Zoharum I’m not familiar with Machinefabriek‘s work, but on the strength of this release I think a little extra digging into the man’s back catalogue is required. Dubbeltjes (Dutch for dimes) is a collection of small wonders culled from 7″ and mini CDr rarities recorded and released by Rutger Zuydervelt between 2008 and 2013, the tracks being re-presented here in pairs and trios, reflecting how they originally appeared. […]
Monthly archives: May 2014
24 posts
Editions Mego The opening number sounds like the closing track; it’s all about endings with Fennesz; endless endings, everything slowing down and finishing off. These are jet trails, not jets. This is the stuff that clings to rock, not rock itself. “Static Kings” opens Bécs like it’s the last album he’s ever going to make (cf. the, in retrospect frankly fraudulent, last track on Orbital 1.0’s Blue Album, […]
The Black Heart, The Underworld, The Electric Ballroom London 26-27 April 2014 Desertfest is an event that takes place over three venues in three days. It is a sprawling monster that is there to bludgeon the ears of its attendees as much as possible with every conceivable manner of riff to be explored. This was my first experience of the festival, and I have to say it was […]
Drag City It had to be Detroit. At the turn of the 1970s, local act Rock Fire Funk Express were just one of many small bands performing undistinguished R&B in the front rooms and garages of Michigan. The band had been formed some years previously by three young Afro-Americans – David, Bobby and Dannis Hackney – inspired by witnessing The Beatles’ legendary first appearance on the Ed Sullivan […]
Portland, OR 30 April 2014 Seeing Thee Silver Mt. Zion, the most famous off-shoot of post-apocalyptic prophets Godspeed You! Black Emperor, on the eve of both May Day, the most famous of socialist holidays, and Beltane, a Celtic pagan festival halfway between the Spring Equinox and the Summer Solstice, often associated with “popular and often raucous celebrations.” Note that I said EVE, as in the night before the […]
PIAS (Europe)/Ipecac (North America) A full quarter of a century after Twin Peaks, Angelo Badalamenti‘s languid yet sinister lounge-jazz template has permeated music to the extent that it’s almost a genre in itself, as the preponderance of writers lazy enough to fall back on them as a descriptor, such as my good(ish) self, will attest. Think Chrysta Bell, think Guano Padano‘s “Lynch”, think a million and one neo-noir […]