Important Composition’s kind of ridiculous to write about in that you have to write about (broadly) two things — the composition and the delivery — and differences between various recordings can be relatively minimal. Usually, the appeal of composition from about the ’40s onward is that it falls into one of two categories — shit, therefore over-recorded (Phillip Glass, most Americans) or amazing, therefore under-recorded (usually by Europeans). […]
Yearly archives: 2015
188 posts
London 21 October 2015 I have found it quite dispiriting lately to read so many”death of live music” pieces when my experience is of a scene that is exciting and fresh as ever. I can only surmise that the people who write this stuff are not going to the gigs I’m going to, because I’d defy anyone to go to a night like this and not come away […]
London 30 June 2015 Godspeed You! Black Emperor, the once-elusive collective from Montréal, are now becoming an almost regular fixture on the live circuit since reforming in 2010. In addition to live activities, we’ve seen them almost double their late ’90s / early ’00s recorded output with the dual whammy of Allelujah! Don’t Bend! Ascend (2012) and Asunder, Sweet and Other Distress (2015).
London 15 October 2015 OK, I’ll start with the controversial part, just so as I can get that out of the way and you can decide for yourself whether you want to read any further in this review. Nigel Blackwell of Half Man Half Biscuit, for anyone who hasn’t been paying attention, is one of the finest living British lyricists currently working. New Model Army‘s Justin Sullivan‘s another, […]
Bureau B ESB’s album lands on my doorstep at the same time as the first pictures of Pluto filter through the cosmos and are shown for the first time for all humanity to see. Somehow the music created by the trio of Yann Tiersen, Lionel Laquerrière and Thomas Poli is fitting as its soundtrack. “Market” is the album opener, and it’s full of glistening synths that seem to […]
Sofa Sometimes, you just want to write a review made up of ephemera and snatches of observations rather than, y’know, syntactically cogent sentences. I would say “poetic”, but what I really mean is that I find my own notes hilarious and disingenuous and the idea of having a series of shit kōans in place of a record idea is amusing.
London 9 October 2015 October is the month of Samhain where the boundaries between other worlds and our own is at its thinnest. It is the time of ancient occult rituals to the ancestors and a sign that year is slowly crawling to its end. While the autumnal sun shine hangs in the air the creeping nights have more than a hint of chill to them. It is […]
New River Studios, London 1 October 2015 Graham Dunning is a name that seems to be popping up all over the place. This isn’t a surprise as he is busy performing, exhibiting, and now, curating; tirelessly working away and putting others to shame with his prolific energy. Performances of late have been as an improv duo with Colin Webster, where they team up on turntable (Dunning) and sax […]
Night School (Europe) / Sacred Bones (Americas) Today we’re here to talk about the idea of perfect pop music, and in the ’80s, that decade where pop ruled the world, there was no band more perfect than Strawberry Switchblade, who burned ridiculously brightly for one lone album and then dissolved in acrimony.
The Spheres Swastikas For Noddy was my favourite of Current 93‘s work until Thunder Perfect Mind stole its glory some years later. It’s very much a family affair, a pulling of disparate threads directed by David Tibet chasing his hallucinogenic vision of a crucified Noddy.
London 3 October 2015 Anyone who’s seen London stalwarts Now play live will know that they are always different, yet always reliable (as in they will always deliver). They’ve been existing in different formations for over a decade and a half now (Now!), and have collaborated with the likes of Damo Suzuki, who is basically Krautrock royalty, for those of you unfamiliar with his name.
Tin Angel It’s harvest time and the nights draw in and we prepare for the long winter ahead. In a few weeks the warmth of long summer days will be a distant memory and we will count the days down to the sun’s warm return.
Arrow Films Aleksei German‘s Hard To Be A God is sci-fi in the Tarkovsky tradition, very much a state of mind rather than flashy tech and shiny spaceship CGI. The film is based on Arkady and Boris Strugatsky‘s 1964 novel of the same name, and was completed after the director’s death by his son Aleksei German Jr. The back story is that a group of earth scientists (although […]
Sulatron Krautzone have to be one of my favourite new bands of the last couple of years. Not only are the covers of the albums (by Komet Lulu) so beautifully designed, but the music is powerful, hypnotic, trance-like and just plain out there. Here, we are treated over two CDs to the complete recorded works of the band, plus one never-before released bonus track that gives you enough […]
Avalanche At first listen, Justin Broadrick‘s latest outburst of noisemongering — here incarnate as JK Flesh in industrial electronic style — might just be a assumed to be a bit too content to stick to the tried and tested formula of harsh beats, dubby echo effects and the sound of a machine drum stomping on the human corpus forever (or at least for around an hour or so).
Editions Mego If one artist could embody epic, Thighpaulsandra would try to top it. Rumour has it his first solo record was so big he had to spread it across two releases and one of those was a double’s worth. Musically well travelled and mustering a mind-boggling proficiency of styles, he happily hopscotches from classical to avant electronic, proggy free jazz to full-on kraut and a whole of […]
London 16 September 2015 Out on the margins of London’s more fashionable postcodes, things are brewing and ticking over quietly to themselves once again. One such night of music and more takes place in the calmer reaches of Manor House in the unhurried Bohemian environs of New River Studios’ performance space, filled for the evening with Reuben Sutherland‘s engrossing video projections. As the audience begins to trickle in, […]
S Object/Folk Wisdom Inspired by Chris Marker’s fragmentary post-apocalyptic time travel film La Jetée and purporting to involve a mysterious black box dating from the Anthropocene era, AirEffect seems at once an imaginary soundtrack and the illusory object of its own investigations. Stanislao Lesnoj‘s haunting saxophone circles SmZ‘s shuffling drums and other percussion while Christian Fennesz‘s guitar and electronics scrape and shimmer. All the time and environmental sounds […]