Spinefarm Do I believe in witchcraft? What kind of witchcraft? The legendary witch that rides on the imaginary broom? The hex that tortures the thoughts of the victim? The pin stuck in the image that wastes away the mind and the body? The massive maw of pure sludge doom is back. Electric Wizard return with a line-up that won’t go beyond the release of this album to produce […]
Monthly archives: November 2014
34 posts
Concretism This is an exception to my general rule that music sounds better when it’s slightly wrong. This sounds exactly as it is intended to be. It feels commissioned, considered, skilful. This isn’t normally regarded as a virtue in my world; I’m suspicious of technical brilliance and musicianship seems like a terrible blind alley, redolent of the kind of people who bring those small guitars to parties, ruining […]
London 8 November 2014 It’s almost as if they planned it. It’s pissing it down. Absolutely fucking pissing it down. Exactly the sort of weather that makes you want drone doom. Which is just as well, because doom legend Stephen O’Malley‘s playing tonight, and he’s supporting doom jazz maestros Bohren & Der Club Of Gore. The line of bedraggled amplifier worshippers stretches back from the church almost to […]
Potomak As a commemoration of the first world war, Einstürzende Neubauten could have so easily brewed up a mangled litany of compressed air screams, torn metal and had done with it. The opening track certainly has a good go. Aptly entitled “Kriegsmachinerie,” it’s a track that flash-floods the band’s pyroactive past in the screech of metal against metal. A twisted twilight caught in the whites of Luigi Russolo‘s eyes, […]
Northern Spy Having returned to a simpler production sound for their fourth album, o’death opted to record Out Of Hands We Go’s twelve songs live in the studio with Caleb Mulkerin at the controls. With Greg Jamie’s vocals burning brightly at the band’s heart, o’death bring rock and country instrumentation into close collaboration, mixing in many particular devices of their own devising or finding which they have acquired […]
The Collapse Of Everything Kontakte‘s latest album proves itself to be well worth the two years of concerted effort the duo have put into pushing the envelope of their music. It feels somehow broader, more expansive, even for a band who already knew full well how to bring out the brightly psychedelic edges and sharpen their perceptions on the manoeuvrings of their guitar, bass and electronics. The sense […]
Cosmo Rhythmatic With “2024” blasting straight down to business like Pan Sonic at their grittiest and crunchiest, Centaure finds Franck Vigroux a very long way away from his guitar extrapolations and explorations (such as the recently-released Ciment). Instead, he’s got electronic beats to flay and some serious noise to bring on three tracks and a remix which will effectively sandpaper any soundsystem they grace and most likely render […]
Gagarin Recorded live in New York in November 2009, 1:17 is one of those glorious conceptual pieces in which the premise – in this case, the use and re-use of a 0.7 millisecond snippet of sound originating from a Diskono collective concert in 2000, itself transformed gradually over the years into a one minute seventeen second blast of noise – is almost entirely irrelevant to the appreciation of […]
Stone Tapes The Dark Is Rising When it comes to art that is inspired by the horror genre, it can fall into two camps: 1. Art that references horror tropes and classic works of that genre, or. 2. Art that seeks to recreate the sensation of watching, reading, or listening to those works. With Carmilla (Marcilla)/Spectral Visions, from purveyors of classic British doom, Moss, the band goes more […]
Labile Drenched in reverb and hissing in on waves of shimmering, steam-like vapour trails, Desire uncurls itself in sinuous ripples and grain-shifting rhythms. While the music fits generally into the shapes and forms of ambient(ish) electronica, Derrick Stembridge‘s supple approach is at once of its kind and thoroughly modern in its detail. The little flurries of effects which modulate and mould every sound are controlled with a precision which […]
London 2 November 2014 The Black Heart seems to have taken over from The Underworld as London’s main doom venue. It’s a small space, which means it’s quite an intimate venue and if you’re near the back of the room it can be a little difficult to see the bands. However, its smallness is also one of its redeeming features, especially when you are seeing some excellent doom […]
Film 4 His wife mostly hides. I think she knows what he’s going to say, or rather what he’s not going to say. She’s central and peripheral in this tale and that seems about right since so is Nick. He’s in every scene and every scene is about him (or, more properly, for him) but we don’t get anything as ‘startlingly frank’ as you’d imagine. He’s there but […]
Bureau B One of the interesting things which springs first to attention with the opening notes of Adrift is the loping acoustic bass which Tarwater use to underpin their sound. Its liquid tones give a smoothed, if not entirely smooth, basis to the duo’s twelfth album of literate not-exaxtly-jazz, not-entirely-electronica and certainly not-really-post-rock. This absence of conformity to genre is one of Tarwater’s great strengths, and they manage […]
Zoharum Drenched in reverb and flecked with voices from the Eastern aether, Fall of Drums is Robin Storey‘s third or so new Rapoon album in the space of a year, but the first on Zoharum since To West and Blue in 2013 and various re-issues which the label has put out recently. Over four lengthy, stretched-out tracks, the album sets about creating a hallucinogenic landscape of languorous percussion […]
Fire There’s a Dylan Carlson–like Earthiness here, a grungy bristle, the rasping purr of the bass , counter-sunk percussion, all spiralling away on a singe of erosive geometries. “Kali Yuga Blues” is a brilliant thing, something to be savoured, the sensual core of Isobel Sollenberger‘s voice calling from within the thicket, dusted in arterial-sprayed collusion and sliding flute. A sweet promise of the semi-seismic seductions that follow. The […]
Consouling Sounds Recorded live in Berlin in May 2014, with no less than three drummers joining Aidan Baker and Eric Quach (AKA thisquietarmy) as they sweep their guitar drones into places further out than many guitarists are prepared to go, Hypnodrone Ensemble comes across as a band name as much as it is a performance or an album title. With Felipe Salazar (also in Caudal with Baker, and […]