Label: Digital Hardcore Format: CD Recorded at the end of an exhausting world tour in November 1999, with Hanin Elias out of action and Carl Crack gone loopy, as the sleevenotes describe Alec Empire and Nic Endo “were finally standing in front of a sold-out crowd of 4,000 people, Nic […]
Yearly archives: 1999
60 posts
Along the Dotted Line… 12th December 1999 The Legendary Pink Dots are a phenomenon, producing a seemingly endless stream of deeply intense records and genuinely spellbinding live shows for nearly twenty years, initially as a London-based group and for more than a decade now from their Nijmegen base in The […]
Label: Beggars Banquet Format: 12″,CDS Initially, this is really quite disappointingly normal, especially when compared to the stunningly evocative combination of HipHop rhythms with Isolationist textures which made up the remarkable Beat album a few years back. By contrast “Freedom Fighter” goes for the laid-back, casual-smoking vocal style and ironic personality analysis song-structure of indie […]
The Garage, London 28 November 1999 If a band sounds the same live as they do recorded, it can be a bit disappointing. Too clean, too rehearsed. Seeing Salaryman live at The Garage could easily have been like that, only it never strayed into those well-trodden pedestrian precincts. The only non-perfect […]
Label: Smells Like Records Format: 2CD The century may still have about a year left to run through, but Sonic Youth have decided to take time to consider and pay tribute to their ancestral experimental roots on this double CD of less-than rock music. Built in earnestly engaged (but obviously […]
The Borderline, London 9th November 1999 A night at The Borderline, a night for Americanism. We arrived too late to hear the first set, a band called Kenny Process Team, so no insights there apart from the appropriate(d) soundtrack feeling their last couple of songs gave me as I took […]
The Underworld, London 5th November 1999 Back at The Underworld for the second time in six months, follwowing on from an absence from their founders’ homeland of six years, The Legendary Pink Dots bring home their unique format of intense live musical performance at the tail end of yet another […]
The Water Rats, London 2nd November 1999 The Water Rats seems like a broken place, barely still pulsing with the life of the twenty or so people inside. I wonder if it was once posh, evidence: rubbed-off velvet on the too few bar stools, forgotten glass cases built into dingy […]
Label: Sub Rosa/Quatermass Format: CD, Limited LP Simon Pyke, AKA Freeform, has shown himself to be one of those producers of electronic music who fails singularly to conform to rigid genres and substylings thereof. He simply seems content to produce music within the formats open to someone with a bank of samplers, keyboards, mixers […]
LA2, London 25th October 1999 Prepared and hyped for Atari Teenage Riot, I was ready to hear loud fast music. What a treat it was that the fun started long before ATR ever came on. Other girls have done this, face it, MANY other boys have done this too, but […]
Label: Sprawl Imprint Format: CD Assembled from the now-usual urban sprawl of sounds which make up the inspiration for much of Electronica’s current output, Me Shape is Simon Pyke‘s contribution to the clockwork maelstrom which characterises this apect of late Nineties music, and of which The Sprawl Imprint and club are particular exponents. Built up from two years […]
Label: Caipirinha Format: CD Datach’i sounds like a deranged child given a selection of technology, old and new, to play with, abuse, and generally mess up sound with. From the get-go, it’s a stream of blurting noise, scrawled low-end mania and samples to reinforce the infantile world of an unsatisfied […]
Label: Thrill Jockey Format: CDS,12″ Four songs of love as seen through the Continuous Cash-FlowTM filter of Mr. Bobby Conn, Chicago, hell, the world‘s most curious of crooners and estimable heir to the Seventies legacy of Funk-Soul-Rock singer-songwriter troubadour anti-messiahs. In other words, a star. There are two new songs […]
Label: Tone Casualties Format: CD,LP Is this what it’s like to wake up with Mr. Czukay every morning? Well, anyway, Holger’s come back and the general consensus is that he’s looking camp as ever. Good Morning Story is a nice wake up call, sampled generously with lots of Can and […]
Label: EMI/Electrola Format: 12″,CDS Smoothness… There is nothing inherently wrong with this. It would be easy to bring the metaphor of the “well-oiled machine” into play in considering these four pieces. Is the situation of the metaphor the dominant theme in the existence of Kraftwerk? Even in the days of […]
Label: Soleilmoon Format: 3xCD Bundled together as a boxed set, these three releases bring together the three artists concerned in pairs on each CD via postal exchange of recordings, with the aim of creating a whole which draws more than merely the sum of its parts together. Packaged in appropriately […]
Label: MDZ Format: 10″ Taken from Oh.‘s recent Ecu album, “39,6” give no clues to its title in the curlicues of almost wistful synth trails, horizontal bass and crystal drum licks which make for a serenely cruising little ditty of a modest, soothing sort. The Sofa Surfers‘ mix offers up […]
Label: Domino Format: CD,LP Mouse On Mars‘ sixth album continues to expand on their almost self-defining genre of energetically marvellously nice Electronica, spinning outwards from the opening processed acoustic guitars into to the humorous-interuptus whoopee-cushion funk of the highly appropriately-titled “Yippie”, and all points silly from there. Neither “nice” nor […]
Label: Spunk! Format: CDS Trans Am must be the most versatile trio ever to call themselves a band. Who Do We Think You Are? is a terrific little six song showing of this as our boys slip slide right through thirty years worth of musical genres in less than an […]
Label: Force Inc. Format: 12″ The title track is something of a typical Techno Animal bass monster, with their characteristic funky breakbeats assuming the usual clattery position in relation to a rather pleasingly warbly bassline, shot through with some relatively restrained splatters of synthy knob-twiddling. As its Kevin Martin and […]