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K-X-P – III, Part II


K-X-P – III, Part TwoAnnouncing its arrival in a trill of shimmering digital FX and a pounding rhythm, the second instalment of K-X-P‘s third album heaves into audibility with all the bombast and finely-tuned ear for a hook which the band have perfected over their last few releases.

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K-X-P – III, Part One


K-X-P - III, Part IFor their third album, K-X-P have upped their psychedelic game as well as expanded their kosmische disco credentials (with a hint of prog) by not only naming the LP III, but Part I thereof, with who knows how many more instalments yet to come.

If those aren’t real Mellotron sounds which introduce the thumping tribal drums of “Psychic Hibernation”’s overture, then the synths that sweep majestically into view certainly make enough of a stirring impression for starters. Where previous records have tended towards the motorway-friendly, III sets itself up for a journey still more spacious and expansive, with all of applicable intergalactic metaphors ready to be deployed for their description.

So the mood is stirringly upbeat, whipped up and sundered by trails of echo and drone from guest Mika Vainio of Ø and Pan Sonic, which

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K-X-P – The History Of Techno


K-X-P - The History Of TechnoIt may seem ambitious to propose a histoy of techno in only four parts on one 12” single, but if there’s anyone who can do so, it’ll be the two drummers, bassist and one-man soul sonic force of K-X-P — Timo Kaukolampi (of Op:l Bastards), Tomi Lepannen (also of Circle and Pharaoh Overlord, among many others), Tuomo Puranen, also of of Op:l Bastards, and Anssi Nykänen. K-X-P are Finland’s première exponents of the current wave of drummers mixing up with synthesists (see also Zombie Zombie, Gum Takes Tooth, Temperatures and Jakob Skøtt for starters) taking trance music to some pretty far-out, analogue-worshipping places; and their dedication to the endless groove, the timeless Öm (which they reflect in the name of

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K-X-P – K-X-P

Smalltown Supersound

Top Auto road tests the latest model to roll off the production line at Helsinki’s Bleep Factory.

First Impression

Wow, this little baby can really move. Finland’s K-X-P have put together their first effort, and the time and effort pay off in no uncertain terms. Motoring along at speed, the K-X-P feels solid and stylish. The Finnish design team have certainly gone to town in the build quality, ensuring that this really is all that a top-end electronic product should be: slick, sexy and with immoral intentions on its mind. Make no mistake, the K-X-P has only one thing on its mind, getting onto the dance-floor and then into your pants.


The chassis is a sturdy construction, a modern update of the never-bettered German ‘lange gerade’ (issued there as the ‘motorik’ but renamed the ‘Apache Beat’ for the

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K-X-P/Eat Lights, Become Lights (live)

The Lexington, London 19 January 2011

K-X-P at The LexingtonIt’s a red-light night tonight at The Lexington, north London’s finest whiskey bar and excellent venue to boot. Red décor and red lights make for a surreally-flattened visual experience, as if watching tonight’s bands during one of the more blood-soaked sections of Suspiria. But there’s no gothic horror show from Eat Lights, Become Lights – their take on psychedelic immersion is far more in the Düsseldorf tradition, as befits what is effectively Klub Motorik‘s house band.

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