Conspiracy International Sonically, Cosey Fanni Tutti‘s Tutti LP surfs in there with smeary cornet across tight electronic zip-wires. The canvas is full of Torvill and Dean ice slides and squishy purcussive skids, ingredients that send your brain in prism(ing)multiples.
Yearly archives: 2019
261 posts
Mas-Kina Recordings If you buy one grind album this year… I mean, I’ll be honest, I don’t really follow grind besides occasionally listening to a record or a playlist here and there. So this is fairly likely to be fairly close to the top of my best of grind releases. But I digress. Things that are great about “extreme” metal: it’s preposterous; it is fast; it involves shouting […]
Consouling Sounds Massimo Pupillo and Stefano Pillia are both doyens of the Italian underground scene and are serial collaborators. Here they merge their distinctive sounds with the aid of some female vocal assistance to produce an album of wonderful tones that, thanks to some exquisite production, just seems to seep from the speakers into the room and surround the listener in a gentle cocoon.
London 29 January 2019 A couple of months ago, the world lost perhaps its greatest showman, the driving force behind the creation of an entire universe: Stan Lee. Today, his creations and co-creations are everywhere — on our TV screens, at the cinema, in book stores and adorning all types of clothing, from socks to baseball caps. His influence on the world of popular culture was massive. As […]
London 26 January 2019 It’s a wet and cold January night as I edge my way past the throngs that inhabit the high street in Brixton to make my way towards the venue. The weather seems rather apt to witness two of doom’s finest bands, as well as Rise Above records stablemates.
Beggars Arkive What a blast from the past: Bowery Electric. For a few years at the end of the 1990s, their second LP Beat was one of the albums that was trying to turn music on its head, suffusing so many different styles into a languid hybrid that held something for everybody. In 2000, they pushed the envelope a little further and drawing primarily on trip-hop for the beats, the duo […]
London 26 January 2019 After having previously reviewed The Radiophonic Workshop as my first outing for Freq, I this time had the honour of seeing live someone whom you could refer to as a true musical pioneer – I humbly bore witness to the innovative genius of Michael Rother on stage.
The Leaf Label After all these years, Julia Kent clearly understands the innate melancholy of the cello and how the listener’s impression of the instrument’s nature still resonates with us today. Her obvious love for the cello and its place in the musical firmament shines through in everything she does, and somehow manages to imbue each project with its own character.
Kosmodrone Unfolding like a landscape seen and heard through thick fog before sunrise, Lech Nienartowicz‘s Wzdłuż Pasma emerges fuzzy and uncertain, never quite able to be pinned down and as hard to define as the shapes of the digitally smudged and smeared found objects and images that adorn the cover.
Thrill Jockey Marc Richter has been rather busy as over the last twelve years or so, what with Black To Comm as well as various side projects and commissions for film and theatre, not forgetting helming the Dekorder label. Seven Horses For Seven Kings is Black to Comm’s first album in five years and also the first for Thrill Jockey. Spread over thirteen tracks and at an hour’s length, it […]
RCA / Sony The people on the bus with me when I first listened to Bring Me The Horizon‘s latest album certainly got to enjoy an array of various facial expressions and reactions. I walked into Amo without too many expectations, or so I tried to tell myself.
Magnetron Pavel Fedoseev, erstwhile drummer for Russian psychsters Gnoomes, somehow manages to find the time whilst playing and touring with that band to record solo material as Kikok. Hidden away out of trouble’s reach in his hometown of Perm — which is a twenty-two-hour train journey from Moscow
Fourth Dimension This is not fun, nor is it meant to be. Compassion And Vision sounds vile, nasty, deliberately difficult to listen to — and all the better for it.
Richard Knox established Gizeh Records in Leeds at the dawn of the new century, and the label has grown organically from strength to strength since then, building a reputation for bringing adventurously expansive music to the world. Mr Olivetti spoke to him about the origins of the label, the art of collaboration, and how he keeps Gizeh and his musical project A-Sun Amissa going in uncertain times. What came first, […]
Cherry Red / MVD Audio / New Ralph Too It’s been nine months since my last foray into the deep Residential past and, subsequently, I have been sitting quietly, listening intently for the call of the Eskimo. It seems to make perfect sense that it has only now sounded forth with the onset of winter. Sadly, however, for all devotees of the band, that lonely lacuna has recently been punctuated […]
Thrill Jockey Sarah Louise is a guitar player from North Carolina who, over the course of a short but busy career, is doing her best to make you believe that she is using anything but a guitar to fabricate these vibrant, nature-influenced modern folk pieces.
three:four A rusty gate harmonica to vocals crazy paving the interlocking elastics. Loving the wonky symmetry of Orgue Agnès‘s debut LP release A Une Gorge, a perfumery of geometric criss-cross and percussive prowl bristling your bonce.
Odin The Trondheim Jazz Orchestra is a many-headed beast that has been going since the early 2000s and changes personnel from one album to the next to keep their approach fresh for each collaboration. The orchestra draws from a collective pool of players, and it would seem that one particular member takes the reins for each release. This time around it is bassist Ole Morten Vågan, whose compositions […]