Karlrecords The classic thing to say about Iannis Xenakis is that he’s fairly close to being sui generis. Oftentimes, that’s the sort of compliment that can feel fairly weak — which is to say that there’s not a musician operating that doesn’t think they’re not sui generis, but the majority of them are wrong.
Daily archives: 31/12/2016
Trace It has been nearly twenty years since we first marvelled at the extraordinary sounds and textures that three gents could elicit from bass guitars. Catching them in support of Appliance was a revelation and following Mark Beazley‘s mercurial career has been both fascinating and frustrating. I haven’t heard much since the Stateless solo album, but 2016 saw the delivery of not one but two albums.
Nefarious Industries So the main reason I picked up this record for review is because I think that it’s the responsibility of the writer to pick up things for spurious reasons. The reason I will never review, or listen to, Jaga Jazzist is because the name is terrible. Bangladeafy is an awesome name.
Freaksville This comes from a world that feels very familiar to being a teenager listening to indie radio, but also not. There was a lot of this kind of stuff around — retro-ish fetishists for ersatz ’70s string arrangements and Rhodes pianos