Fire For some extraordinary reason, it has taken thirty years for Dons Savage to follow up the seminal early work of Dead Famous People with a full length album. Fire Records tracked her down and put her in the studio where it seems the years just dropped away. Her knack for perfect melody and succinct pop bite is now aligned with the sort of precise production and baroque […]
Daily archives: 08/10/2020
6 posts
Sub Rosa I absolutely love this type of thing. I’ve had a real appetite for everything electroacoustic ever since hearing Karlheinz Stockhausen at a formative age, and diving straight in to Agitations, the first track is a satisfying monster. “Abscission One” is an immersive aperture your mind falls right into, a mirage ride of mutating drone whose chaffing frictions visually burn, elliptically bend in a figure of eight […]
Lightning Archive Michael J Sheehy‘s first solo album in ten years is one of spectral, slow beauty; the creeping, acoustic melancholy hiding a new found zest for life that seems to put much distance between it and the more desperate and depraved output of Dream City Film Club and to a lesser extent Miraculous Mule. Here, buoyed by the recent birth of a child and the opportunity for […]
Sub Rosa The group responsible for last year’s (rather excellent) Noise Of Art CD continue their no melody, no rhythm, no harmony ethos with this release that documents the carrion buzz of thirteen alternating radio sets, vintage ones dating from between 1935 and 1961.
Marionette I listened to this this morning and the rabbits came. Bear with me. I was listening on headphones, which seems the most appropriate way to access this and the rabbits started to emerge from the hedgerows as I walked through the field to work. They couldn’t hear, unless they were the psychic rabbits we’ve heard so much about in these parts, but they understood their role in […]
Zoharum The dusty kinetics of Hotel Bravo‘s opener “Hotel Paris” slope into your ear in skipping recoils, navigated by quiet words and whispered replies, periodically broken by a taut Japanese-flavoured melodic and pattering synth-washes. An ambient lamp light falls into the fragmented flux of “When The Chimes End” its stuttering percussives taking the dusty grooves of the first track to milk a purposeful sparseness that bleeds throughout this […]