Unrock So. A curio from the world of, uh, alt-world music? No, that’s entirely ridiculous and not a little bit condescending as fuck. What’s holding this split release together? Superficially, it’s all faintly “esoteric” or something like wonky improvisations writ with pan-Arabic influence but, uh, frankly there’s not a great deal in common musically with the two sides of Carte Blanche
Yearly archives: 2019
261 posts
Border Community Leafcutter John‘s latest comes with a stylised map of the east coast of England, and places that we can visit from where he has taken some of the samples used in the construction of the seven tracks here. It is a great idea and somehow, along with the brief descriptions John provides of the circumstances surrounding the pieces, it feels as though we could almost be […]
Brighton 2 June 2019 The Albert‘s one of those venues that feels really empty up to a certain point, when it suddenly becomes a sweatbox. Luckily, Frank And Beans are only playing to gaps where people should be for a song or two. Fall fans (and by God did the crowd look like Fall fans) obviously need to get their time in at the bar to whinge about […]
Not Applicable Sam Britton, the polymath behind Isambard Khroustaliov, originally trained as an architect, but was swayed into electronic composition early on and has been recording for the last twenty years or so, often in collaborations. The likes of percussionist Maurizio Ravalico and trumpeter Tom Arthurs have crossed his path recently, but here on This Is My Private Beach, This Is My Jetsam, we have the sounds of […]
Frequency Domain For the second volume of Partials, only a couple of the artists from the previous release make a return visit, leaving the way open for plenty of fresh artists doing their bit for this fantastic cause. Once again, it is a real chill-fest, the majority of tracks happily nestled into the drifting ambient side of things, with only a few adopting beats and allowing the vibe […]
Faustus It’s not often you encounter a record as wonderfully diverse and sonically satisfying as this one by relatively unknown (to me at least) London duo Daona. Every single moment of this gem sparkles with conviction, eats into your consciousness
Constellation The latest release from Efrim Menuck finds quite a dramatic change to the sound we have come to expect from him. Teaming up with Growing‘s Kevin Doria has seen a move away from the kind of grandiose string arrangements of Godspeed You! Black Emperor and A Silver Mt Zion, and more of an embrace of the kind of slow moving, subtly evolving guitar soundscapes for which Growing […]
Saustex It’s a band you know, but not for being this band. And their press thingy doesn’t mention that previous band. So I’m not going to either.
Svart By the looks of the duo on the back of the cover and the long list of electronic machines that Timo Kaukolampi plays listed on the inside, with Tomi Leppänen having just drums and a Juno, I figured maybe K-X-P were some sort of twenty-first century take on Silver Apples. I was not too far off the mark, but the vocals that appear on IV are buried […]
Blue Tapes Henry Plotnick‘s excursion on Blue Tapes from 2014 (when he was thirteen) is a meditative collection of pieces that are about slow build, decay and regeneration. Over the course of an hour and six tracks, Henry shows his abilities with a wide variety of instruments and atmospheres that makes for an intensely satisfying, if at times bewildering, collection.
Kscope “All art is solitary and the studio is a torture area” – Alexander Liberman. There is a certain type of melancholia about Giancarlo Erra’s Ends that has its roots in a very British and American form of ambient music. It is that rare thing that manages to capture the beauty and the sadness of a place, and Ends also offers the sense of memory and moments past […]
Truant For Kinbrae‘s second album, the brothers Truscott have chosen to weave an aural tapestry of the River Tay. It serves as a kind of love letter and story as to the impact the river has had on their lives, and their interactions with the surrounding landscape. Newly started label Truant has issued this on lovely 12″ vinyl with dramatic photographs on the inner sleeve
Back2Forward The long-awaited début album by London’s Flesh Tetris, Wrong Kind Of Adults, is finally here. And Flesh Tetris is really quite a name, isn’t it? Echoes of Cronenbergian erotica funnelled through retro videogaming, an ambience which translates directly to their music.
Upset The Rhythm Hot on the heels of the Drecksound LP, the third NOTS LP finds Hash Redactor‘s rhythm section Charlotte Watson and Meredith Lones reconvening with singer / guitarist /keyboardist Natalie Hoffmann for another high-intensity post-punk charge, smashing what came before out of the way.
Aurora Borealis Gold Are The Ashes Of The Restorer evokes an eldritch combination of screaming wind-tunnel black metal and epicly bombastic post-post-rock of the Explosions In The Sky variety. Given Mories De Jong‘s penchant for all things bleakly symphonic and immensely mordant-sounding, that seems like a fair starting point for beginning to describe just how much of a rinsing-out Golden Ashes give the listeners’ collective brainpan here.
Discus For Discus‘s eightieth release, Martin Archer has decided to go solo again, while also attempting to reproduce some of the sounds of his hornweb sax quartet that was active between 1983 and 1993. Not only that, it appears also as a kind of love letter to those saxophonists that have influenced him over the years of his playing, from the likes of Paul Desmond and Lester Young […]
London 3-5 May 2019 Friday: Gary The May bank holiday is normally a time for the revival of pagan customs in Britain. These can be found from local village morris dancers to the crowning of the May Queen in Glastonbury. For a few days, Britain takes on the stance of people being an extra in The Wicker Man while also drowning their innards in vast quantities of booze.
KrysaliSound The latest release from Tropic Of Coldness is their first for KrysaliSound and builds on the slow motion soundscapes of 2018’s Framed Waves. Spread over four gently undulating pieces, Maps Of Reason unfolds at a pace that is beyond leisurely, and serves to lull the listener with its subtle washes and natural movement.