverOK, first things first. Until The Light Takes Us isn’t really a music movie. It’s not a musical, for a start, though that would be awesome. Can you fucking IMAGINE how awesome that would be??? It isn’t a musical, though. It’s not even a movie ABOUT music, because while it DOES talk about the music, it moves swiftly on. It’s kind of a movie about musicians, because all its leading characters are musicians, but their musicianship is not really the issue – fuck it. Let’s start here. Let’s get that can, rip the lid off and chuck the worms out onto the newly-painted floor. Until The Light Takes Us is about Norwegian Black Metal.

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