(SideOneDummy) All ‘tached up and nowhere to go, here come Eugene Hutz‘s roving raggle-taggle band of gypsy punks, like an Eastern European (via New York) Pogues, raised on Rollins and Biafra instead of Strummer and Vicious. Dressed like a variety of seafarers, circus performers and drunks, the aesthetic is clearly a grubby one as Gogol Bordello take the stage with Ultimate. And, predictably, the crowd go absolutely fucking […]
Yearly archives: 2010
105 posts
Rascals, Bangor 2 March 2010 For a supposed “Land of Song”, Wales has thrown up surprisingly few truly great musical mavericks over the years. Sure there’s been John Cale and David R. Edwards, and maybe Gruff Rhys and Brian Lustmord but that’s about it. It may then raise an eyebrow or two that despite her scant handful of releases to date, I wouldn’t hesitate to add relative newcomer […]
Pica Disk Musica Non Grata is the second release in Jazkamer‘s 2010 monthly series, and the CD has three long tracks. To make it clear and save you wasting time reading further: this is a study in feedback! Those who are still reading might like to know that this full length CD from the trio again being Lasse Marhaug, John Hegre and Jean-Philippe Gross, is very much different from […]
(Endgame) Shane Fahey is an ex-member of the seminal Australian post-punk combo The Makers of the Dead Travel Fast, whose much sought-after late 70s and early 80s output has recently resurfaced on a couple of anthologies focussing on the releases of the M Squared label. If anyone was wondering what the group’s synth player has been up to since then, this release at least partly answers the question. […]
(Hydrahead) For most of the twenty-eight years since Lustmord’s debut, the lot of a devotee has involved much twiddling of thumbs between infrequent releases and little chance of catching the man live – the portentous date of 06/06/06 seeing his first (and to date only) live appearance since the early eighties. Happily, in contrast to most creative trajectories, the old contrarian seems to have grown more prolific during […]
Imprint If John Peel were still with us today, he would undoubtedly love Monkey Island. Straddling the aesthetics of his own Dandelion label and his beloved Ron Johnson Records, this Hackney-based group may be the hitherto undiscovered (and indeed unsearched for) missing link between Stackwaddy and Stump. Opening instrumental “Back to the Stoneage” could be an out-take from Beefheart’s Mirror Man had The Magic Band been imbued with […]
Further Murmurations sees guitar noise dronemeister Urthona teaming up with London-based electronic boffin The Asterism to create some wonderful alchemy on two long pieces inspired by the natural world in the West Country. Although a CD release, Murmurations is conceived as a classic vinyl LP, with side one’s 24 minute “River Severn Bore” incarnating the relentless natural power of the said tidal current, layers of distorted guitar and […]
(Applebush/Easy Action) The collections of ‘rare’ T. Rex material to have appeared in the years since Marc Bolan’s death in 1977 by now dwarf the official output released during his lifetime. Although much of them are deeply inessential, and sometimes indeed unlistenable, carefully sifting through these volumes of out-takes and demos unearths some gems that actually surpass the official releases. The alternative versions of Electric Warrior and The […]
(Hometapes) Hailing from Copenhagen, Slaraffenland have made an album that seems quite out of time without sounding in the least bit dated. Their sound is at once infectious and fidgety – a restless pop music that harks back to the days when groups had too many ideas to stop and spend any time polishing any of them into blandness, moving on to the next song before the last […]
Viktor Wynd Fine Art, London 22 & 29 January 2010 Strange Attractor Journal, now in its third edition of writings promoting unpopular culture, has long been intertwined with the visual, musical and performing arts. For January 2010, the Strange Attractor machine has moved into exhibitionist mode, taking over the Last Tuesday Society‘s art space above their very curious basement shoppe of horrors on Mare Street in Hackney located […]
(Midwich) A folk group from Essex recording a concept album about the Lofoten Islands in Arctic Norway seems an intriguing though ultimately self-defeating idea. After all, isn’t the idea of folk music that it reflects the culture it comes from, rather than holiday snaps of exotic locations? Actually, it turns out that the two areas share a large amount of common folklore, dating back to Viking times, and […]
Pica Disk This release is the first in the Jazkamer 2010 Monthly Series. A card accompanying the CD states: “One new Jazkamer album on Pica Disk every month of 2010. One year of music and anti-music.” Perfomed by the two founders and regular members Lasse Marhaug and John Hegre, plus Jean-Philippe Gross, who also edited and mixed this CD very interestingly, Solitary Nail is one 30 minute track, […]
Koko, London 14 December 2009 The cavernous space of Koko, once known better in the days of music hall and indie rock dance club as the Camden Palace, turns out to be eminently suitable for hosting bands whose raison d’etre is shifting air pressure through the application of low end to the somewhat notoriously loud speakers of the PA. Koko may not exactly have the acoustics of a […]
Islington Mill, Salford 8 December 2009 Ever vampiric, the avant-guard periodically replenishes itself on fresh blood in pastures new. Jazz, psych, prog, industrial and Dance have all fallen prey during the past half century, and now it’s the turn of that seemingly most reactionary of genres, metal. The signs had been there as far back as the early 90s, with the Melvins, Sleep and Earth all forging new […]
Denovali Available on both heavyweight vinyl as a proper double-sided split LP and the more prosaic, though no less lovingly-packaged CD edition, this record serves partly as yet another waypoint on Nadja‘s seemingly unstoppable mission to collaborate with every possible combination of drone/doom-mongers across the known and occasionally unknown world. It also contains Kodiak‘s “MCCCXLIX The Rising End,” a piece which starts off in a slow accretion of […]