Klangbad It was a total surprise to find out that Golden Diskó Ship is really one person, Theresa Stroetges, a Berlin-based multi-instrumentalist – because I was struck by how much this sounds like several different bands, all vying or attention and all too polite to really push their ideas to the foreground. The production seems to place these bands in different sound chambers, so that they’re marginally aware […]
Yearly archives: 2012
146 posts
Bureau B Those good people over at Bureau B have been delving into the archives to bring us two classic slices of pre-Cluster goodness. Well before ‘71 and Zuckerzeit, these two albums, originally released in micro editions of 300 copies, demonstrate an avant-garde spirit that was and still is, a pleasure to absorb. Very much a ‘kicking k’ before the soothing ‘c’, these recordings still rival many of […]
Bureau B It can’t be a mistake that Red = Rot since this is electronic music rotted one note at a time. As a debut solo album – its actually more complicated than that – it’s a singular attempt to define a new genre of bubbling, messy, electronic music… Rot is propulsive/compulsive; as dark and shiny as a Scribing Mirror. You can hear the tangles that Conrad Schnitzler […]
Mute With London’s Olympic opening ceremony still reverberating freshly, it’s time to consider the next logical step in the bombast and nationalistic celebration: Laibach and their art host entity NSK conducting the premier global televisual propaganda occasion should Slovenia ever host the Games. Handily, it seems that if budgets are tight in straitened financial times to come, then An Introduction To Laibach/Reproduction Prohibited (not actually their greatest hits album […]
Bureau B Over the past few years, Hamburg’s Bureau B label has released an astonishing treasure trove of music. Reissues of long out of print kraut classics, including much of the enormous [post=cluster-roundup text=”back catalogue of the Cluster family”], now sit alongside brand new work by many of the people from the German scene, old and new, including recent releases from [post=faust-something-dirty text=”Faust”] and [post=kreidler-tank text=”Kreidler”]. The label […]
Klangbad The release of [post=faust-is-last text=”Faust Is Last”] a couple of years back seems to have freed up Hans-Joachim Irmler’s creative enthusiasm, his output rate suddenly jumping from Scott Walker to Acid Mothers Temple territory. These two new Klangbad releases are the fourth and fifth new projects involving Irmler since the Faust album in 2010 and there’s no sign of any let up in quality yet. The third […]
Esoteric Hmmm… a Van der Graaf Generator instrumental album eh? For a supposed ‘prog’ band, Van der Graaf Generator have never really gone in for lengthy instrumental passages, preferring to fill their convoluted songs with Peter Hammill’s densely-packed words. Then again, The Graaf, as they’ve seldom affectionately referred to, have never really gone in for the usual ‘prog’ behaviour. Of course their biggest ‘hit’ “Theme One” was an […]
Drag City It’s mandatory when reviewing [post=laetitia-sadier-interview text=”Laetitia Sadier“] to glibly remark on how everything she does sounds a bit the same, so let’s get that bit over to start with. Silencio isn’t sonically a million miles away from 2010’s The Trip, or indeed most Stereolab or Monade releases if it comes to that. The familiar elements are present: retro-futurist electronica, lushly arranged textures, “exotic” rhythms, sophisticated melodies […]
PNL A ping hits my mind, over and over again, record crackle from the turntable, strange voices talking to me, giving me unheard messages, drums moves frequencies back and forth in all kinds of directions. Subtle periods mixed with what sounds most people would argue does not belong in music. Repeat-loop train-tracks going to a playful sound together with jungle musique concrète. Stressed out or going through the […]
LF Wow! Take in that space. It’s practically a whisper for the first minute … Hákarl’s violin glowing like some gipsy succubus in the headphones… tugging the emotions as Daniel Hignell‘s electronics flitter the periphery, hugging those violin strokes in a dance of vaporous tastes. Vignettes of sensation, like a creeping doppelganger to that lichen-needled concrete. Six minutes in, its leisurely unfolding into a beat driven penance with […]
Crucial Blast (CD)/Consouling (vinyl) In a media landscape where seemingly every mainstream early-evening crime drama routinely features grisly post-mortem footage of dissected cadavers and high-definition CGI renderings of the paths of wounds and injuries being inflicted as seen from inside the body, is it any wonder that artists such as Gnaw Their Tongues want to push the sonic envelope of morbidity? Just as slickly-sick splatterfests like the Saw […]
3by3 Back in the days when an internet café was a big deal, and a cool, hip, happening place where awesome kids did 72-hour Starcraft sessions and didn’t die (note- these days are actually largely fictional, much like the days immortalised in the movie Tron, when running an amusement arcade was essentially EXACTLY THE SAME AS BEING A ROCK STAR, but I still remember them with fondness), rather […]
Invada There is just something that doesn’t quite make it when it comes to the band Beak>; whether it’s because they seem to be trying too hard to emulate the motorik rock that came from Germany in the ’70s, or because they attempt to go for a ritualistic sound that falls short of ritual, there’s just something that they can’t manage to pull off. The band comprise of […]
Grautag I’m playing this on the road from Marrakesh to the coastal town of Essaouria, the sprawl of habitation reclaimed by stony desert, a spluttering of abandoned ruins, the odd pylon lines groping the desolation. The road ahead, a grey tarmac smear in all this scorched dust, as a ney wrapped call to prayer fills my ears, a lushness that gets the mind wandering. Out the 4by4’s window, […]
Ideologic Organ Originally self-released as a CDr by Sir Richard Bishop in 2011, Intermezzo now gets a vinyl outing courtesy of Stephen O’Malley‘s estimably eclectic Ideologic Organ imprint. Maybe surprisingly for a record with such a limited first release, this is one of those œuvre-spanning albums which provides a snapshot of Bishop’s range and versatility, as each instrumental piece on here pretty much fits into a different genre […]
Turquoise Coal The début release from the Turquoise Coal label is also Irma Vep‘s first time on vinyl, though it’s also the tenth solo album from Klaus Kinski drummer Edwin Stevens. However, anyone familiar with Klaus Kinski and therefore expecting a full-frontal assault of blistering noise from Stevens will be bound for some disappointment – in fact, a metric shedload thereof.
Woebot I’ve been way behind with my listening recently; still got a bucket of stuff (actually, some of it is in the old washing basket) I’m supposed to review, still got piles of albums and MP3s idly ticking over, mangling the datashields of my iPod… When DSM V finally comes out there’s bound to be some new disorder based around the triple anxiety felt 1) by having too […]
Thrill Jockey If there’s any kind of party going on, when the sun’s shining or no, if there’s barbecue coals warming up and a good-sized tent set up for entertainment, cornbread and sweet tea to start, grilled foodstuffs and harder liquor to follow, there should also be The Black Twig Pickers, a turkey in the straw and the ladies hopping high on a “Merry Mountain Hoedown” all the […]