Bristol 16 June 2022 Unfortunately got to the venue a little late, but luckily managed to pick up Stereocilia’s set somewhere at the midway point. Fresh from his support slot for William Basinski at St George’s, that guitar of his was ace, caught in a filigree of looped frets, melodically across a series of brooding landscapes. A textually torn building up of layers full of dramatic swings and […]
live reviews
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Bristol 30 April 2022 There is a definite aura of devotion around The Trinity this evening. The old church is hosting a band that boasts a devoted following, some attendees having trekked around after them since their first appearance in the UK back in 1994. While undertaking their world tour, Low have chosen to invite friends and young firebrands Divide And Dissolve as support, which is a homecoming […]
Brighton 28 April 2022 It’s difficult not to use words like “hushed reverence” for a band like Low, and you wonder if someone isn’t very much testing that by hosting them in a lovely church. I’m not sure if we’re “post-“Covid, but certainly being out and about, at a gig with lights and everything, is unnerving. I’m pretty sure everyone’s forgotten how to act in public and the […]
London 8 April 2022 Waiting for The Eggs to show, I notice singer / guitarist Holly Ross‘s Selmer Treble and Bass valve amp, on top of a double-miked cab. This, along with David Blackwell’s extensive drum set on the other side of the stage, all looks very serious indeed. Unfortunately, I cant quite see Holly’s pedals. Since I am ignorant of The Lovely Eggs prior to the show, […]
London 22 March 2022 The original Penguin Café Orchestra was formed in 1972 by guitarist Simon Jeffes and cellist Helen Liebmann. They released their first album in 1976, produced by Brian Eno and released on his Obscure Records series of recordings, and the band gave its first major concert in 1976 supporting Kraftwerk at The Roundhouse.
Bristol 10 March 2022 The acoustic charms of Stroud-based Maja Lena are first up, a songbird sweetness of voice attached to a fingerpicking deftness, that ’60s Yamaha neck dwarfing her fingers, her vocals skipping like wind-blown grass to gentle tonal shifts, then leaping unexpectedly in joyous abandon. The slumbering reflections of her Christmas-themed song reverbing to those silent quilted fields, the matted mulch of morning leaves.
London 22 February 2022 OK, so what with Covid an’ all, I haven’t been to a gig in OVER TWO YEARS (Julian Cope at The Barbican, if you must know, and yes, he was ace, and yes, once again I got lost in the venue for ages because Barbican) so it’s with some trepidation that I venture into The Grace to break this ridiculous losing streak. And while I […]
London, 15 November 2021 The sense of anticipation was immense, bathed in a blue haze, monitors staring out of it like Ewok eyes, the stage remaining empty as the words “Dream the name and I will answer to it” breeze in, tantalised in sparse flickerings and occasional birdsong roughed by the distinctive rub of a cement mixer.
London 13 November 2021 It feels very strange returning (and especially reviewing) live music again after nearly a two-year absence. Some things have changed, but much was the same as before. The big thing was the crowd reaction; and starved of live music for so long, people seemed hungry to see their favourite bands again. Maybe we won’t take live music for granted and support many of the […]
London 29 February 2020 ChopChop’s music snakes round its orator like a slippery thing, cymbals replaced by the clatter of hubcaps on toms, cutlery-jammed guitars – there’s an itchy jazzy vibe to the melodics, fuelled by a fertile imagination full of bruised shapes and punkish angles.
London 12 December 2019 Stepping onto the stage at The Lexington for the final date of their European tour, Holly Golightly and her band look tired but ready to go. Holly welcomes the audience and notes that, as there is an election party scheduled to follow their gig – which was booked months before the vote had been called, of course – that the set will have to […]
London 13 November 2019 Lightning Bolt, once hilariously described to me as “a really talented drummer and bass player showing off” are back in London following the release of their ridiculously enjoyable album Sonic Citadel. Playing two sold out nights in The Underworld, it’s extremely comforting to see upon entering that they’re back where they belong, playing on the floor in a sweaty rock club.
London 14 November 2019 It’s weird being at the Electric Ballroom. Not that it’s a particularly weird venue in and of itself; I mean, it’s actually a good one. No, what’s weird about being at the Electric Ballroom is that we’re here to see New Model Army. In November. .
Bristol 11 November 2019 “My vagina’s really angry”, goes the walkie-talkie on the table, crackling in flick-knifed distortion and abrupt statics. DJ Ductape has a few people scattered about outside the venue, supplying miscellaneous inputs to her show — one random conservationist, the other drumming railings and yet another going Mozart with random Casio melodies.
London 8 November 2019 Berlin-based avant-garde guitarist Caspar Brötzmann is back in London, touring as Caspar Brötzmann Massaker, his cult power-trio featuring bassist Eduardo Delgado-Lopez and drummer Saskia Von Klitzing. Always a favourite of the experimental guitar crowd, he arrives after having supported SunnO))) in Europe and is having a resurgence of interest due to Southern Lord reissuing the majority of his back catalogue.
London 28 October 2019 The SunnO))) juggernaut rolls into London for the first time since their triumphant show at The Barbican in 2017. A quick glance at the stage after arriving confirms that Stephen O’Malley and Greg Anderson — the core members of SunnO))) since forming in 1998 — have not mellowed with age. The now-familiar columns of vintage Sunn Model T, Hi-Watt and Ampeg amplifiers are stacked impressively high […]
Bristol 25 October 2019 Well, we may have missed The Jesuits, but Bristol’s Perverts more than made up for any disappointment. The charismatic leader was decked out in a silver jumpsuit, Elvis musical staves stitched to his legs and noddy-eared headgear completing the look. He danced the stage like a demented Tellytubby with this peculiar bent-knee jig as the music behind him jutted like a no-wave convention of […]
London 19 October 2019 Compere: “Jesus is a …” Audience: “CUNT!” [giggling] This is about as highbrow as it gets all evening. Camp as the campest tits. There’s also a punter dressed as Jesus displaying his irritation at everyone wearing the “Jesus is a cunt” t-shirt. #lol #classicbants.