Faber and Faber A long time ago, I wrote that Genesis P Orridge singing “marmalade” in Throbbing Gristle‘s “Hit By A Rock” on D.O.A. was the key moment in industrial music, a moment that most of the “industrial” artists that stomped around in the wake of TG utterly missed. You couldn’t imagine SPK or Clock DVA or Nine Inch Nails or whoever having “marmalade” in their lyrics
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Faber and Faber Back in 1986, some real waves were made by the publication of The Audit of War, a bitter and excoriating account of Britain’s strategic socio-economic decision-making during the first ten years after World War Two. The work was written by revisionist (military) historian Correlli Barnett, who critiqued – unfavourably and controversially – the ethos that guided Britain through its immediate decade of post-war reconstruction.
Infinity Land Press John Balance dies and becomes a kind of saint. This is a hagiography of sorts, though it doesn’t attempt to smooth edges or unwrinkle ravages; it’s clear in these beautifully-presented pages that he was a complex, maybe difficult man. It’s also clear that he was a flame that attracted people to him, a person so out there that he was able to continually make them […]
Disinformation/Strange Attractor Press “I love the dead before they rise, no farewells, no goodbyes.” Alice Cooper’s “I Love The Dead” is surely the definitive romantic ode to the dearly departed, but he was by no means the first to spend his time romanticising those now six feet under. Nikolai Federov was one of the most radical thinkers in Russia during the Nineteenth Century. For a man who lived […]