London 8 May 2015 I remember quite a few years back after a Magma show, a friend of mine turning to me and saying, “That was like being on another planet for two hours”. And he was right, very few bands make you transcend to another realm but Magma has the capacity to do this. Maybe it’s because the songs are sung Kobaïan, a language invented by band […]
Yearly archives: 2015
188 posts
Miasmah “Naught” is a great start with its verby bass plunges and clip-winged percussion from The Necks’ Tony Buck. James Welburn‘s music brings to mind the grim determination of early Swans or the merciless grind of Godflesh, here coupled with the distant hum of nose-diving Stukas. The minimal muscle underneath grinding away like a clogged artery, extra drones weaving in, gathering like a Godspeed venture sans the orchestral […]
Acrobat John Coltrane then. I’ve not really listened to a great deal of ‘trane. So it’s probably pretty stupid to review a 4-CD box of stuff that’s likely for the jazz collectors market, right? Except, y’know, jazz is a thing that exists in the cultural memory, so if it’s just written by and for folk who are already in, it kind of stops being a live culture and […]
Young God/Mute Combined into a CD trilogy with Body To Body and a disc combining E.P.#1 with a dusted-off set of live recordings, the fearsome brute that is the first Swans album Filth emerges once again in a deluxe edition (and by itself on remastered vinyl via Young God) to terrify the listener and brutalise them into unwavering submission. Michael Rodham-Heaps reports. Disc 1 — Filth If an […]
MVD This review is based on the CD and DVD releases; the set is also available on vinyl and blu-ray. Before rising to fame, Devo experimented in basements and garages in Akron, Ohio during the years 1974–1977. This was a time whenthey were just doing whatever they wanted, and as they say themselves, they made “raw, unfiltered songs with no commercial intent”. Many of the songs that were […]
Bristol 29 April 2015 The no-show of Shit & Shine was a bit of a disappointment but Anthroprophh wiped any dissatisfaction clean away with their deep-bellied spectral scream of speaker abuse.Wedging their weapons into the speakers, it was a wholesome racket, all ill-tempered tilting extremes, suddenly poured out into a martial law of double drums, Gareth and Jesse smacking a strong rhythmic core to which Paul fed a […]
Staubgold Confusing record, that’s the synopsis. It’s got all the ingredients of a blinder — fully world-class players, uncommon mix of instruments, well recorded and mixed… but it’s lacking a certain something. That something being length. There’s arguably a problem with Jaki Liebezeit‘s pedigree — Tago Mago‘s one of my favourite records and, obviously, I’d really like to hear a version of that album with an hour-and-a-half mix […]
Red Wharf They’ve been here before. Well, not quite here but near enough. This isn’t the first collaboration and, on this evidence, it won’t be the last. They’ve found that . I’ve been in and out of the NWW canon for what seems like all the years now; I drift away, malcontent; having heard it all before (the creaks, the sighs, the gushes and rattles) and then something […]
Svart Wow, ten years between albums is quite a feat; I mean we are talking Kate Bush levels of time here. But it’s not as if Acid King have been sitting around doing nothing — in fact the band have been constantly touring over that time, playing festivals and building an even larger loyal following. So were all these years worth the wait? The album opens with “Intro”, […]
Interstellar Based on sounds recorded above and below the surface in the Lofoten Islands, Angélica Castelló‘s compositions on Sonic Blue create an imaginary underwater exploration on the theme of the effects of human sonic intervention in the aquatic soundscape. While both whale and water sounds have been a staple of the new age relaxation industry for decades, Castelló constructs an altogether deeper and different listening experience on Sonic […]
Deep Distance (2LP)/Sulatron (CD) Sci-fi is the theme behind David Schmidt’s latest (re-)release as Sula Bassana. Even though part of this was originally available on CD, Deep Distance have done a marvellous job with the vinyl version. Not only do you get two different coloured discs (it’s a double album) but also Komet Lulu’s artwork looks absolutely gorgeous on 12” vinyl size and gives off the perfect visual […]
Dancing Wayang The third album turmbling forth from the fertile pairing of Alan Courtis (Reynols and more) and Aaron Moore (of Volcano The Bear, Dragon Or Emperor, Invisible Sports, Textile Trio, etc) follows on from the phonographic slurs of last year’s KPPB with four new tracks which find the duo pushing further at the avant-garde fringes of ludic surrealist interplay. For Bring Us Some Honest Food, while the […]
Plombage Bursting with the same sort of demented energy which characterise much European music of the Seventies and Eighties, Anthony Cedric Vuagniaux‘s bizarre space opera Le Clan Des Guimauves (The Marshmallow Clan) tells the story of “the adventures of a gang of Alien Gypsies lost on our planet. Their physical feature is to have a big nose and seven fingers on their left foot.” Part pot-head pixies, part […]
London 2 April 2015 A spectre is haunting Camden, and that spectre is the spectre of Spectre, Laibach‘s most recent and sublimely poppy album. On the face of it, you’d think Laibach’s “foregrounding the totalitarianism inherent in pop music” schtick would have worn thin really fast, like a one-joke Damien Hirst piece that blows your head off at first and then gives you no real reason to go […]
Église Saint-Merri, Paris 9 April 2015 Paris’s historic Église Saint-Merri is the scene for the more sedate concerts in Sonic Protest‘s busy festival schedule of gigs which take place across the city and its environs over a very long weekend. The music which unfolds beneath the multi-coloured illuminations that scatter across the ranks of cherubim, illuminate the stained-glass windows and fall upon the various sculptures and multimedia installations […]
Injazero A member of both Khing Kang King and Old Apparatus, No Pasa Nada is LTO‘s second solo outing of haunted dubscape electronica. The EP shifts slowly and recursively across four tracks of gritty textures washed languidly in a bath of tape-hiss, echo and reverb, feedback and all (with the occasional environmental recording of rustling clothing or running water dropped into the mix for good measure). Operating somewhere […]
Zoharum The fourth re-release of the Hybryds back catalogue by Zoharum expands at length on their 1991 composition, adding in three more pieces of music, two more parts of the title track and a bonus piece from the same era. Together, they now make up a full album’s worth of largely unheard material. The late Eighties and Nineties saw an upswell of music that aimed for some form […]
Öm For their third album, K-X-P have upped their psychedelic game as well as expanded their kosmische disco credentials (with a hint of prog) by not only naming the LP III, but Part I thereof, with who knows how many more instalments yet to come. If those aren’t real Mellotron sounds which introduce the thumping tribal drums of “Psychic Hibernation”’s overture, then the synths that sweep majestically into […]