London 7 October 2016
Atomic Suplex are in many way the ideal support band for Guitar Wolf, having seemingly followed them right into the gaping jaws and fuming exhausts of jet rock’n’roll.
A frontman with a pilot’s helmet complete with mic, decorated with the words ROCK and, of course, ROLL, some sleazy good-time boogie-woogie cranked up to eleven
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The Garage, London 3 June 2012
“I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.”
– Patti Smith
As Patti said “Everybody says it’s finished … art’s finished, rock and roll is dead, God is dead. Fuck that!” As Neil Young said, “rock’n’roll will never die”. And as Guitar Wolf says, “BABY BABY BABY!!! ROCK AND ROLL!!!”
But I’m getting ahead of myself. It’s the Queen’s jubilee, a date more significant to most of us
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O2 Academy Islington, London 8 July 2011
Two very different Japanese interpretations of the idea of rock’n’roll descended upon The Angel Islington.
Compare and contrast the constructions of rock’n’roll energy, of gtr-bs-dr dynamics between the leather-clad machismo of Guitar Wolf and Bo Ningen‘s more androgyne angle. Bo Ningen favour the Acid Mothers Hendrix approach, riffing and cavorting at an angle to the regular hard rock template at the junction where Flower Travellin’ Band, the Butthole Surfers and Keiji Haino intersect.
Guitar Wolf take on wholesale the template laid out by The Ramones of a hairy, shades-wearing confrontational power trio vigorously reinventing bubblegum pop and garage rock in a fast, harder and definitely louder version. They open bombastically, leaping from the drum riser and getting more uproarious from there on in.
Complete with pulling (apparently) random members of the audience onstage to play lead axe while Bass Wolf and
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