In taking the action away from Prague, where Meyrinck’s gothic horror takes place, Szulkin performs the neat trick of also bringing along another famous resident of that city -- Golem is as much Franz Kafka as it is Meyrinck, if not more so. Which seems a pretty obvious link to make given the subject matter, but he goes a bit deeper than that.
Monthly archives: May 2025
In this stylish but circuitous and needlessly complicated kidnap thriller, cuddly Nick Frost takes a sharp left turn away from his comedy origins and unearths his inner psychopath, as a taxi driver who may sound like a harmless cockney oaf, but who would give Travis Bickle a run for his fare.
Tocsin polished up the pared-down economy of Fetisch, broadened its expressive spectrum and increased its atmospheric pose. Producer Mick Glossop and engineer Felix Kendall did a great job of shifting the emphasis of Xmal Deutschland's sound, opening up the symphonic space and so elevating the drama. "Mondlicht"'s swooping dynamics are captivating, its pulmonary pull mining some grandiose theatrics as those heralding guitars unleash a siren spiral of voice, acidically rupturing, reined back in repeated refrains.
Marvel’s latest concoction sees a team of perfectly cast rogues, all of them at least vaguely familiar from supporting roles in prior movies and TV shows, taking on an impossible mission during which they can run, jump, punch, shoot, kick, stab and perhaps find their inner heroes along the way.
Erlend Apneseth's love of the Hardanger fiddle, Norway's national instrument, has led him on some spectacular journeys over the years. 2022's venture Nova found him exploring its evocative sounds on his own, ruminating on its harsh yet reflective tone. For the follow-up Song Over Støv, he has gathered a group of fellow travellers amongst whom are another three Hardanger players as well as another eight instrumentalists