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Various Artists – Fluorescent Tunnelvision

Label: Submergence Format: 2CD

Flourescent Tunnelvision - sleeve detailThe psychedelic rock freak out is not dead, despite rumours to the contrary, and Flourescent Tunnelvision is here to prove the point, ramming home on a coasting scrawl of fuzz, wah, delay and phasers set to half-past stun; the amps probably go a long way over eleven, too. The full benefit of this collection is naturally to be gained at the maximum volume the speakers and neighbours will bear, conjuring up wind tunnel audio effects across the stereo spectrum – as a good proportion of the tracks do in spades. The rest of the bands here do their best to blow minds through other methods for a pastime, and whatever the approach, the results are generally trippy in several senses of the word.

Circle blast off first with the controlled groove of “Veisti” which has

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Faust Wakes Nosferatu

Royal Festival Hall South Bank Centre, London 25th October 2000

Faust were originally asked to improvise a live score to F.W. Murnau‘s classic expressionist retelling of the Dracula story for an outdoor vampire film festival in Germany a few years back. For some reason the promotors asked them to perform to the silent film twice on the same bill; the generators failed, rain loomed, disaster threatened. Still, they survived the experience, recorded an album as Faust Wakes Nosferatu, and made a few more performances as time allowed. Now, as the last of the Outro series marking the departure of David Sefton from the artistic helm of the South Bank Centre, Faust open the first night of their gruelling UK tour of the show in the Royal Festival Hall.

Bringing up the introduction to the film itself, the band settle into a warming-up routing of metal percussion, organ swarms, plucked and

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London Musicians’ Collective Ninth Annual Festival of Experimental Music

South Bank Centre, London 27-29th May 2000

Now semi-permanently established at the South Bank for the past few years, the LMC Experimental Music Festival has become one of the fixtures of the London Improv and New Music scene, struggling through into something approaching mainstream cultural acceptance – though that’s a relative position of course. This isn’t to say that its become particularly watered down, blanded out or easily commercial; far from it, and while not everything will be pleasing to all ears, it neither should be nor could be, and much on offer is is such high quality that a few dull spots can easily be avoided by those disinclined to favour one piece of Avant-noodling will soon find another of superb quality for their edification and enjoyment.

Ninth time around, and Saturday’s Purcell Room show has two extreme of that which can be described as experimental – Die Trip

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An interview with Jean-Hervé Péron

After The Deluge

29th May 2000

Jean-Hervé Péron is best known as the former de facto front man for Faust, a group he sometimes seemed to embody the group’s chaotic lunacy for in his onstage antics with chainsaws and naked painting sessions. Following his traumatic personal split with the band after their early Nineties re-emergence, Péron spends his time raising horses and children on his small farm near Hamburg.

For years there were rumours that he would return with a rival group, an Anti-Faust to seal the rancour; instead, his first London show as a live performer took place in May 2000 at The South Bank Centre as a surprise performer in the Ninth Annual Festival of Experimental Music put on by the London Musicians Collective. Before the gig, Jean-Hervé took time to talk to Freq about his musical career, before, during and after the legendary Faust years.

FREQ:

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Faust – Ravvivando

Label: Klangbad Format: CD,2LP

Faust - Ravvivando sleeveThe big Krautrock album of ’99? Well, it’s certainly caused a lot of excitement in those circles. Fresh from turning London’s Garage into a gas chamber and ejecting long-time figurehead Jean-Hervé Peron, Faust land in the recorded arena with Ravvivando – twelve tracks of uncompromising noise of vintage quality. Phew!

Original members, Hans Joachim Irmler and Zappi Diermaier have assembled four cohorts to continue their three decade-old campaign into new sonic territories and the revamped band are sounding harder and stranger than ever. No one really sounds like Faust. Drawing out the hoary old comparisons with Neubauten and Throbbing Gristle, we find that they are a different sort of beast altogether. The Jean-Hervé-fronted outfit had a more performance Pop-Art agenda, while the 1999 version is a sleek vortex of a band. They’re proud of their gleaming edges.

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Daniel Miller’s Mini-Meltdown Festival

Irregular #5 The South Bank Centre, London 8th-10th April 1999

The last five to ten years have seen an exponential rise in the number of intriguing events at London’s premier Arts Council-funded cultural centre on the South Bank of the River Thames, thanks to an innovative booking policy and the success of the events themselves, expanding the venue beyond its associations with Radio 3 “serious” music concerts and other more traditionally high-culture performances into the staging of events such as the London Musician’s Collective’s Annual Festival of Experimental Music and the recent Atari Teenage Riot gig which resulting in the closure of the venue due to crowd over-enthusiasm. Following on from the Meltdown series of festivals held each year, with past guest directors including Laurie Anderson and John Peel (this year’s is Nick Cave), Daniel Miller, founder and head of Mute Records, was invited to draw up his wish-list for

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A Splendid Chaos – an interview with Faust

A Splendid Chaos

28th October 1998

Faust have been a legendarily chaotic group since their origins as a kind of experiment in the creation of an anti-rock band in the early Seventies. Nearly thirty years on they remain as surprising and unpredictable as ever, live or on record, as they have throughout their erratic career, as Antron S. Meister witnessed at their London gig at The Garage on October 25th, and in the venue’s Mini-Bar bar on the rainy afternoon before, where the following interview took place. As with Faust’s music, conventional structures and transparent answers should not be expected.

Faust are:

Hans Joachim Irmler Werner “Zappi” Diermaier

Other Faust members not present at the interview:

Steven W. Lobdell – Guitar Michael Stoll – Bass, contra-bass and flute Ché Clément – Spiritual adviser and noise Lars Paukstat – Noise Till von Hoffman – Tour manager and noise

FREQ: Faust

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Faust – Faust In Japan

Label: Klangbad Format: VHS

Faust In JapanRecorded (oddly enough) during Faust‘s most recent visit to Japan, this video, despite its brevity at only two pieces with a total length of around eighteen minutes, also gives a good impression of the whole live experience of the band as it now exists. The hulking figure of Zappi Deirmaier, bashing away as the powerhouse of the group on his extensive range of percussion; Joachim Irmler seated at the banked controls of his electric organ; a concrete mixer churning contentedly to itself while the band explode in several directions…

While the music itself is representative enough of the improvised, primal Rock which Faust currently summon from the more unlikely reaches of musique concrète and free noise, the production of the video itself fits wholly into the

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