Bristol 8 September 2018 Luckily zero nightmares on the parking front meant we only missed a small portion of Microdeform’s set, a colour-washed dronescape, needled by fractured dissidence. These tasty elasticated hues pulling you into a kaleidoscope of blistered sunsets, spreading out in grainy after-images
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London 22 July 2018 With a backdrop of toy robots, Rodney Cromwell were first up to ply their wares. A solid three-piece with a rather special take on synth-led indie, they breeze through their upbeat and groovesome set.
Pompeii 19 July 2018 Pompeii, the city frozen in time, its people caught like statues in their death throes as the volcano erupted around them. The place is as stunningly beautiful as it is tragic; it is awe-inspiring as you feel transported back in time. The place has also become synonymous with progressive rock
London 14 July 2018 Ah, those summer OTO nights. It’s so hot in here that I can almost feel the electrolytes leeching from my body. With my dotage rapidly approaching, this is one of those sauna-with-the-clothes-on experiences which I really wouldn’t put myself through anymore were it not for the presence of genuine greatness.
Bristol 10 July 2018 Opening act Pip Blom shambled on to a very warm response from an already two-thirds full O2 Academy Bristol. One singing guitarist and one drummer share the stage with a fluffy bassist and a manic guitarist looking like a young Jerry Harrison. The rhythm section were taut and focussed, allowing the singing guitarist to throw the sweet but rather ramshackle songs out into the […]
The Royal Albert Hall, London Saturday 26 May 2018 Hi. I’ll be conducting today’s gig review. Yeah. The Radiophonic Workshop were live at the Royal Albert Hall’s Elgar Room last week, and because occasionally somebody buys me tickets to this sort of thing and drags me off with them, I was lucky enough to get to go and see the show. Little did I know that, this time, there […]
London 4-6 May 2018 Friday: Justin It’s a sunny Friday in Olde London Towne, and the weather’s predicted to be a strictly non-traditional scorcher of a May Bank Holiday weekend. What better time to punctuate outdoor drinking with a succession of slow bands in dark rooms?
London 24 April 2018 Back in 1982, in one week I went to both Tangerine Dream and the final concert by Japan, all within a couple of days of each other. Fast forward just over thirty-five years, and here I am sat at The Union Chapel about to soak in the atmospheres of the Dream again, this time supported by Japan’s wonderful keyboard player Richard Barbieri.
London 21 April 2018 A rather windswept Mark Pilkington (head honcho of Strange Attractor and one half of the esoteric surfing Téléplasmiste) is up first, treating us to a rare solo performance under guise of The Asterism. Getting jiggy with the interwebs reveals an asterism to be a pattern of stars or an optical starburst in gemstones, a somewhat apt title for the opalescent parade that follows.
London 23 March 2018 “Andrew O’Neill was living at my house, and he was doing a show about British industry in the nineteenth century and he said ‘why don’t we write some songs and we can do them as a support act for the show?’”
London 7 April 8018 The Netfix TV series Stranger Things has been the go-to visual experience for all things retro 80s in the last couple of years. Set in the town of Hawkins, various supernatural and sci-fi events set off the young protagonists in the search for the truth.
Bristol 1 April 2018 Ireland’s David Colohan (of United Bible Studies / Agitated Radio Pilot) and company start things off with a few vocal improvisations. Tales full of ancient ways, chalk and bones, lost histories and weathered stone, crow-picked carrion and curses to the universal robber-time.
The Handsome Family band play in Clapton, a very recently happening neighbourhood of London. The Round Chapel is such a lovely old venue, and this is not my first time here. In fact, all my times here have always been so emotionally charged. The Handsome Family normally charges me, so let’s see if tradition holds.
Avignon 9 February 2018 As is only to be expected, a screening of selected scenes and scores from Studio Ghibli‘s extensive catalogue of films turns out to have attracted a suitably cosmopolitan audience of all ages and subcultural inclinations to this latest ciné-concert at the hiply bohemian Pandora Cinema.
Bristol 12 February 2018 Divorcing us from context, Carter was like a travelling salesman peddling dismembered arithmetics, a volatile dance of irregularity from the inside of a wooden suitcase. That awkward caress of pipping bubble wrap and shuffling sandpaper was an intriguing proposition, a parade of mutated modulars bathed in palpitating reverses, guillotined gallop.
Bristol 23 January 2018 Loved Microdeform‘s haunted weathers. A lovely bubbling piano lighting the shadowy architectures, a trembling edifice beaming in the cross-pollination of plunging crevices and sonic apparition. Morphic memories lingering in them stretching keylines
Bristol 10 December 2017 I wake to blizzard conditions, and a transport system buckling under a four-inch surprise of snow and ice. The UK has the worst coping strategies when it comes to sudden changes in weather, it really does; so I decide against my usual journey down the M4 for a cramped train journey
London 30 November 2017 By the time I get to Heaven, Aluk Todolo are already on stage, kicking out a fine racket. I have no idea what to expect from them, but as I enter the venue I’m thinking “Neurosis”. And for the next few minutes, yes, they do sound a bit like Neurosis.