Ektro (CD)/SIGE (vinyl) Enharmonic Intervals (for Paschen Organ) emanates rousingly from that sharply-scrawled nonplace where Magma meets Khanate, where touches of doomy martial pomp worthy of Coil at their most mordantly impressive march alongside the scuttling electrical signals of cables jumbling in decay and the dusty, keening grandeur of Dead Can Dance. In reality, while the hints and ghosts are there, this record sounds like itself far more […]
Yearly archives: 2013
214 posts
Raster-Noton Ryoji Ikeda is perhaps best known for his mastery of the ultra-minimal, for harnessing digital drones, glimmers and glitches to make unfolding sounds take seemingly apparent form in glacial patterns of space-filling lightness, of sounds so subtle as to only be noticeable when they have gone. When placed in the context of installations as found in galleries worldwide (his contribution of pure sine waves combined with stark […]
LM Duplication This music is presented to the world via the extremely productive LM Duplication label, the LM standing for ‘Living Music’, which couldn’t be a more appropriate association for the music recorded here. Life is full of grit and dirt, no matter how much we in the west try and get away from and sanitise it. Some of this mess is captured on the album with tracks […]
Enraptured The future could be what it used to be. Are you disappointed in the lack of flying cars and chrome cities? Disappointed in the lack of robot maids? Miffed at the persistence of pesky inconveniences like war and famine? Retro-futurism is the idea of the future in the past, most typically illustrated in the Atomic Age ’50s utopianism of Disney’s Tomorrowland. As real life continued to be […]
Front & Follow Before I knew anything about them (I still don’t know much about them), I heard The Doomed Bird Of Providence (on the excellent Collision/Detection compilation of EPs) and assumed they were Eastern European Death Marchers. They seemed a little like the mini-tradition clustered around A Hawk and a Hacksaw with, perhaps, a sideswipe of Dirty Three (yes, I know how utterly dismissive that sounds); seesawing violins, […]
Avalanche As I write this, Lou Reed is freshly dead and the streets are littered with fallen branches from a storm widely tipped before its appearance to herald the Apocalypse. (Spoiler – it didn’t). What is called for is something elemental, something riddled with loss and sorrow, but also something that fucking kicks ass. What is called for, essentially, is Everyday I Get Closer To The Light From […]
23five This is like being trapped in the bubbling workings of a psychotic mind, reason lost in a fevered turmoil of carrion flies waltzing with the concrete scrape of the speakers. Feels like your head’s being invaded (especially on headphones) – neurons, a rutted dirt track between left and right hemispheres, full of scythed MRI slices and quaking vellum, scuttling insects and the odd snorting beast. Disembodied electro-acoustics […]
Mr Youngs is an incredible tour de force; a musical maverick, who shares a striking resemblance to Blue Peter presenter John Noakes (or is that just me?), both of whom coincidentally have an amazing capacity to make something out of virtually nothing. I’ve witnessed Richard Youngs totally captivating an audience for 40 minutes with little more than a penny whistle, and still have vivid memories of the spittle […]
Drag City Listening to Cave is a motorik clockwork trance. Visions of huge gleaming chrome puzzle pieces in the sky twist and churn like some angelic Mecha. Cave are clearly obsessed with minimalist German psychedelic music from the ’70s, as Threace is chock full of pulsing krautgrooves, but this time the band expand their bag of tricks to include other underground sounds of the decade. Threace veers between […]
Iotacism Back in the day, there was tape-trading. Conducted by post, y’know, when there was a postal service rather than a mausoleum of “a good idea we used to have”. I used to do a fair amount of it. It was a great way to find out about stuff you didn’t know about. Someone would put together a selection of stuff they liked, and you’d do one in […]
Corsica Studios, London 15 October 2013 Corsica Studios was once again filled to bursting for the return of Acid Mothers Temple and the Melting Paraiso U.F.O. for what seems to be their London home (alongside Café OTO). The crowd’s anticipation at seeing the Japanese psych legends was at a high, but unfortunately we would all have to wait. The support band was running over time, this was compounded […]
Bristol 14 October 2013 Motorway delays meant totally missing most of Teeth of the Sea‘s set… I’ve been loving their latest Kraut-infused offering Master for some time now and was eager to get that all-important live perspective, but only ended up catching the trumpet soaked finale. A Miles Davis-shadowing sundowner of a track on anti-phonic wings; parabolic, infectious…the briefest of taste that left me floundering in the disappointment […]
Mute Released as a taster for the forthcoming Spectre album, the S EP finds Laibach in slower, reflective mood on the opening “Eurovision,” the track unfolding with almost trip-hop intent in a fashion which harks back in tone to 1992’s Kapital. Of course they can’t help but get epic on the refrain “Europe is falling apart” – but even then the bombast is held back, and instead there’s […]
New Wave Films Irish film maker Pat Collins, largely known for his documentary work, has successfully merged genres here. The star, Eoghan Mac Giolla Bhride plays a sound recordist of the same name and it just so happens that Bhride is a sound recordist in real life. Seemingly not a natural actor, the scenes have this extended reality to them, which transcend the boundaries of fictional cinema and […]
Seventh Five DVDs into Magma‘s series of live sessions at Le Triton,we find the pioneers of Zeuhl way out there beyond the Theusz Hamtaahk trilogy and exploring some of the stranger byways of their œuvre along with some dazzling new material. The entire programme runs to about two hours. There are a few interludes during which audience members, including Steve Davis, are interviewed about their relationship to the […]
Bristol 8 October 2013 The Exchange was rammed… Anthroprophh (Big Naturals and Paul Allen) were sprawled in front of the stage, their kit eating away at the room’s capacity. Sounded even better than when I saw them back in February, but tucked into the back corner of the venue, I couldn’t see a blinking thing! After squeezing through the sardined bodies I managed to catch their blistering finale. […]
Leather Apron Hi there. I have some shocking news for you. You ready? Hogarth was wrong. HOGARTH. WAS. MOTHERFUCKIN’. WRONG. Yup. You heard right. Hogarth, with his celebrated piece of anti-gin propaganda, Gin Lane, was utterly wrong. (He was, however, right when it came to its companion piece, the pro-beer Beer Street, but that’s not really relevant here. I’m all about the Hogarthian WRONG). . Also, nobody in […]
Bureau B Remember that brief, optimistic period in the late ’90s when it seemed that every style of music could be bettered by adding electronics? Like William Orbit‘s Pieces In A Modern Style or Tortoise‘s dub-infused exotica, we were hell bent on improving the past and stitching it to the present. That mission has been re-instated on Tiden, the second collaboration from legendary future classicist Hans-Joachim Roedelius, best […]