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An interview with Edward Ka-Spel

Along the Dotted Line…

12th December 1999

The Legendary Pink Dots are a phenomenon, producing a seemingly endless stream of deeply intense records and genuinely spellbinding live shows for nearly twenty years, initially as a London-based group and for more than a decade now from their Nijmegen base in The Netherlands. While former days on mammoth independent label Play It Again Sam in Belgium produced widespread distribution for a series of classic albums, it also had all the negative aspects of association with the near-majors; the linking of sales to popularity and promotion to potential Indie chart success. For a while the band were in small-scale, own-label limbo, before the saving graces of Brainwashed‘s excellent LPD internet site and the support of first Staalplaat in Amsterdam, and then Soleilmoon in Portland, Oregon restored and replenished their status as one of the most strangely neglected of Britain and Europe’s true

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The Legendary Pink Dots (live)

The Underworld, London 5th November 1999

Back at The Underworld for the second time in six months, follwowing on from an absence from their founders’ homeland of six years, The Legendary Pink Dots bring home their unique format of intense live musical performance at the tail end of yet another whirlwind European tour organised due to public demand. Tonight there’s no support, just two hours of the finest Dots songs, honed and polished to perfection.

With old friend Martijn de Kleer back on guitar and sharing drums with Ryan Moore (who also sometimes plays bass simultaneously), and The Silverman intent in his electronic grotto, the Dots get into gear as Edward Ka-Spel arrives barefoot and canary-yellow-coated. As the show kicks off, it rapidly develops into an event replete with its own incandescent contributions to Firework Night, including the irrisistably funky groove of the cynically post-apocalyptic “As Long As It’s Purple

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