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Om/King Midas Sound (live at The Scala)

London 30 September 2012

Tonight is all about the HEAVY. Not so much the Metal, though its ghost and spiritual guidance flow out of everything Om do like ectoplasm, but definitely the HEAVY. In capitals. Always in capitals. On paper, given a reductive genre-based taxonomical description of each act, King Midas Sound, Kevin Martin‘s ultra-deep “dub” project, seem a weird choice to support Al Cisneros‘ ultra-deep “doom metal” band (well, apart from the bit where I described them both as “ultra-deep”, but that’s kind of key) until you realise that, like a particularly unbalanced game of Team Fortress 2, it’s ALL ABOUT THE HEAVY. Then it becomes clear that there are very obvious parallels.

King Midas sound take the stage, beginning with Martin himself whipping up a full-on sonic onslaught that’s almost Swans-like in its relentlessness, the vast spaces of their recorded work quickly becoming filled to capacity with brutalising

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King Midas Sound/JK Flesh/Glatze (live at Corsica Studios)

Corsica Studios, London 9 August 2012

As I walk in, a crazy man is on stage, pumping out some lovely squelchy bass sounds from a laptop which are instantly recognisable, thanks in part to his wonderfully overwrought vocals, as Black Sabbath‘s “Black Sabbath” (from the album Black Sabbath). And then it gets stranger and sillier from there, for this crazy man, it transpires, is Glatze, self-styled “musician and live music nutjob” (note- usually “self-styled” is an underhanded way of saying “bloke who actually ISN’T a…” but in this case he’s styled himself pretty well), and he’s loads of fun. More sonic silliness ensues, until he ends by accompanying himself on the melodica to an epic yet lightweight tale of musical instruments set to a jaunty dub/accordion backing, which ends, not unreasonably, in the deaths of all the characters. This makes no sense, I know. But it will when you see

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