Absolutely loving this musique concrète mixer: its powertooled psych-o-delia of mis-shapes pleases me no end, quivers a satisfying kraut dot’n’dashes too. The overall sprawl is akin to a modern rework of The Faust Tapes, and well, I wouldn’t expect anything less, as The Wasp Boutique is one part Jean-Hervé Péron after all. This is rousing fare for sure, thrown into the light by Peter Strickland of Berberian Sound Studio fame and housed in a Babs Santini collage that’s definitely designed to keep you awake at night.
Aptly-monkiered The Art-Errorist, he’s coupling the sonic limelight with the multi-talented Zsolt Sőrés. Now, I’m unfamiliar with this chap’s work, but going by the sounds on this handsome slab of double vinyl he certainly shares more than
Continue reading Art-Errorist and Zsolt Sörés – The Wasp Boutique […]
Yesmissolga/Acid Cobra/Lumberton Trading Company
Amaury Cambuzat‘s début solo outing as Acid Cobra (while not playing guitar in Ulan Bator and one iteration of Faust) finds him hopping figuratively onto horseback for the opening guitar looper workout “Il y a des Cowboys!” The Western vibes blow dustily into the widescreen soundscape he plays, all descending figures circling like buzzards rising on a thermal to gain height for the annual migration path from the desert into the high plains. Drifting with a purpose seems to be the order of the day, and Cambuzat’s guitar has rarely sounded more evocative. The soundtrack motif is not accidental either, and the 13 pieces on the album are all written to accompany Cambuzat’s series of paintings also entitled
Continue reading Acid Cobra – Petrified Minds/Art-Errorist and Acid Cobra – Cold Waters […]
South Bank Centre, London 27-29th May 2000
Now semi-permanently established at the South Bank for the past few years, the LMC Experimental Music Festival has become one of the fixtures of the London Improv and New Music scene, struggling through into something approaching mainstream cultural acceptance – though that’s a relative position of course. This isn’t to say that its become particularly watered down, blanded out or easily commercial; far from it, and while not everything will be pleasing to all ears, it neither should be nor could be, and much on offer is is such high quality that a few dull spots can easily be avoided by those disinclined to favour one piece of Avant-noodling will soon find another of superb quality for their edification and enjoyment.
Ninth time around, and Saturday’s Purcell Room show has two extreme of that which can be described as experimental – Die Trip
Continue reading London Musicians’ Collective Ninth Annual Festival of Experimental Music […]
After The Deluge
29th May 2000
Jean-Hervé Péron is best known as the former de facto front man for Faust, a group he sometimes seemed to embody the group’s chaotic lunacy for in his onstage antics with chainsaws and naked painting sessions. Following his traumatic personal split with the band after their early Nineties re-emergence, Péron spends his time raising horses and children on his small farm near Hamburg.
For years there were rumours that he would return with a rival group, an Anti-Faust to seal the rancour; instead, his first London show as a live performer took place in May 2000 at The South Bank Centre as a surprise performer in the Ninth Annual Festival of Experimental Music put on by the London Musicians Collective. Before the gig, Jean-Hervé took time to talk to Freq about his musical career, before, during and after the legendary Faust years.
Continue reading An interview with Jean-Hervé Péron […]