London 7 August 2014 Probably the best way to imagine this gig is to picture the Newtonian Laws of Motion resolving themselves inside a packed Turkish sauna. If Car A is driving down a road at 100mph, whilst Car B is driving at 100mph in the opposite direction, if they […]
Yearly archives: 2014
232 posts
Narodowe Centrum Kultury Poland fared worse than most in World War 2; the fields and woods are still littered with macabre reminders of the grim extent of Nazi ideology. By August 1944, sensing the Nazis were losing their grip on Europe, thousands of poorly-armed residents of Warsaw decided enough was […]
Planet Mu Downstairs, Grandpa’s listless hand lowered the needle. He reclined. His chair was as starchy soft as the scratched record’s hiss. Sister Rosetta flowed above that sound as the Decca spun. The hiss faded as the music warmly flooded the hallway, and only she got to the top of […]
Tuff Enuff I was going to write something about this being “conceptually perfect,” but that feels a bit disparaging — it’s a tribute act, and it’s obviously important that a tribute act get their ideas right — but there’s a lot more thought gone into this than just “women playing […]
Gonzo Multimedia Newly released on Gonzo, this album captures the Steve Hillage Band live at London’s Rainbow Theatre in November 1977, and as such invites immediate comparison with the established classic Live Herald, which dates from the same period, and indeed one track, “Electrick Gypsies,” is actually taken from the […]
Màgia Roja The era of the late ’60s/early ’70s has been whitewashed through the rosy lenses of hindsight. Baby boomers waste no time in reminding us theirs was the greatest generation, with the best music. The era where everything was being invented, the future was being ushered in. It was […]
Bristol 30 July 2014 Rock the Roberts(on)s plumbed an ad hoc and lo-fi angle spectacularly. A bizarre scrapbook of spurting poodle rock from a butchered karaoke machine injected with gargled indigestions that were grins-ville all the way. Irate spikes of feedback, ruler twangs, radio miss-tunes, things literally falling off the […]
Riot Season This is full hippy in every good way. Hyperdrive hippy. Hippy in excelsis (not in Excel). Godz-driven, primal, ballistic-psychedelic, balls-to-the-wall, throttled/throttling. It’s the hippyish, proggy album that other people think they’ve made. There’s a massive meandering Alice Coltrane cover on here that sounds like it could be/should be […]
Endtyme Blending shimmery blurs of electronics with West African-derived polyrhythmic loops and swerves, this taster from the forthcoming album from drum-loving noiseniks Gum Takes Tooth shimmies and shakes with a deftly-assured sway, ripples of synth and coasting vocal drones layered sparsely over and around the hypnotically-intertwining beats. If this is […]
Red Wharf It’s hard to get a handle on this word wise; I was really tempted to leave this as a three letter review – just “wow,” with maybe a few exclamation marks for good measure. Indeed I think this impression was cemented in the first two minutes and didn’t […]
Recorded Fields Editions Subtitled Selected Pipe Organ Works 1983-2014, Robert Curgenven‘s LP finds him pushing the instrument (with the aid of a few others) in all kinds of intriguing directions. As Circle and Mamiffer ably demonstrated on their recent album for church organ, it’s quite amazing what sounds can be […]
Exotic Pylon Bloodhounds is folk poetry. Paul Snowdon is reclaiming the machines of technology from the cultural elite, the bright and polished megastar DJs and superslick mnml producers, ensconced in their citadels of expensive outboard effects, to create a rural ritual evocation of a youth spent in northern England. Let’s […]
Sargent House Boris. Where does one start with Boris? Well, maybe with a water cannon to the face, the floppy-haired posh twat. Oh, not THAT Boris? OK, so which Boris, then? The sludgy stoner rock merchants of Absolutego fame? The spooky doom band behind that Sunn0))) collaboration? The magnificent rock […]
Tompkins Square Right from its first publication in February 1911, the novel Fantômas was a phenomenon. In the words of post-modern New York über-poet John Ashberry it was “a work of fiction whose popularity cut across all social and cultural strata. Countesses and concierges; poets and proletarians; cubists, nascent Dadaists, […]
Fourth Dimension When invited by Fourth Dimension man Richo to do something outside the ordinary, Richard Youngs accepted the challenge of making a dub album from the perspective of someone who doesn’t like reggae. So, with the aid of boxes of tricks borrowed from occasional collaborator Luke Fowler, he set […]
Zoharum Dating back to a tape release in 1998 and a later CDr edition from 2005, Dreaming Muzak has now been given the deluxe re-release treatment by Zoharum and arrives in a lovingly-produced three-panel gatefold CD sleeve, remastered, like the recent Maeror Tri (which includes Troum‘s Martin Gitschel and Stefan […]
London 7 July 2014 Kev Nickells went to see Japanese kawaii-rockers Babymetal live in London, and loved it. Barnabas Y, however, offers a riposte to the popularity of the genre-bending phenomenon. Pictures by James Sting. The review You should probably be aware of Babymetal by now. I first came across […]
Alphabet Business Concern Saw the Cardiacs back in the ’80s when music TV as a worthy proposition. A university challenge spotlight highlighting bruised and bloody faces like a visual rewrite of “Bohemian Rhapsody” oozing with insane carnival colours. The kind of memories that stick with you in crooked smiles and […]
More Than Human This latest transmission from Moebius finds him pushing further at the boundaries of an idiosyncratic take on electronic rhythm-based music which have often characterised his solo recordings and rummaging deeper into the swirling vortices of synthesized experimentalism that he helped pioneer in the ’70s as part of […]
Mute In a world inundated with live recordings and DJ mixes, what makes a release stand apart from the barbarous hordes? The fact alone that this is mnml mastermind Richie Hawtin‘s first record under his Plastikman guise in a decade, since 2003’s Closer, means that people will be paying attention, […]