I’ll admit that before this album crossed my desk I hadn’t heard of Bridget Hayden before, but I’m always willing to take a listen to anything new on the folk scene, particularly as that scene is currently experiencing something of a purple patch. Having said that, anyone who has heard of Bridget before will know that she is usually more associated with lo-fi noisy drones, reverb-heavy blues and feverish waves of doom-laden sound, so this album of traditional folk appears to be going off on something of a tangent.
Yearly archives: 2025
3 posts
After branching further out of apparent comfort zones across 2024 in terms of content and format manoeuvres, Precious Recordings pivots once again, around the turn of the New Year, with three self-set-boundary-breaking releases.
For her latest adventure, the title pretty much says it all, dialling down the wilder proclivities for something more subdued; an album that allows the four players, Elin on saxes, Tobias Wiklund on cornet and trumpet, David Stackenäs on guitar and Mats Dimming on bass, plenty of low-key interaction that embraces the listener, warming the fireplace for a battened-down experience.