London 31 October 2014
It’s Halloween and the streets are bustling with people dressed as various horror icons and kids trick or treating on their neighbours. Revelling in the air of spookiness, I’m heading out to the concrete Logan’s Run-looking Barbican Centre to witness a horror icon, the wonderful Fabio Frizzi. The venue is packed with horror film aficionados from what sounds like all over Europe. Most wear t-shirts showing their favourite slice of gore portrayed on the front, eagerly awaiting the return to the stage (it was last Halloween that Fabio was over) of the mæstro of nightmares.
The band enter the stage first and there’s quite a few of them, including two keyboard players and a string section. A rousing cheer
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The Tate Modern, London 14 April 2012
In the days following the Laibach “We Come in Peace” show at The Tate Modern it is Mina Špiler’s singing of “Across the Universe” that stays on permanent replay in my head. Such a beautiful nearly acapella lullaby she made of the ominous lyrics, both promise and threat that nothing is ever going to change in this or any universe. Her clear little voice a fantastic bell ringing softly in contrast to the super power sound of the rest of this gig; she so delicately poised over her little keyboard and slightly trembling. Not one other Laibach song of the evening impressed itself upon me so, or equalled the nervous tension, the fragility of music, life as we
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