“Noinge” / “Gloakid With Phendrabites” Dirter Promotions
The first side is the sound of the playful Band Of Pain remixing Nurse With Wound‘s A Sucked Orange in a game of arrant right-angles and ink-splattered goodness where the original source material is utterly fucked over in malfunctioning attention deficits that splutter like a cyborg cat with a data hairball.
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Continue reading Band of Pain / Nurse with Wound – Noinge / Gloakid With Phendrabites / Nurse with Wound – Dark Fat […]
Village Underground, London 19 March 2016
The expectation was unbearable. The support act, Autrenoir (an alliance of Paul Régimbeau — AKA Mondkopf — and Greg Buffier of Selenites and Saáad), had finished half an hour ago and the Nurse With Wound contingent were assembled hirsute by the side of the stage.
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Continue reading Nurse With Wound / Autrenoir (live at Convergence) […]
St John at Hackney, London 5 December 2015
It’s beginning to feel a lot like Christmas: illuminations strung across the lampposts of the capital, sparkling every night like twinkling stars; the inky darkness of the night already setting in by mid afternoon; overflowing trays of “luxury” mince pies everywhere you look. And – really – what says “Christmas” more than a Faust gig?
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Continue reading Faust / Nurse With Wound / Cut Hands (live at St John Sessions) […]
ICR / United Dairies
Loving the way this triptych holds you sensory hostage. One of Nurse With Wound‘s most mellowest outings to date too, documenting three separate live concerts between 2011 and 2012 with the Blind Cave Salamander — a onetime support act that Steve Stapleton invited to be absorbed into the NWW sound world.
On paper this was meant to be a live rendition of Soliloquy for Lilith, a premise that (I feel) on listening quickly dissolves into something else entirely. There’s an underlying taste of the serpent within, that glowing magnetism/otherworldliness of the original still persists, but this feels piloted towards a future sense of itself.
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Continue reading Nurse With Wound and Blind Cave Salamander – Cabbalism I, II & III […]
I like to think these were lullabies, bedtime ambience for Steven Stapleton and Diana Rogerson’s daughter Lilith, born in the same year this was first released, the album’s shapes spinning the horsey mobiles as she slipped into the deep nether world of unconsciousness, that wordless sparkle of fertile imaginings. This, remains for me, one of Nurse With Wound’s best, born out of some studio electrical fault, obscurity divined by a feedback henge of effects pedals. The original no-input cabbalism where Stapleton was the vital conduit, hands hovering, fingers endlessly reconfiguring the evolving hum.
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Continue reading Nurse With Wound – Soliloquy for Lilith […]
Seriously plunderphonic, this baby plays Surrealist ping-pong with ’50s advertising, sped-up exotica, Brat Pack crooners and virtually anything else that fevered mind of Steven Stapleton could chuck in there (it’s little wonder this was three years in the making).
I can imagine Stapleton dressed in his crow-black finery rooting through the charity bins, this perverted twinkle in his eye as his mischievous mind affixes to new trajectories. Trajectories that fit into the loonier end of the Nurse spectrum, cross-pollinated in disruptive sonics and edit room discards, until everything is writhing round for dominance in a heap of malevolent Slinkys. If you’re driving back down the motorway at some ungodly hour, dog-tired, these dislocations will
Continue reading Nurse With Wound – The Sylvie and Babs High Thigh Companion […]
They’ve been here before. Well, not quite here but near enough. This isn’t the first collaboration and, on this evidence, it won’t be the last. They’ve found that rubbing up against each other generates just enough electricity (teenage lightning, perhaps).
I’ve been in and out of the NWW canon for what seems like all the years now; I drift away, malcontent; having heard it all before (the creaks, the sighs, the gushes and rattles) and then something drags me back into the fold again, some little release slips out and makes me reconsider the oeuvre all over again (and inevitably sends me back to all the other stuff I have; re-listening, re-discovering). So it’s been with Steven Stapleton since I used to play out his Automating Volume 2 (still my favourite) record on
Continue reading Graham Bowers & Nurse With Wound – Mutation […]
There’s definitely a sense of deadly nightshade woosh(ing) through this baby, a poisoned chalice dripping with moans, groans and mysteriously creaking paraphernalia. The Chris Wallis film it was intended to — but eventually never did, according to the sleevenotes for this disc — soundscape was/is a juddery super eight exploration of the Irish potato famine mixed with a healthy dollop of ancient folklore, a journey into undiscovered realms aided by the delirium of starvation. Perfect material for Steven Stapleton‘s rabid grey cells, and possibly provoked further by the fact that by 1989 Stapleton and family had already successfully relocated to Cooloorta farm in southern Ireland – a departure promoted by a nasty mugging incident back in his native London. He even played a starring role in the actual film along with his family and a
Continue reading Nurse With Wound – Lumb’s Sister […]
It’s hard to get a handle on this word wise; I was really tempted to leave this as a three letter review – just “wow,” with maybe a few exclamation marks for good measure. Indeed I think this impression was cemented in the first two minutes and didn’t seem to waver in the slightest for ExcitoToxicity‘s whole duration. I know I’m incredibly biased towards Stapleton and Co. (I think he’s notched up a 25 year obsession for me already), but the studio dexterity on display here is so good at hijacking your lobes, blancmanging expectations in swerving colour and sleight of hand, you’d be foolish to pass on the experience.
Continuing Stapleton’s recent collaborations with fellow din denizen Graham Bowers, this recent offering brings to
Continue reading Nurse With Wound and Graham Bowers – ExcitoToxicity […]
Only listened to this twice so far, but I must say its miles more entertaining than the previous Graham Bowers collaboration Rupture. Gone are the studious symphonics, favourably replaced by liberating wonky oompha chip-chop that scatters the wares more psychsomatically without labouring any fixed point..
“Off to Hell on a Handcart” (seriously loving these track titles) is stereophonically awry, a slippery mess of Michael Jackson moonwalk on a blancmange pavement of pomposity. An erroneous comedy monkeying around with your cranium like old-fashioned ‘Wound used to, before everything got protracted and drone swept. There’s too much going on, not that I’m complaining, Mr Stapleton and company haven’t been this satisfyingly doodah since The Surveillance Lounge. A welcome return to form me thinks, as my head feels that it’s swimming in too
Continue reading Graham Bowers and Nurse With Wound – Parade/Diploid […]
Really glad to get a proper chance to listen to this again – disc rot, the scourge of so many early World Serpent gems (the un-initiated should see here) and barmy auction prices have totally scuppered my chances to get re-acquainted with its Frankensteined charms until now. Dirter, those bastions of the unusual, have done a sterling job of dragging A Sucked Orange back into the light with silky packaging that feels almost fetishistic, paring the bitter sweetness of the original together with the Scrag cassette on a second disc, another compilation (or should that be complication) of mis-shapes from around the same period. Overlapping content that acts like a remix of the first disc, embellished in extra wilting petals…
Like a Nurse with
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Koko, London 12 June 2012
Been wrapped up in the awesomeness of NWW/SunnO)))‘s collaboration [post=sunnnww text=”The Iron Soul of Nothing”] since New Year, so naturally, I jumped at the opportunity to see both groups together. I was secretly wishing for a stage collaboration of sorts, but it was pretty clear, as Colin Potter, Steve Stapleton, Andrew Liles and somebody else I didn’t recognise on bass (was that Mr Waldron sporting hair!!?) filled the stage, that this was going to be a game of two separate halves.
The proceedings started quite sharpish, with none of the usual waiting around that London gigs seem overly keen
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Southern Lord/Ideologic Organ (Editions Mego)
Not long ago, in the relatively balmy days of early December, I found myself, as is my usual daily routine, strolling through the local cemetery, Abney Park, all overgrown and witch-haunted, broken angels and grasping stone hands. And that’s on a normal day. But this particular afternoon the region was visited by the harbinger of truly apocalyptic weather. About an hour earlier than was reasonable (and certainly earlier than would be considered polite by any civilised climatic system) the sun went dark, the wind picked up, and darkness descended across the land. The veil of the Temple may even have been rent in two, but I was nowhere near the bloody Temple, what with being on the other side of the world and all, so I couldn’t really tell you with any degree of accuracy whether that
Continue reading SunnO)))(+Nurse With Wound) – øøVoid/The Iron Soul of Nothing […]
Sweeping in on modernist orchestrations, Rupture is a very different kind of Nurse With Wound collaboration, though there is plenty which harks back to Steve Stapleton‘s tape-loop manipulations of orchestral music both in Nursey guise and with Current 93‘s earlier harshly overbearing recordings in the pre-Apocalyptic Folk days. Here there is an explicit theme hinted at in the title, as the ensemble attempt to envisage musically what it might feel like to undergo a severe brain embolism – and who better for sculptor and composer Graham Bowers to work with on such a project than Messrs. Stapleton, Liles, Waldron and Potter?
Wall of sound doesn’t begin to adequately describe the onslaught they unleash together; once the first few gentle tones of part one’s calm before the rupture (“… a life as it now is,”) have been dispensed with, there’s no
Continue reading Nurse With Wound & Graham Bowers – Rupture […]
Koko London 15 May 2011
Loved the minimal post rock vibes of the opening act Radian – that 23 Skidoo ethnicity and those broken This Heat narratives were riddled with an exciting unpredictability, each track, a scattered jigsaw filled with unusual colours and textures, oozing a restrained intent that was really impressive.
Bruce Gilbert and Pan Sonic‘s Mika Vainio were next on the bill. Introducing themselves in a short burst of hi-end pierce that got the crowd cheering. They continued with a Malaysian flavoured ambience, a gigantic staked beauty, fluttering like a quartz split mouth of the night, later molested in high pitched scars. Then the beats kicked in, like sacks of liquidised potatoes slapping all hardcore, whirring on the rebound, turning the rainbows of electro abstraction into a lush avant-club land, the
Continue reading Nurse With Wound/Mika Vainio & Bruce Gilbert/Radian (live at Koko) […]