Monotype The pairing of Eugene S Robinson‘s voice and Phillipe Petit‘s sound manipulations draws on the film noir rule of human nature red in tooth in claw as much as on Thomas Pynchon for this six-part tale of inhumanity and death (of which this is the first of a planned […]
Yearly archives: 2012
146 posts
The Garage, London 3 June 2012 “I refuse to believe that Hendrix had the last possessed hand, that Joplin had the last drunken throat, that Morrison had the last enlightened mind.” – Patti Smith As Patti said “Everybody says it’s finished … art’s finished, rock and roll is dead, God […]
Crammed Discs The sleevenotes talk about this band being derided for being from the poor part of town; . I can’t help but feel that this is Tanzania’s answer to Happy Hardcore. Moreover, all the songs are towards the pulmonary-antagonising side of tempos, and tend to get faster. They’re also […]
O2 Academy, London 23 May 2012 Ah, the British summertime, the time for festivals, too much sport on the TV, beer gardens and BBQs. But not this year, for the past month it had rained everyday, festivals would have been mud baths, sporting events cancelled and beer gardens and BBQs […]
Staubgold The press blurb says “If Morton Feldman, John Cage and David Tudor had formed a rock band, they might have sounded a bit like this.” Now. Far be it from me to pick holes in press releases [and to be fair they were quoting a review of an earlier […]
Sub Rosa Timeless Waves apparently started life as a ‘sonic work’ for a multi-channel installation of some kind (though the notes are unclear as to whether it was a conventional performance or gallery deal). I can get a bit sceptical of these things translated to disc, but luckily, Erdem Helvacioglu’s […]
Thrill Jockey After the, quite frankly, cheesy and banal efforts from Tortoise on their previous album It’s All Around You, it was understandable if one found themselves without their hopes raised for Beacons Of Ancestorship, released in 2009. However, it comes as a relief to report that this is a […]
Thrill Jockey Tortoise’s fifth album, It’s All Around You from 2004, tells the listener from the outset that they are in for no surprises whatsoever. On previous albums; and especially with the proceeding Standards, . Unfortunately with It’s All Around You they made it absolutely clear that they chose the […]
Thrill Jockey The way Tortoise opens Standards, their fourth album, suggest that they want to have some fun with the listener’s possible preconceptions. The buzz and hum of a guitar amp makes way for a bombastic passage of music wholly unlike what Tortoise are known for. It could be that they’re […]
Southern Lord It’s long been traditional for “psychedelic, stoner, trippy, headfuck or whatever you want to call it” music, for the most part, to deal in Space. From Sun Ra to Chrome Hoof, from Sunn0))) to Hawkwind, the imagery’s been of space travel, or the void, or Heavenly light. And […]
Woe To The Septic Heart! I miss Coil. If that seems like speculative disrespect in this context then it’s not meant to be. Lots of this might even be Coil, since I’ve never been convinced that they’ve gone. The meat may have died but the spirits remain, flying. I […]
Thrill Jockey When TNT came out, some of the band members mentioned whilst interviewed that using Pro Tools had given them too many options, and that they had feared at one point that the album would lack direction. Lacking direction would be a harsh criticism for TNT, however it could […]
Thrill Jockey By the time the second Tortoise album appeared on the scene, there seemed to be an inordinate amount of time dedicated to the discussion as to whether they were in the spirit of Prog, or Krautrock. This debate seems a little perplexing now, especially when one remembers that Tortoise […]
Thrill Jockey The arrival of Tortoise brought along a discussion surrounding the widespread use of a new genre term that described a supposedly emerging musical genre. The term was ‘post-rock’ and, at the time, seemed to be the focus for as much debate as the band were themselves. Supposedly coined by […]
Ritual Productions The drone is king, it calls from the high mountain tops, it echoes in the valleys, it is the sound of ancient ritual or the smell of incense from temples, long may the drone exist. Bong have had number of releases over the past couple of years, many […]
Exotic Pylon Jonny Mugwump’s label is throwing up some breathless oddbits. Every release is a tabula rasa, a slash and burn policy. Exotic Pylon is as fidgety as the radio show, a spastic in space and time and genre (never truly separated). He’s releasing stuff like a psychedelic squid. So […]
Light In The Attic The Seventies’ favourite candy-coloured California cowboy, Lee Hazlewood stands alongside the likes of Leonard Cohen and Serge Gainsbourg in his stature (if not physically) as one of those perennially louche raconteurs of the counterculture whose influence has accumulated and expanded over the passing decades. The throaty […]
Rise Above (12″)/Coptic Cat (CD) It was 1974 when Comus, after two truly blood-curdling albums (1971’s First Utterance and 1974’s To Keep From Crying), retreated to his woodland bower, lay down in a mossy hollow and went to sleep. Those recordings had been barely understood at the time, their power […]
Mute If someone had the bright idea of making a low-budget, crowdsourced skiffy film about Nazis found on the dark side of the moon, which artists should be asked to provide the soundtrack? Laibach, of course – who could be better suited to orchestrate the sound of fucked-up futurist fascism, […]
Mordant Music The sound of two hands not clapping. This is the latest monster release from the ever-prolific Ekoplekz, this time seeing him flip cassettes from selected live bits and bobs (more bobs than bits, judging from his live performances) to studio improvisations and back again. There’s a wealth of […]