Applebush/Easy Action Back in the late 60s, Up were part of the same fired-up Detroit scene that gave us the MC5 and the Stooges but have been largely forgotten over the years. This is perhaps understandable as their only releases at the time were one and a half 7” singles […]
Yearly archives: 2010
105 posts
The Forum, London 17 December 2010 This is Earth calling, this is Earth calling…… It’s mid-winter, snow is on the ground and Arctic winds blow and London is bought to a stand still by Tube strikes and 2cm of the white stuff (no not the “Right Stuff”). Beaming down from […]
The Scala, London 11 December 2010 The first time I saw The Orb play live was at the time of the release of their album Adventures Beyond the Ultraworld. At that time the techno/ambient/trance scene was at an all-time high with a plethora of new bands using psychedelic images and […]
Neurot Run Thick in the Night is USX‘s (as they are sometimes called) fifth album and the first I have heard and I’m really quite impressed… The album begins with the 13 minute opus “In the Night” witch starts off with a guitar and keyboard drone reminiscent in sound to […]
Important Smegma was formed in Pasadena, California in the early 70s, found no fans there and moved to Portland, Oregon, though they’re still an important part of the Los Angeles Free Music Society. Geographical lessons aside, in addition they have made wonderful avant-garde free noise improv music ever since. So […]
Leather Apron News having recently reached my ears of a troupe of performing “Gentleman Ne’er-do-wells” giving themselves the grandiose name of The Men That Will Not Be Blamed For Nothing, who have of late been Turning a fair few Heads, chiefly among the lower orders and the varied Forms of […]
The Vortex, London 3 December 2010 It’s thirty years now since Eyeless in Gaza released their debut single, “Kodak Ghosts Run Amok” (1980), and in all that time there’s never been a moment when they could be made to fit in with whatever else was happening around them. In the […]
Mark Sanders has been a professional drummer for almost thirty years. His diversity is unmatched, running the gamut between jazz, free improvisation, pop, avant-rock, modern classical, dance, new complexity, dub and folk. He’s one of the few free improvisers who integrates the learning that he accumulates from these broad activities: most improvising musicians’ approach rarely synthesises or overlaps their sets of experience from other styles. You would be hard pressed to find musicians currently working within free improvisation who he hasn’t worked with.
There are four main ways of making music that sounds different to anyone else: by devising your own conceptual framework; using rare or unique instruments and equipment; developing an unusual approach to your instrument; or by training until your technique is broader, faster or more specialised than that of other players. Depending on your level of insecurity you may reinforce these with deliberate obfuscation, whether that entails removing the labels from your vinyl, claiming that you don’t understand or aren’t interested in your own process or ability, hiding your equipment or simply not answering questions. It depends whether or not you’re afraid of the competition or you think you’re the kind of person who’s only going to have one decent idea in your lifetime...
Ectopic Ents Orchestras. I wanna talk about orchestras, the poor maligned things that they are. Once mighty engines of bombast and glory, capable of simultaneously breaking your heart and conquering the world, like smooth-talking dictators of sound. People rioted at the opening performance of The Rite Of Spring. Hitler had […]
OK, first things first. Until The Light Takes Us isn't really a music movie. It's not a musical, for a start, though that would be awesome. Can you fucking IMAGINE how awesome that would be??? It isn't a musical, though. It's not even a movie ABOUT music, because while it DOES talk about the music, it moves swiftly on. It's kind of a movie about musicians, because all its leading characters are musicians, but their musicianship is not really the issue - fuck it. Let's start here. Let's get that can, rip the lid off and chuck the worms out onto the newly-painted floor. Until The Light Takes Us is about Norwegian Black Metal.
Monty Maggot Well this isn’t what I was expecting (which of course is never a bad thing), before spinning the disc I did my usual thing of checking the sleeve out, reading lyrics, etc, to get a general feel of what an album may sound like. Added to this the […]
The Nest, London 9 November 2010 The Nest is the old Barden’s Boudoir with a bit of a face lift. Rather than the stage being in the centre of the room, as it once was, it’s now tucked away nicely into a corner. As the venue is quite long (and […]
Rocket “Klytus I’m bored. What plaything have you for me?” “It’s a band from the SK system your majesty – the inhabitants call them Teeth of the Sea”… Teeth of the Sea’s second album builds up on the momentum and foundations laid down by the first and from their EP. […]
Camp Basement, London 8 November 2010 This is Bo Ningen’s night, it’s their album launch and there’s quite a bit of a buzz going around about them at the moment and rightly so. The gig is sold out and still people are queuing in the vain hope of getting in […]
Thrill Jockey Music that stops you in your tracks is a revelation and there’s a clue in the sleeve notes to the selective but universal world this recording inhabits, revels in. A mossy rock somewhere up a mountain trail, overshadowed by its misty Appalachian cousins and yet once stumbled over, […]
Staubgold Timo Reuber‘s fifth solo album finds him plucking sounds from his collection of samples and loops mixed in with a few restricted-instrument selections, and spewing them out in the visceral statement of intent which is opening track “Ring Ring.” And it does just that, in layers recursive loops which […]
The Lexington, London 5 November 2010 As a night taking its title (Death to Trad Rock) from John Robb‘s book about the Eighties underground music scene in the UK, and held on the 405th anniversary of the gunpowder plot to destroy Parliament, it’s not surprising that there’s an atmosphere of […]
Conspiracy Sunburned Hand Of The Man member Paul Labrecque turns his hand here as Head Of Wantastiquet to his own particular variation on American primitivism, taking the form down meanders which can be as strikingly wondrous as the packaging the record is released in. Both the music and visual imagery […]
Conspiracy Two oddities from the pacific North-West USA’s favourite oddball ethnodelic forgers of all things conjured up from an alternate world music scene. Side one’s “Themes From The Motion Picture Man With The Green Gloves On” is a slice of solemn gamelan’n’drone in their usual temple of the weird mode, […]