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Eurovision 2017

Eurovision 2017

It’s the time of year in Europe when days grow longer, spring blossoms multiply andthe Eurovision Song Contest heaves into view; which also entails Kev Nickells going through each and every entry with a vengeance.

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Eurovision 2016

Eurovision 2016It’s that time of year when Kev Nickells undertakes his annual mammoth hatchet job feature-length review of every entry in the Eurovision Song Contest. Let the ritual ruination and Eurotunnelvision enthusing literally begin.

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Various Artists – Eurovision 2015: Building Bridges

Universal Music

Eurovision 2015 - Building BridgesHas it been twelve months already? Twelve months since Conchita Wurst swooped into our hearts and planted a big blue, pink and white flag in the heart of Europe for the second time in Eurovision‘s history. I realise that for a lot of people Eurovision is some chintzy, end-of-the-pier nonsense, but when you can have someone advocating trans* politics in front of millions of people across the world, that is quite literally a big fucking deal.

Eurovision has a reputation for being ‘camp’ but I think it’s pretty important to emphasise that it’s not a camp that’s worthy of humiliation and denigration – Conchita Wurst in 2014 meant a lot for LGBTQIA politics the world over and was a beacon of “FUCK YEAH”. There wasn’t any global gender revolution and trans* folk still have it astonishingly

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Various Artists – Eurovision Song Contest Copenhagen 2014: Official Album

With the annual festival of all things Europop upon the screens of a continent and beyond, Kev Nickells runs through the entries.

Eurovision Song Contest Copenhagen 2014 - Official AlbumEurovision – a cherished institution. Writing this has been a bit of a nightmare, to be honest, because Europe’s a lot bigger than you think it is. Spreads all the way over to Azerbaijan. And for all the tack/awesome stage-setting, it’s a timely reminder that Europe, as a concept, is a weird thing. And a thing in which popular culture is, y’know, pretty indistinguishable.

I’ve mentioned the ‘world music’ caveat before, where it’s easy to write yourself into knots talking about unfamiliar traditions, but that’s not really the problem with Eurovision. The problem with Eurovision is that

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