Demiurg / London 3 March 2019 This is a story of two enigmas. One is an inscrutable totalitarian art-rock collective, and the other is the most secretive state on Earth. And this is all about what happened when the two collided to the strains of a much-loved feel-good musical with Nazis in it. Laibach have been defying musical and artistic conventions and outraging public decency for nearly forty […]
Monthly archives: March 2019
21 posts
Omnibus Press Damo Suzuki will be seventy years old next year and has spent the best part of half of those traversing the globe with two distinct iterations of his musical caravan; first the Damo Suzuki Band / Network and latterly the ever-evolving global musical cast that are his Sound Carriers. Interspersed in those years were twenty-six spent working full time for a Japanese company that manufactured measuring […]
Blue Tapes The latest release from The Blue Tapes House Band has only one disappointing element; the cassette isn’t blue, but white. I don’t know what is going on here and it is fair to say I have no idea what the House Band are trying to do, except drive the listeners crazy. For nearly an hour, pure white noise rolls out
Dur Et Doux As your brain tries to get a grip on the multi-perspectives of the MC Escher-like arts, you’re pummelled by the intensity of the vibes on Ni‘s Pantophobie (the fear of everything) LP. I don’t know much about Ni, but I like the souped-up King Crimson metal-headed math rock surprise they are welding here. Pantophobie is a head-banger’s dream of accented angulars and jigsaw shifts, the […]
Rune Grammofon Maja SK Ratkje‘s latest album for Rune Grammofon is a really intriguing piece. Written for the Norwegian National Ballet‘s interpretation of Knut Hamsen‘s breakthrough novel Hunger, it is entirely centred around a modified pump organ. The device was something that she played every night live on stage with the ballet, and that is an incredible feat when you read the spec: “…a modified, wiggly and out […]
Silken Tofu An improvised collision between W (James Welburn) and V (Juliana Venter), the first side of which (“Concave”) goes straight in there with vocal exorcism. A cathartic off-the-bone presentation that has Juliana Venter shrieking satisfyingly into the void.
Archaeological Notoriously diverse sound artist Andrew Liles first met ex-Mayhem vocalist Sven Kristiansen (AKA Maniac) at the 2008 Roadburn Festival and was later invited to join the latter’s group Sehnsucht. A desire to continue performing together saw the pair reconvene at various points up to this current point, when they decided to lay down this remarkably subtle yet faintly disturbing album. I say subtle, because when you consider […]
Courier Back in 2014, sound artist Stuart Bowditch produced a series of pieces for an exhibition that was taking place in the old Co-operative Bank in Colchester. Created solely using sounds discovered in the thirty rooms of the old edifice, it was installed as a loop playing on an in-car DVD
Zoharum The twenty miniatures on Short Scenes barely push beyond three minutes in length, but each fits neatly into a cohesive whole that makes the album work as both abstract background music and an engaging delight to become lost in. Anne Bakker‘s violin moves deftly from mellow and swooping to staccato and
Discus Martin Archer founded Discus thirty years ago this year and has pushing the envelope of what we might expect from jazz-based music ever since. Describing itself as the adventurous label, two recent releases that dropped through my letterbox are both vivid sonic adventures that use very different foundations as their jumping-off points.
London 2 March 2019 PFM (Premiata Forneria Marconi) were one of the earliest progressive rock bands to emerge from Italy in the early 1970s. They were certainly one of the best known Italian bands of that era, mainly thanks to being signed by Greg Lake to Emerson, Lake and Palmer’s then fledgling Manticore label in the UK and USA, giving the band a much wider profile than they […]
Upset The Rhythm Fresh on the heels of Vital Idles‘ 2018 LP comes a four-track 7″ vinyl EP containing all-new material. The resonant post punk bass intro of “Break A” puts me straight into a good mood and the clear guitar slashes strike through at just the right tempo. Jessica Higgins‘ vocals when scattered across the track are intriguing
Cleopatra A lot of people were very surprised when the 73-year-old Hawkwind veteran Nik Turner blew our heads clean off with the single “Fallen Angel STS-51-L”, ahead of the release of his Space Gypsy album. It was a Newtonian as all fuck, hurtling ride of a number. It had all of the giddy propulsion of classic space rock. Messy and noisy, but turn on a sixpence tight, and […]
Constellation The opening track on Light Conductor‘s Sequence One nods to the experiments that Spiritualized undertook on their second album and blasts them into space. It involves the simplest of ingredients, but the effect is quite astounding; a six-note repetitive pattern, three lazy notes on bass and other analogue squelches give the overriding impression of a space station slowly revolving.
Jahtari Originally released in 2009, Hissing Theatricals was Jackson Bailey‘s début release as Tapes and now receives this vinyl re-issue treatment commemorating its tenth anniversary. A decade on, and Tapes’ resolutely 8-bit sounds have both never seemed more contemporary nor somehow as timeless as they do now. This is perhaps in large part due to Jahtari, who have doggedly kept to the true spirit of lo-fi DIY releases, […]
Tapete I find it really heartening that Stephen Lawrie is continuing his Telescopes trajectory in such a self-contained manner. This latest album, The Telescopes’ eleventh and the third for Tapete, finds Stephen solely in charge of the band’s direction and after the centre of the Earth feel of As Light Return, with its monolithic slabs and black hole circling, there is a return to more song-based structures
Ruton Music The Circle-helmed home of all things hairy and guitar-heavy, Ektro Records has recently taken on a synthetic hue, with key members of the core group of musicians from Pori in Finland (and beyond) picking up their drum machines and keyboards instead.
Preceded by the “Chateau” single earlier this month, unconventional musical subversives R.O.C return with their first album in twelve years, Bile And Celestial Beauty, appearing on rocmusic on 29 March. Oleg Rooz has created seven short films to go with the album, and his video for the track “Divorce”, which is released this Friday (15 March) and receives its exclusive premiere below, accompanies an interview with Mr Olivetti.