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Fort Process 2016

welcome to Fort Process 2016Newhaven Fort, East Sussex 3 September 2016

It sounded like bedlam from the car park, quickly replaced by some deranged Frenchman chucking stuff around the parade ground, his shouts and clattering, laptop-captured from the fortifications and spurted back in jabbering cut-ups. Welcome to Fort Process part deux, spun off in blaring megaphone, smashed metal, Dada antics that flew close to injuring the onlookers.

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Kemper Norton – Toll

Front And Follow

Kemper Norton - TollRolling in on thecacophonous curls of “Yadnik”, battering the shore like the after-FX trails of the still-crashing soundwaves of Flying Saucer Attack‘s Rural Psychedelia, Kemper Norton‘s third full-length album slips in from the sea like a summer storm heavy with stories to be told.

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Kemper Norton – To Mahina

Front & Follow

Kemper Norton - To MahinaIn which Kemper Norton applies his spectral resonances to The Doomed Bird of Providence‘s “Mahina,” a standout track from their most recent album Blind Mouths Eat. The Doomed Bird of Providence explore the very darkest recesses of Australian history through their bleak sound constructions

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Kemper Norton – Lowermoor EP

More Than Human

Kemper Norton - Lowermoor EPStraight society often views conceptual or avant-garde art with a suspicion bordering on hatred. “Art for art’s sake,” a dirty phrase, meant to imply these artists contribute nothing to society, only existing to inflate their own egos and justifying their existence with pretentious-sounding theories that the everyman can not understand. Look at the way various totalitarian regimes have treated music, which seems to suggest that the only official purpose of artists is to create heroic anthems and propaganda for the glory of the state, as an example.

Yet for many, experimental art and music is often a gateway to revolutionary thought and activism. It pries the scabs from our eyes, peels the topsoil of society away like a Glycolic skin peel, revealing bones and artifacts

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Kemper Norton – Carn

Exotic Pylon

Kemper Norton - CarnThere is a television advertisement for Cow and Gate infant food supplement currently doing the rounds (at this juncture it is more or less obligatory to state that “Other baby and toddler nutritional products are available”), which shows a gang of little nippers unleashed in a spacious recording studio. Wandering curiously around this acoustic playground the bright little buttons innocently scrape away at violins, pluck at bass strings, work kick drums, and generally do a very creditable impression of The Scratch Orchestra’s inaugural meeting at St Katherine’s Dock in 1969. Gradually their uncoordinated plinkings and plonkings begin to mesh together, a melody and defined rhythm emerging from the musical chaos like a ship from the fog, until by the end they

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Long Division With Remainders – Collision/Detection

Front & Follow

Long Division With Remainders - Collision DetectionThere’s buckets of finely congealed empathy here, beautifully presented. Front And Follow is an unusual, old-fashioned label, not quite made for these times. And thank God for that.

This box set is a collection of nie EPs from a host of incredible artists, all working within the confines of some strange call & response routine which sees invited artists submit audio clips into a central pot, which is then distributed around the group for them to do with as they see fit. At least, that’s what this box set is supposed to be. In another reality this is Front and Follow’s collective phantasy, an arc of triumph. This is the illusion of a series of collected EPs, an illusion so pervasive/persuasive

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Kemper Norton – Carn+Collision / Detection v6 EPs

(self-released)/Front & Follow

It makes sense to review these together, since whatever the actual chronology of these songs, one begat another. They are linked to each other by a strange umbilicus, a slurry wurm of flesh. The self-released Carn shows us the Coilish side of Kemper Norton’s sound; the voices here are muttered, liminal (everything’s liminal these days), lurking around in the dark. One track in and the loops are occasionally intersected with electronic scribbles and then leavened with added orchestral drone and beautiful hums. This all makes a perfect kind of sense if you imagine this is as a direct extension of the attempt at folk on Coil’s Solstice releases. “Dorcus” is a premonition of the Collision/Detection EP, a song I first heard

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