DFA Picture a disillusioned man – still barely 40 yet struggling with a spirit crushed by professional failure and a heart broken by disastrous marriages – reaching a point of exhausted resignation and moving in with his aunt. Withdrawing from life, in a few years time he will be dead. That man was Dr Hans Prinzhorn, a German psychiatrist, who earlier, in the course of his short and […]
Yearly archives: 2012
Fruits de Mer Krautrock is a brilliantly meaningless term, full of meaning. Head Music attempts to show why. There’s motorik music (there’s some on here) which is often what people mean when they say krautrock (they mean it sounds like Neu! or the way Can’s drums flip over one another) and there’s the dense wiggy kosmische space music (which means it sounds like Klaus Schulze or Tangerine Dream). […]
Rune Grammofon Volcano The Bear have long done their best to confound the simplicities of classification; they’re not simple to sum up as an experimental or avant-garde project (whatever that might mean exactly), and on Golden Rhythm/Ink Music the range of emotions and auditory adventures they offer up is one which can easily – glibly even – be described as such, but which is also a case study […]
Riot Season Once upon a time, some enterprising music writer came up with (or popularised at least) the term “arsequake” to describe the sort of heavyweight sludgy rock which occasionally crawled out of Camden to force itself onto unsuspecting grunge audiences in the Nineties; usually talking about the sort of sounds which stepped very close to the definition of music, then trampled on it, bit off its head […]
Symbolic Insight This is a debut album by Colorado duo Sonolumina. The album mixes ambient music with world music and trance. Between the duo they play a mixture of traditional instrumentation such as flutes, violins and trumpets as well as Indian tablas. The whole comes together in as well. “Fire” features drones and electronic percussion that sound like the beginning of a journey into foreign lands. “Sona” is […]
Monty Maggot The Plague is [post=omenopus-time-flies text=”Omenopus”]‘ sophomore album, a double disc worth of songs that takes us on a whirlwind of an emotional rollercoaster ride across its two silvery surfaces. Disc one (or rather the first disc I placed into the machine, as I have the feeling you could play either disc first) contains the four part concept piece “The Plague.” This is a twenty minute opus […]
Neurot/Supernatural I was wondering, as I took my copy of Topographic Oceans off the turntable, why the dark overlords at Freq Towers felt that I should review the new Ufomammut concept album that will be released in two instalments this year. I scratched my chin a slid the CD from its case and pondered to myself about this. Hmmmmm……… Oro seems to be based around some sort alchemical […]
Noh Poetry Astralfish are Bridget Wishart and Don Falcone, who here create cosmic melodies with a whole host of special guests including Daevid Allen from Gong. With sixteen tracks across its shimmering disc we should venture forth into the beautiful beyond to tell you all what glories there are to behold. The opening track “Far” includes Allen’s gliss guitars and has a other world feel similar to the […]
Important Most bands when releasing a collection of otherwise placeless split vinyl album tracks and remixes end up with a selection of shorter pieces compiled into what often ends up as some sort of a grab-bag of odds and ends. Not so with Nadja, who fit just four tracks on each CD of this two-disc set of recordings from 2007-08, and who also manage to make a coherent […]
Striate Cortex Striate Cortex seems to have gone, in just a few years, from another ‘yet another’ label putting out tiny editions of unheard of artists (or ‘no-audience underground’ as radiofreemidwich have it) to having a pretty heavy catalogue of exquisitely-packaged things. I can’t claim to be a completist but I’m seeing a lot of names on their discography of bands and people who are making great sounds […]
The Borderline, London 23 March 2012 The Deviants blasted out of the underground psychedelic scene in 1967. While Syd Barrett was taking the Pink Floyd into outer space and Jimi Hendrix was making his guitar wail to all the ‘foxy ladies,’ Mick Farren’s gang of urchins were singing the hymns of squat-land. With albums such as Ptoof!, Disposable and 3, the troubadours of Notting Hill sang proto-punk anthems […]
Thrill Jockey Let’s talk about SPACE, baby, let’s talk about you and me. As Salt’n’Pepa didn’t actually sing, but should have done. Let’s talk about all the BIG things and the LOUD things. Yeah. And like that. Space is many things to many people. To Lovecraft, for example, it was a constant source of terror. But then, so were most things. Poor guy. To Douglas Adams, it was […]
Earache A-side – “You suffer…” FDR stands for full dynamic range. Remember that, I’ll come back to it in a minute. This is one of those records that I’ve had a million conversations about. Heavy crust/grind/metal/metalcore peeps will claim various things about it – it’s not the best/ it’s the best/ it’s not the first/ it’s the first/ Carcass did it better/it’s better with triggered drums/ it’s better […]
Mute Breath was bated at this, apparently, but not mine. I mostly dislike collaborations, even when I try to like them, even when I love the collaborators. Collaborations regress towards the mean, like motionless wrestling or mutual strangulations in the back of army trucks (a personal joke, one intended only for my future self to smirk about; sorry). I blame everyone: Mike Paradinas and Richard James as Mike […]
Terp It’s got text in Amharic on the sleeve! I assume! It’s about single length! It uses exclamation marks to describe itself, and this seems awesome! Because the music is awesome! … I remember when I first heard drum n’ bass, on Peel, sometime in the 90s. It was weird and scary and made me feel a little bit sexy when being sexy was a weird feeling but […]
Spezialmaterial From the opening drone and chiming guitar trills of “Lovelight,” it’s evident that Zurich’s Hard Coming Love are big, big fans of West Coast psych, Spacemen 3, and among others, of course, The United States of America, the second track of whose similarly self-titled album provided the band’s (slightly embarrassing) name. Where the former had drums and bass to pin down Jason Spaceman and Sonic Boom‘s interlocking internecine […]
Terp The Norwegian drummer Paal Nilssen-Love has made a fast and hard-hitting impact on many recordings in the national and international scene of free-jazz and improv these last years. Whether as a band member of [post=peter-brotzmann-live text=”Peter Brötzmann”]’s Chicago Tentet, the assembly of some of the leading musicians of today’s free-jazz, or in the powerful Hairy Bones also including the said German. Also worth mentioning are the remarkable […]
(Not on label) Buh…yeah. -rock suffixes are lame. But this is good. GOOD I tell you. Ole’ timey two guitars n’ drums-core. Possibly fans of that K Records fallout . Y’know, Sleater Kinney, Urusei Yatsura, that kind of thing. But instrumental. No vocals and no need. And it’s steeped in a lot of those dreadful and dreary tags that make you think of dogshit music students yet to realise […]