London 13 March 2016
Sunday night on Pentonville Road, and The Lexington is rammed. At first it’s hard to tell who’s here for the bands and who’s just here for a pint, but then the first act take the stage upstairs and people flood upwards. And it’s not hard to tell WHY they’re here for the bands — as Teeth Of The Sea fiddle around with their eclectic and quite frankly bizarre selection of instruments and boxes, including a bass guitar with a Throbbing Gristle sticker affixed.
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Continue reading White Hills / Teeth Of The Sea (live at The Lexington) […]
This review is based on seven of the first 7″s released in the God Unknown Singles Club Volume 1, of a total of 10. What is most apparent is the variety musical output on these tracks. No specific genre is represented, rather it seems like a selection of artists from some underground, more than half of whom I had never even heard of. They vary very much, not only in style or attitude, but there is also a bit of variety in the quality of the recordings. As a compilation, the collection of artists and tracks works quite well together, but mainly I will say something about each single individually.
Gnod / Eternal Tapestry
Gnod / Eternal Tapestry split 7″
Continue reading Various Artists – God Unknown Singles Club Vol. 1 […]
Corsica Studios, London 23 September 2014
So we’re back again for round two — the second night in a row at London‘s tiny but perfectly-formed Corsica Studios, this time to see space-rock reprobates White Hills and One Unique Signal. And there will be volume. Oh yes, there will be volume. Lots and lots of lovely, lovely volume (say this in the voice of Neil Kinnock‘s Spitting Image puppet for best results).
The first providers of this volume are One Unique Signal, of whom my first thought is that they are terrifyingly young. But this is swept into
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Did you know, in this age of budget-slashing and diversion of science funds to the military, that America actually has a SECOND space programme? While Commander Hadfield‘s been channelling Bowie on the International Space Station, and that Japanese dude’s been trading witty bon mots with his robot (yeah, Google it, it’s true, and we DO live in the future), it’s been toiling away at its own ventures beyond our orbit. And while the one everyone knows about is called NASA, and stands for the National Aeronautic and Space Administration, the other, noisier one is called White Hills, which stands for “fuzzed out motorik spacerock.”
The latest vehicle to launch from their New York base is So You Are… So You’ll
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Let’s talk about SPACE, baby, let’s talk about you and me. As Salt’n’Pepa didn’t actually sing, but should have done. Let’s talk about all the BIG things and the LOUD things. Yeah. And like that.
Space is many things to many people. To Lovecraft, for example, it was a constant source of terror. But then, so were most things. Poor guy. To Douglas Adams, it was full of all manner of potential wonder, but its chief characteristic was that it was HUGE. To Hawkwind and Michael Moorcock, it’s too many things to list here (at least without essentially just plagiarising), but we’ll go with DEEP. And to Sun Ra, it was the plaice. Though that may
Continue reading White Hills – Frying On This Rock […]
In Search of Hawkwind is a tribute album, whereby nine venerable old battle hymns originally cranked out by the veteran psychedelic cosmonauts are re-interpreted by younger, hipper bands, mostly from the US (at least I think so — I’m not actually hip enough to have heard of all of them). There have been other Hawkwind tributes, but they’ve tended to be low-budget releases featuring deservedly obscure free festival-type acts, though the likes of Acid Mothers Temple (of whom more below) and Wire’s Colin Newman have popped up on them too. This looks to be a bigger-league affair, nicely packaged and featuring a couple of biggish names in Mudhoney and the aforementioned Acid Mothers, alongside established neo-psych stalwarts Bardo Pond and a clutch of younger acts: Kinski, Mugstar, White Hills, Magoo, and Wooden Shijps
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