Esoteric Hmmm… a Van der Graaf Generator instrumental album eh? For a supposed ‘prog’ band, Van der Graaf Generator have never really gone in for lengthy instrumental passages, preferring to fill their convoluted songs with Peter Hammill’s densely-packed words. Then again, The Graaf, as they’ve seldom affectionately referred to, have […]
Yearly archives: 2012
146 posts
Drag City It’s mandatory when reviewing [post=laetitia-sadier-interview text=”Laetitia Sadier“] to glibly remark on how everything she does sounds a bit the same, so let’s get that bit over to start with. Silencio isn’t sonically a million miles away from 2010’s The Trip, or indeed most Stereolab or Monade releases if […]
PNL A ping hits my mind, over and over again, record crackle from the turntable, strange voices talking to me, giving me unheard messages, drums moves frequencies back and forth in all kinds of directions. Subtle periods mixed with what sounds most people would argue does not belong in music. […]
LF Wow! Take in that space. It’s practically a whisper for the first minute … Hákarl’s violin glowing like some gipsy succubus in the headphones… tugging the emotions as Daniel Hignell‘s electronics flitter the periphery, hugging those violin strokes in a dance of vaporous tastes. Vignettes of sensation, like a […]
Crucial Blast (CD)/Consouling (vinyl) In a media landscape where seemingly every mainstream early-evening crime drama routinely features grisly post-mortem footage of dissected cadavers and high-definition CGI renderings of the paths of wounds and injuries being inflicted as seen from inside the body, is it any wonder that artists such as […]
3by3 Back in the days when an internet café was a big deal, and a cool, hip, happening place where awesome kids did 72-hour Starcraft sessions and didn’t die (note- these days are actually largely fictional, much like the days immortalised in the movie Tron, when running an amusement arcade […]
Invada There is just something that doesn’t quite make it when it comes to the band Beak>; whether it’s because they seem to be trying too hard to emulate the motorik rock that came from Germany in the ’70s, or because they attempt to go for a ritualistic sound that […]
Grautag I’m playing this on the road from Marrakesh to the coastal town of Essaouria, the sprawl of habitation reclaimed by stony desert, a spluttering of abandoned ruins, the odd pylon lines groping the desolation. The road ahead, a grey tarmac smear in all this scorched dust, as a ney […]
Ideologic Organ Originally self-released as a CDr by Sir Richard Bishop in 2011, Intermezzo now gets a vinyl outing courtesy of Stephen O’Malley‘s estimably eclectic Ideologic Organ imprint. Maybe surprisingly for a record with such a limited first release, this is one of those œuvre-spanning albums which provides a snapshot […]
Turquoise Coal The début release from the Turquoise Coal label is also Irma Vep‘s first time on vinyl, though it’s also the tenth solo album from Klaus Kinski drummer Edwin Stevens. However, anyone familiar with Klaus Kinski and therefore expecting a full-frontal assault of blistering noise from Stevens will be bound […]
Woebot I’ve been way behind with my listening recently; still got a bucket of stuff (actually, some of it is in the old washing basket) I’m supposed to review, still got piles of albums and MP3s idly ticking over, mangling the datashields of my iPod… When DSM V finally comes […]
Thrill Jockey If there’s any kind of party going on, when the sun’s shining or no, if there’s barbecue coals warming up and a good-sized tent set up for entertainment, cornbread and sweet tea to start, grilled foodstuffs and harder liquor to follow, there should also be The Black Twig […]
Conveyor (N America)/Salvo (Europe) In 1987 I was trying my damnedest to reject the hateful and morally-bankrupt Thatcherite dream which seemed to be crushing everything in its path like some ghastly metal steamroller with Keith Joseph laughing behind the wheel, and instead recreate the psychedelic summer of twenty years before […]
Disinformation/Strange Attractor Press “I love the dead before they rise, no farewells, no goodbyes.” Alice Cooper’s “I Love The Dead” is surely the definitive romantic ode to the dearly departed, but he was by no means the first to spend his time romanticising those now six feet under. Nikolai Federov […]
Latitudes In the pagan world there are important times of year called the solstices and also various moon and planetary cycles that affect mankind on his journey around the shining orb of the sun. Sometimes musicians from ancient tribes would tap into these energy patterns and create music to conjure […]
Autostatic “It sounds like someone flushing a magical toilet over and over” – this courtesy of my dear partner. She then mimed flushing a toilet for a bit, did a puzzled face, then decided it was the Victorian style of toilet with the flush you have to stand up for, […]
Mute Problem the first: a month or so really isn’t enough time to deal with this. What I really wanted was a properly stodgy, fagend cash-cow studio slurry. Selfish, but it’s much easier to go ‘while there’s highlights on discs 2 and 3, ultimately it’s for the Can fanatic’. The […]
Mute The turn of the century saw an explosion of underground musical activity over in the states( especially in New York, and Brooklyn in particular) The bands that were part of this supernova also seemed to defy expectations by shape shifting at a rapid rate (think Black Dice, Animal Collective, […]
Desire Path Totally loving the artwork for this one, starring into the complexity, that smokey hair appearing to be shifting with the drone, a mild perfumed aroma slipping your nostrils as the sound cascades like some oriental music box fringed by minimalist chimed sentinels. The sombre pace is totally captivating, […]
Koko, London 12 June 2012 Been wrapped up in the awesomeness of NWW/SunnO)))‘s collaboration [post=sunnnww text=”The Iron Soul of Nothing”] since New Year, so naturally, I jumped at the opportunity to see both groups together. I was secretly wishing for a stage collaboration of sorts, but it was pretty clear, […]