The Forum, London 18 July 2010 Skinny Puppy shows are pretty much bound to be weird, and more than a tad befuddling; bemusing even. Where else can a grown man shimmy onstage dressed like cross between a lightshow-bejewelled Torquemada and the dead king of Sutton Hoo, all pointy white cone-hat and empty-socketed stare against a background of videogame corridors – which it soon transpires on further exposure are […]
Yearly archives: 2010
105 posts
Earache Despite having been involved in probably about 90% of all British manifestations of all that is heavy, grindy and noisy in the last twenty-odd years, from Napalm Death to Jesu, Justin Broadrick is still only fourteen years old; or at least that’s how he appears. And given that my job here as a critic, is indeed to judge things on appearances, then to all intents and purposes, […]
Family Vineyard While improvisation and social activity are natural bedfellows, improvisation and relationship can be a trickier proposition. It’s a reasonable – albeit vaguely fundamentalist – argument to say that familiarity is antithetical to improvisation; the former is about learned responses, primed expectations and prior awareness; whereas the latter is about responding in the moment, dealing with the unexpected and being able to create without preparation. As two […]
Drag City The foundations of rock music are built on strata that have long eroded for all but the most credulous. It was initially fun, sexual and swaggering; angry, rebellious and irreverent; energetic, spontaneous and irrepressible; extrovert, engaged and innovative. Decades of mishandling by musicians, record labels, critics and musicologists have caused these qualities to be all but stripped away. Energy and spontaneity have been neutralised by expectations […]
Klangbad Longevity in the fickle world of pop music has traditionally been an undervalued trait and Cluster, now well into their fourth decade as a musical unit, have long been an elusive presence as they’ve sailed through the decades since their inception in 1969 (with fellow electronic pioneer and Zodiak Arts Lab alumni Conrad Schnitzler as Kluster with a ‘K’). Cluster have seen through the ‘heroic years’ of […]
The Barbican Theatre, London 26 June 2010 The Necks have had a pretty good upswing in their fortunes with London performances over the last few years, with sold-out runs of nights at The Vortex in Dalston so successful they added in extra shows late into the night, followed up by a triumphantly immense performance in the ecclesiastically-charged setting of the Union Chapel in May 2009. Tonight’s set finds […]
Kranky I have to admit I’d never heard of Disappears before this record landed in my lap, so I looked them up online. (Research, see? Professionalism and that. That’s what seperates us real professional music writer types from the blogroll masses.) A noisy Chicago four-piece, refugees from the sad decline of Touch and Go records, Disappears have found an unlikely home for themselves at glitch-(and drone – Ed.)-merchants […]
AIMsoundCity Lisa Dillan is a vocal improviser originating from the northern parts of Norway. She is a trained and educated jazz singer, but many years ago she moved further away from the jazz, and started exploring the possibilities that lies within improvising with the voice and creating various mouth sounds. When I first watched this tiny woman doing a live performance some years ago, it was a big(!) […]
DIY/unsigned Recording studios are time machines, capable of layering conflicting alternate pasts, warping space into new configurations and building dreamlike gestalts from contrasting times and places. But we could be forgiven for thinking otherwise. Engineers and producers have worked diligently for decades to maintain the illusion they’re releasing records made by pub rock bands performing live together in the same place at the same time (live performance being […]
Pica Disk The June edition of the Jazkamer monthly series, We Want Epic Drama, is the first album with the full metal line-up since the highly acclaimed Metal Music Machine was released. Two drummers, electronics and three guitars promises quite an onslaught. However, that is often the case with Jazkamer, two or more members almost always manages to present an impressive wall of sound, no matter what. As […]
The Underworld, London 17 June 2010 With their tattooed limbs and trucker caps, their wall-eyed glares and N’Awlins shirts that might never actually have seen better days, Weedeater strike about as Southern image as can be imagined, straight out of Wilmington, North Carolina via the casting for a Rob Zombie slasher flick soundtracked by the leavings of the stoner blues. Set down like they were at home on […]
Minor Fall Records This is an EP that really wants you to like it from the moment you see the sleeve. It screams “Hey, I’m friendly, we could hang out and play Swingball!” First off you get a really endearing picture of a smiling jukebox as the sleeve art, and then the CD itself is pretending to be vinyl. It’s beautiful packing, it really is, and to an […]
Editions Mego The problem with the notion of Hypnagogic Pop was never the music, and Oneohtrix Point Never‘s superb Returnal demonstrates that fact perfectly. Brooklyn’s Daniel Lopatin makes tried and tested emotive music with plenty of precedent. Tangerine Dream is the most frequently cited, but you could equally choose any number of works by Vangelis or Jean Michel Jarre or Aphex Twin‘s Select Ambient Works
Southern From early avant-garde releases on the legendary Crass records as Annie Anxiety, to guest slots with artists as varied (and awesome) as Coil, Nurse With Wound, On-U-Sound and Collapsed Lung, to her current incarnation as Little Annie, Annie Bandez has been nothing if not prolific, apart from eclectic. Now she and long-term collaborator Paul Wallfisch (Botanics, as well as the criminally-underrated unofficial contender for Best Band In […]
Sublime Frequencies The third compilation of Omar Souleyman’s Syrian party music to be released by Sublime Frequencies doesn’t require much in the way of context for new listeners. It’s a dance-pop album. All that really matters is whether it’s catchy and whether it makes you want to flail around making an utter goon out of yourself. Happily both criteria are met with a resounding YES. Despite being culled […]
Atomhenge Ah, the mighty ‘Wind. Where to start? Let’s assume that readers have at the very least a passing knowledge of Hawkwind‘s classic 1970s material and mythos. That decade’s long strange trip went roughly thus for the Hawks: early ‘electronic barbarian’ days in the Ladbroke Grove freak scene, then the never-bettered industrial strength trance-riffage of the Space Ritual era, before moving on to leaner, tighter, sci-fi dystopianism in […]
Denovali French black metal hardcore act Celeste has realesed an album that is a proper dirty heavy black screaming noisy rotten piece of work that really takes me to some of my darkest places. Not only being dark, they are occasionally so heavy it makes my head want to go down and the rest of my body move underground. Don’t get me wrong; they are still a hardcore […]
Invada David Wrench received an epiphany while trapped in the worthy nu-folk purgatory of the Green Man Festival last year. Surrounded by polite and twee young indie kids who had discovered acoustic instruments and woolly jumpers, he despaired at how a once radical and iconoclastic social force had been reduced to yet another lifestyle and fashion choice. As synchronicity would have it, at that very moment he received […]