Infrequent Seams There’s often something worth listening to when you get a not-entirely-composer working in a relatively (or entirely) “classical” setting. And here we have Elliot Sharp composing for an orchestra, a choir and (arguably something more typically Sharp-ian, if that’s not an oxymoron), electronics / bass clarinet.
Daily archives: 09/07/2019
2 posts
Constellation What on earth could Lungbutter be? It sounds most unappealing. It kind of sounds oozy and uncomfortable, and I am not sure that describes this Montreal trio all that well — but on the other hand, there are elements that are oozy and some of Ky Brooks‘ rambling doesn’t sit comfortably in the musical uproar that Joni Sadler and Kaity Zozula produce. It is a unique sound