The Mean Fiddler, London 27 April 2003 I’ll be honest: I went for Peaches. Her 93ft East show last year was one of the most bacchanalian gig experiences I’ve had in recent years, a benevolent riot of loud, fired sexuality and abandon. But, truth be told, I’d really enjoyed the lyrical audacity / buffoonery of the few Gonzales tracks I’d heard. Someone summing themselves up as “a combination […]
Monthly archives: April 2003
5 posts
Label: XIII Bis Format: CD Announcing their return after a decade’s absence on a wave of gritty noise which soon gives birth to a storm of digital rhythmania, Front 242 have chosen an obvious yet fitting title for their new album. The opener “SEQ666” shifts and gurgles from deep, ever growing, rumbling techno-industrial beats through shivers and ripples of analogue synth swoops and elevated keyboard chords, crashing tempos […]
Label: Nonplace Format: CD,LP Burnt Friedman‘s latest gathering of musicians from the Northern and Southern Hemispheres brings together the usual Dub influences with a healthy dose of fractured Funk and Souldful vocal stylings and brass arrangements. As such, it’s a heady slice of Post-modern collage and remodelling, from the strangely-parcelled version of the “Fuck Back” 12″ with its laid back, slightly sinister vocal from Theo Altenberg onwards. Proceeding […]
The Klinker, The Sussex, London 17 April 2003 The Klinker! A club to conjour with, and a place to witness the indigestibly strange among the ineffably great. Take The Unseemly Trio for starters, three genially odd chaps who pluck the exposed piano strings of one of two which adorn the back room of the Sussex pub while rattling a variety of objects, musical or otherwise. Where else can […]
Label: 130701(Europe)/Alien8(North America) Format: 2CD Some bands and their sound are inextricably linked to their chosen recording environments. Can and Faust immediately come to mind with place and process being inextricably linked. So it is with this thirteen-piece Canadian collective. Their last CD Sings Reign Rebuilder derived much of its atmosphere from the location in Montreal where they recorded it . They called the place “an old falling […]