Dedicated to the memory of Brian’s dear friend Trish Keenan of Broadcast, this project began as a coping strategy for the overwhelming feelings of loss her tragic death caused. Never intended to be heard by anyone and too emotionally painful to re-listen to, these tracks were put aside for years until Brian returned to the project afresh and finally completed this touching memorial.
Monthly archives: September 2024
26 posts
Scottish-Portuguese sound artist Shhe follows up 2019's self-titled album with a long, slow suite of pieces constructed with sounds gathered on a residency in Iceland. The tranquillity and peace of the fjords very much inhabits this unassuming but engaging album, the four sections rising above ambience with drones that lift the listener, giving a bird's eye view of a landscape lost under a frozen carapace.
Two very different albums from musical adventurer Matthew Bourne showcase his extraordinary approach to the keyboard in all is myriad forms. It doesn't seem that long ago that the two volumes of his collaboration with Shiver were dropped and now there is a further release from Discus, as well as a follow-up to the limited Dulcitone release on Leaf.
Birmingham 30 August – 1 September 2024 Being comprehensive with festival reviews is always a nightmare, so apologies upfront for those I missed. I’d like to blame part of that on the venues being just a smidge further away from each other that I’d like, and one of them being an O2 (and therefore a faff). Not to downplay the festival — lots of good work gone into […]
This third album from Ghostwriter, the shapeshifting collaborative project of Mark Brend (formerly of Fariña, The Palace Of Light and Mabel Joy), has been a long time coming. With work in progress preview segments having appeared online over the last few years, whilst a suitably supportive label home was sought, Tremulant has manifestly been a labour and a love to deliver to a niche section of the world at large.
Utilising an unusual collection of instruments including a hand-made French form of hurdy-gurdy called a boîte à bourdon, each construction is unique, mixing Pierre-Antoine Despatures's double bass with the scattered guitar of Benjamin Garson and the clarinet and sax of main protagonist Clémentine Ristord.
Regular readers will be aware that Datblygu are probably one of the better bands of this world, for my money, and there's a sideline there of enjoying an amount of Welsh-language music. I'm not as up as I should be, but I do know my Llwybr Llaethogs from my Fflaps. So imagine my delight (etc) when everyone's favourite Leeds-based Welsh-language mopey goth band released their debut.
...Bureau B have taken it upon themselves to make it available again and not before time. Over eight unlikely tracks and forty intriguing minutes, Jimi takes us on a trip through his mind, paring the analogue with the synthetic in a way that was unexpected at the time, but in reality was a matter of necessity. Whatever the genesis though, what came out was strangely beguiling and due to the keenness of Tommi Gronland and Mika Vainio and their fledgling Puu label, so began a fascinating thirty year career.