For Canadian-based quartet House of Gold's self-titled debut, the synth-wielding four have taken composer and drummer Isiah Ceccarelli's luminous sketches and cast them in golden, minimalist hues, mellifluous organ tones hopping and skipping around the dreamy ethereal vocals of Eugenie Jobin.
Daily archives: 20/06/2024
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The basic premise behind this album is the use of Jo David Meyer Lysne's self-designed e-bows on guitar strings to produce naturally occurring random harmonics. As the e-bows have adjustable speeds, so the results are infinite due to other overtones created by the different resonances. There is an element of patience demanded of the player, but the end result is an absolute ever-evolving delight and when allied to Peder Simonsen's microtonal tuba, modular synth and pyrex bowls, the range of tones is pretty impressive.