London 29 April – 1 May 2016
Desertfest is the place where the stoned immaculate of Britain (and several other countries) meet in one of London’s coolest areas, watch some of the heaviest (and out there) bands over a three day period in five different venues.
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Continue reading Desertfest London 2016 […]
London 13 March 2016
Sunday night on Pentonville Road, and The Lexington is rammed. At first it’s hard to tell who’s here for the bands and who’s just here for a pint, but then the first act take the stage upstairs and people flood upwards. And it’s not hard to tell WHY they’re here for the bands — as Teeth Of The Sea fiddle around with their eclectic and quite frankly bizarre selection of instruments and boxes, including a bass guitar with a Throbbing Gristle sticker affixed.
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Continue reading White Hills / Teeth Of The Sea (live at The Lexington) […]
This review is based on seven of the first 7″s released in the God Unknown Singles Club Volume 1, of a total of 10. What is most apparent is the variety musical output on these tracks. No specific genre is represented, rather it seems like a selection of artists from some underground, more than half of whom I had never even heard of. They vary very much, not only in style or attitude, but there is also a bit of variety in the quality of the recordings. As a compilation, the collection of artists and tracks works quite well together, but mainly I will say something about each single individually.
Gnod / Eternal Tapestry
Gnod / Eternal Tapestry split 7″
Continue reading Various Artists – God Unknown Singles Club Vol. 1 […]
Corsica Studios, London 12 July 2014
It was the day of the flying ants. The humidity in London was building and it felt like a storm was about to break any minute. Before hitting the venue I went to the local pub to have a beer and cool down after the heat of London transport. People who sat outside were being assailed by ants and for a brief few seconds a shower hit that washed some of them away. Then the heat rose and steam made its way upwards from the pavement. These were the omens, the portents of what was to come as my ears were about to be aurally assaulted.
Corsica Studios were hot and sticky and the air
Continue reading Teeth Of The Sea/The Cosmic Dead (live at Baba Yaga’s Hut) […]
Bristol 14 October 2013
Motorway delays meant totally missing most of Teeth of the Sea‘s set… I’ve been loving their latest Kraut-infused offering Master for some time now and was eager to get that all-important live perspective, but only ended up catching the trumpet soaked finale. A Miles Davis-shadowing sundowner of a track on anti-phonic wings; parabolic, infectious…the briefest of taste that left me floundering in the disappointment that I didn’t catch the whole caboodle.
Next up were Esben and the Witch, who started in a storm of tribal energies, siren soarings and rebounding double positives. A sound that periodically fell back into splints of eddying chord and uneasy reflection, and a lush, sultry vox that had me wanting to use the G-word, but
Continue reading Thought Forms/Esben and the Witch/Teeth of the Sea/Dylan Carlson (live at The Exchange) […]
Bloody hell lads. Bloody hell.
So I’ve seen Teeth of the Sea a few times. First time a good four years ago when they were playing with Gnod and Thought Forms at a time when Gnod were, with due deference, about the best band in the country. So my memory of that night is a bit tinted in Gnod’s colours. TotS live, as I recall (this is the first record I’ve actually heard) were throwing some great electro-kraut shapes with psych-ish punctuations but not quite as whole-sum as Gnod.
Don’t take that too much to heart though – I was as stickily plastered as a new ceiling.
Master though, it’s a whole different thing. Rocket Recordings might have a bit of a
Continue reading Teeth of the Sea – Master […]
“Klytus I’m bored. What plaything have you for me?”
“It’s a band from the SK system your majesty – the inhabitants call them Teeth of the Sea”…
Teeth of the Sea’s second album builds up on the momentum and foundations laid down by the first and from their EP. It’s an eclectic mixture of styles that sees the band lurch between Terry Riley minimalism to full-on space sonic rock.
The opener “Hovis Coil” begins full of Strawberry Switchblade “Since Yesterday”-sounding horns. As the track progresses more instruments are added to the mix as the song builds in intensity. Yes, at time the track is reminiscent of Coil (whom I assume the title refers to), but rather than the dark occult leanings of Balance and co., “Hovis …” feels lighter in tone, like a repeating acid
Continue reading Teeth of the Sea – Your Mercury […]